Sonia/tutorial feedback: Difference between revisions
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==22 JAN 2019 / SIMON== | |||
Showed Eye project. <br> | Showed Eye project. <br> | ||
FEEDBACK: Positive. A classic experimental film with one idea carried through the piece. <br> | FEEDBACK: Positive. A classic experimental film with one idea carried through the piece. <br> | ||
ARTIST REFERENCES: Len Lye, NZ born kinetic sculptor and experimental film artist. <br> | ARTIST REFERENCES: Len Lye, NZ born kinetic sculptor and experimental film artist. <br> | ||
==5 FEB 2019 / DAVID== | |||
5 | |||
PROBLEM: Unsure how to take my self-directed research forward <br> | PROBLEM: Unsure how to take my self-directed research forward <br> | ||
TIPS: <br> | TIPS: <br> | ||
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Using the space as a vehicle to facilitate investigations into how a space can realte to time itself <br> | Using the space as a vehicle to facilitate investigations into how a space can realte to time itself <br> | ||
Contemplative process <br> | Contemplative process <br> | ||
==4 MAR 2019 / JAVI== | |||
4 | |||
Feedback on Pendulum: could have extended the build up. He thought the polarisation artefacts were lights. | Feedback on Pendulum: could have extended the build up. He thought the polarisation artefacts were lights. | ||
Recommended reading: Post-photography: The Artist With a Camera - Robert Shore | Recommended reading: Post-photography: The Artist With a Camera - Robert Shore | ||
== 18 MAR 2019 / SIMON== | |||
18 | |||
Showed my "What does it take to make a contemplative practice?" essay. Simon inclined to not steer me to Post-Media / International Art Speak territory. | Showed my "What does it take to make a contemplative practice?" essay. Simon inclined to not steer me to Post-Media / International Art Speak territory. | ||
OBSERVATIONS <br> | OBSERVATIONS <br> | ||
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* Stereoscopic photographs 19th century. Max. depth of field. | * Stereoscopic photographs 19th century. Max. depth of field. | ||
* 2 contacts and a lucky break. (or thereabouts) | * 2 contacts and a lucky break. (or thereabouts) | ||
== 18 MAR 2019 / DAVID == | |||
Onorato Krebs image. He sees it as gimmickry. cheap. https://tonk.ch/adding-adding-adding/ | Onorato Krebs image. He sees it as gimmickry. cheap. https://tonk.ch/adding-adding-adding/ | ||
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My issue. I am neither drawn to, connect with or inspired by the above two artists. Not sure if it's simply a matter of taste here. Time needed to process. | My issue. I am neither drawn to, connect with or inspired by the above two artists. Not sure if it's simply a matter of taste here. Time needed to process. | ||
==15 APR 2019 / INE == | |||
Revision as of 20:39, 15 April 2019
22 JAN 2019 / SIMON
Showed Eye project.
FEEDBACK: Positive. A classic experimental film with one idea carried through the piece.
ARTIST REFERENCES: Len Lye, NZ born kinetic sculptor and experimental film artist.
5 FEB 2019 / DAVID
PROBLEM: Unsure how to take my self-directed research forward
TIPS:
Be deliberate, create a situation, stage an image, still life.
ARTIST REFERENCES: Thomas Demand, Jeff Wall "Concrete Ball", Gabor Osz "The Physical Level"
PROBLEM: How to write a proposal for Lucy Art Residency
TIPS:
Don't mention that I'm a student
Discuss time and space related to the location of the place.
Camera Obscura/Cyanotype
Talk about distance, time and abstraction
Using the space as a vehicle to facilitate investigations into how a space can realte to time itself
Contemplative process
4 MAR 2019 / JAVI
Feedback on Pendulum: could have extended the build up. He thought the polarisation artefacts were lights.
Recommended reading: Post-photography: The Artist With a Camera - Robert Shore
18 MAR 2019 / SIMON
Showed my "What does it take to make a contemplative practice?" essay. Simon inclined to not steer me to Post-Media / International Art Speak territory.
OBSERVATIONS
My work deals with time.
SUGGESTIONS
- Explore micro-specificity of time. Time spent on a photograph is not just one thing. Map out usage of time when making a photograph (every aspect). Taxonomy of time.
Recommended reading/watching:—
- Berger on Drawing -John Berger.
- Theory of Colours - Goethe
- The Craftsman - Richard Sennett
- The Red Shoes - Powell & Pressburger "The Archers"
- Muybridge (other work)
MISC. TOPICS
- Stereoscopic photographs 19th century. Max. depth of field.
- 2 contacts and a lucky break. (or thereabouts)
18 MAR 2019 / DAVID
Onorato Krebs image. He sees it as gimmickry. cheap. https://tonk.ch/adding-adding-adding/
Need to take the object outside of it’s context. the optical things out of the lab. What does it mean when you use a lenticular sheet in the forest, on my face. if you’re talking about exposing things that are hidden, shift the context to be about politics, sex, gender, etc.
He was drawn to my Instagram photo of #neglected. (Rotterdam basketball court outside Nan Wang’s studio).
If I’m interested in exposing hidden systems. what hidden systems am i interested in exploring?
RECOMMENDATIONS:
Nina Katchadourian - long haul flight works. Seat head. https://www.youtube.com/watch?v=4xls3E48SEs&feature=youtu.be
Georgio Morandi
https://www.google.com/search?q=morandi&safe=off&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjJopKl5ovhAhVEEVAKHbXKCYwQ_AUIDigB&biw=1440&bih=794
My issue. I am neither drawn to, connect with or inspired by the above two artists. Not sure if it's simply a matter of taste here. Time needed to process.