User:Taaaaaaaaeto: Difference between revisions

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↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, might develop in the future)'']]
↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, might develop in the future)'']]




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'''<u>WATCH</u>'''
'''<u>WATCH</u>'''


<nowiki>https://mubi.com/films/im-a-cyborg-but-thats-ok</nowiki>
https://mubi.com/cast/chris-marker


https://mubi.com/films/the-farewell-2019
https://mubi.com/films/the-farewell-2019
https://www.e-flux.com/video/533278/hiwa/
https://mubi.com/cast/peter-tscherkassky
https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv




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Capitalist Realism
Capitalist Realism
Postcapitalist Desire: The Final Lectures
Foucault Discipline and Punish The Birth of the Prison
In the Blink of an EYE




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George Romero
George Romero
Gorge Romero


Wes Craven
Wes Craven
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https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/
https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/
https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks
Defamiliarisation (in editing) https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html


giuseppe penone
giuseppe penone
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The Third Eye exhibition in Paris
The Third Eye exhibition in Paris
https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/
Protest Art

Revision as of 22:11, 14 April 2023

ON GOING PROJECTS


TO MY MOTHERLAND (temporary working title)


↘ Writing through Editing Seminar - Change meaning of Archive Footages (plan to devolop)



FINISHED PROJECTS

THE HOLY SPONGE (EYE Research lab)


TURNING TIDE AND CATARACT (Bachelor Thesis, might develop in the future)


RW & RW

WHAT / HOW / WHY

SELF-DIRECTED INTERVIEW

WHAT TIME IS IT IN ROTTERDAM?

TeScratch

TeAnnotation

Text on Practice


RANDOM SCRATCH

What else could it be?

WAS THERE, THEN GONE.

เศษซากอดีตที่เคยรุ่งโรจน์

visibility is a trap

HOME is where the haunt is.

This is the broken one

I see nothing but my sadness.

Who is your audience?

What is your position?

Who is able to read?

IS IT A GOOD IDEA? but it never stops developing.

Make invisible visible.


LISTS

WATCH

https://mubi.com/cast/chris-marker

https://mubi.com/films/the-farewell-2019

https://www.e-flux.com/video/533278/hiwa/

https://mubi.com/cast/peter-tscherkassky

https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv



READ

Eve Tuck and C.Reed - A glossary of haunting

Capitalist Realism

Postcapitalist Desire: The Final Lectures

Foucault Discipline and Punish The Birth of the Prison

In the Blink of an EYE



RESEARCH

postmodern cinema

https://fr.wikipedia.org/wiki/Gregg_Araki

Douglas Gordon

Raphael Montanez Ortiz

Dario Argento

Robert Bresson

George Romero

Wes Craven

John Carpenter

Hito Steyerl

Guy Sherwin

Harun Farocki

On Kawara

https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/

https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks

Defamiliarisation (in editing) https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html

giuseppe penone

Silueta series

The Third Eye exhibition in Paris

https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/

Protest Art