User:Tisa/GRS: Difference between revisions

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Marloes' questions:
Marloes' questions:
*Why do you want to make it?
I consider improvisation as a domain where habitual behavior and social contracts are questioned/challenged, their liminalities explored. The aspect of "hacking the human mind/the human intelligence", finding strategies that overcome habitual behavior /indoctrination, systems that produce us/, enhancing sensibility, exploring subconscious modes of operation as a proposition, opening up options to each one of us, and the way we are intrinsically intertwined.


*What do you want to make?
*What do you want to make?
I want to facilitate [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#Composing_sensibility_workshop workshops] and other forms of interactive situations (such as sound walks), or [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#.22Death_of_the_author.22 this] and [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#Who_cares.3F this], continue [https://pzwiki.wdka.nl/mediadesign/User:Tisa/practice performing] (alone and with others) in the field of sound improvisation, write and compose (scripts/compositions/exercises for humans in flow), build machines that help me think [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#Post-production_of_experience this one for example], and theoretically research the field of my interest: the friction between structure/form/composition/systems and improvisation/flow/subconscious.  
''
Does it have to be ONE thing that I make? How does this work? How interdisciplinary am i allowed to be? ... Rather than making one work, i want to make a myriad, mutually informing each other, linked to theory (testing out theoretical claims in practice, with others).
''


A system for a structuralization of my research and practice will also be constructed "on the go".
I want to facilitate [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#Composing_sensibility_workshop workshops] and other forms of interactive situations (such as sound walks), or [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#.22Death_of_the_author.22 this] and [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#Who_cares.3F this], continue [https://pzwiki.wdka.nl/mediadesign/User:Tisa/practice performing] (alone and with others) in the field of sound improvisation; write and compose (scripts/compositions/exercises for humans in flow), build machines that help me think [https://pzwiki.wdka.nl/mediadesign/User:Tisa/pending#Post-production_of_experience this one for example], and theoretically research the field of my interest: the friction between structure/form/composition/systems and improvisation/flow/subconscious.  


//what is the must of the technological aspect?
A system for a structuralization/archivation of my research and practice will also be constructed "on the go", its final form will most possibly be a website.
//how interdisciplinary am i allowed to be? > rather than making one work, i want to make a myriad, mutually informing each other, linked to theory > testing out theoretical claims in practice.


*How do you plan to make it?
*How do you plan to make it?
[https://pzwiki.wdka.nl/mediadesign/User:Tisa/research_strategies Here] is a list of my research strategies.


*What is your timetable?
*What is your timetable?
 
Practice and research simultaneous. Weekly overviews of the work made. Daily arrangement of thoughts. Prototyping continuous.
*Why do you want to make it?


*Who can help you and how?
*Who can help you and how?
Collaborators, partners in communication, theoreticians and practitioners.


*Relation to previous practice
*Relation to previous practice
Improvisation (theatre, sound, text, interpersonal) has always been
Obvious and full.


*Relation to a larger context
*Relation to a larger context
See: why, and see references.
&spell out the links.


*References/bibliography
*References/bibliography
See a list of references [https://pzwiki.wdka.nl/mediadesign/User:Tisa/research here], and my research log [https://pzwiki.wdka.nl/mediadesign/User:Tisa/research_log here].
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Homework: which five works/texts/... are key to your research? + annotations.
''Homework: which five works/texts/... are key to your research? + annotations.''


=session #1=
=session #1=

Revision as of 14:59, 29 September 2020

session #2

29-9-20

w/Marloes: https://pad.xpub.nl/p/GRS290920

&transcribe presentation points, make photos of the book

Graduate proposal guidelines > *making a proposal for yourself, scope and content, methods and formats. Short, precise, practical outline.

Marloes' questions:

  • Why do you want to make it?

I consider improvisation as a domain where habitual behavior and social contracts are questioned/challenged, their liminalities explored. The aspect of "hacking the human mind/the human intelligence", finding strategies that overcome habitual behavior /indoctrination, systems that produce us/, enhancing sensibility, exploring subconscious modes of operation as a proposition, opening up options to each one of us, and the way we are intrinsically intertwined.

  • What do you want to make?

Does it have to be ONE thing that I make? How does this work? How interdisciplinary am i allowed to be? ... Rather than making one work, i want to make a myriad, mutually informing each other, linked to theory (testing out theoretical claims in practice, with others).

I want to facilitate workshops and other forms of interactive situations (such as sound walks), or this and this, continue performing (alone and with others) in the field of sound improvisation; write and compose (scripts/compositions/exercises for humans in flow), build machines that help me think this one for example, and theoretically research the field of my interest: the friction between structure/form/composition/systems and improvisation/flow/subconscious.

A system for a structuralization/archivation of my research and practice will also be constructed "on the go", its final form will most possibly be a website.

  • How do you plan to make it?

Here is a list of my research strategies.

  • What is your timetable?

Practice and research simultaneous. Weekly overviews of the work made. Daily arrangement of thoughts. Prototyping continuous.

  • Who can help you and how?

Collaborators, partners in communication, theoreticians and practitioners.

  • Relation to previous practice

Obvious and full.

  • Relation to a larger context

See: why, and see references. &spell out the links.

  • References/bibliography

See a list of references here, and my research log here.

///////

Homework: which five works/texts/... are key to your research? + annotations.

session #1

17-9-20

w/Steve, Marloes, Natasha: https://pad.xpub.nl/p/GRS_session1_20_21