User:Bnstlv/methods: Difference between revisions
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* Why LNG? it is gas that has been liquified; compression, liquifying; being put under pressure or exposed to a certain temperature that changes its state (from gas to liquid); stores energy that can be channelled later. | * Why LNG? it is gas that has been liquified; compression, liquifying; being put under pressure or exposed to a certain temperature that changes its state (from gas to liquid); stores energy that can be channelled later. | ||
[[File:LNG-and-Aquamarine.jpg|thumb|right|Aquamarine and Flame of natural gas] | [[File:LNG-and-Aquamarine.jpg|thumb|right|Aquamarine and Flame of natural gas]] | ||
Afternoon | Writing a poem and making the prism<br> | Afternoon | Writing a poem and making the prism<br> |
Revision as of 21:33, 15 February 2023
Methods 01 Seeds were planted
Pad: Le Guin, acacia seeds and un-naming
Steve // intro+work
- Le Guin, acacia seeds and un-naming
- Ursula K. Le Guin on Wikipedia
- Hainish Cycle
- The Left Hand of Darkness
- Earthsea
- The Carrier Bag Theory of Fiction
Methods 02 What-How-Why
transclusion-cards - Stephen and I worked on making a card about the process of "transcluding" content.
Reading list
Methods 03 Deck of Cards
Pad: Making Deck of Card about Gardening
Methods 05 A textile, a Framework
Jan 18, The Ruling Ideas
Pad: The Ruling Class and the Ruling Ideas
Today's session was very interesting. In the first half of the day, we observed and discussed an illustration by Chad McCail. The three panels depict how robots run zombies for wealthy parasites and according to Karl Marx. At first, the visualisation reminded me of 'The Garden of Earthly Delights', a triptych by Hieronymus Bosch. The longer I look, the more things I see in common between the two pieces, from the illustrative approach of each author to the vivid imagery, to the complexity of symbolic meaning.
Later, we read and discussed Chapter 1, p.9-12, Pad: The Ruling Class and the Ruling Ideas by Marx and Engels. We ended the day with another discussion about weddings as rituals, what they share in terms of characteristics, and how all those relate to games.
Jan 25, Ideology in everyday
Pad: Outcome: reading ideology in popular games
Morning | Superstructure <-> Base Alternative
We talked about Marx's theory of the Base-Superstructure model. We made our version of it on Monday and today we expanded it a little more by adding the counterhegemony component.
- Counterculture - Counterhegemony - False consciousness
The Ideology-Medium-Production structure does not necessarily have to be presented in a hierarchical way or vertically. In this case, they are seen as an example of a timeless process propelled by each end.
Imagine it as two circles connected to each other, like an 8 or an infinity sign (∞).
The connection is made by Medium. It plays the role of the processing tool (ground) that signals the Ideology that has been produced. As to Production, it converts the ruling idea into various executable forms, such as art, science, media, religion, politics, culture and so on.
Basically, Medium shapes and maintains this version of Marx's theory.
Afternoon | Playing and annotating games
In the second half of the day, Steve suggested playing games and annotating them following this method:
Annotating games: - One-sentence synopsis - Role (identification) - Social reproduction (what real-world values are reproduced in the game you are playing?) - How are you situated in the hierarchy of the game? - What change in status is promised? (you may move up a level but you stay in the same position.) - What are you being trained for?: - What fantasies are lived out or explored?
I found particularly interesting Ada's thoughts on the Sims and Simcity games, along with her interpretation of what ideologies the games we played today are reinforcing. It was a super engaging conversation.
Here are some snapshots of one of the games I played, it's called Who is lying?. Also checked this one: Sugar, Sugar, and kinda liked this one Maze: Path of Ligth.
Feb 1, Writing fan fiction
Morning | Create an alternative storyline for the game
We analyzed the ideology behind the game [Papa Louie: When Pizzas Attack 'Papa Louie: When Pizzas Attack'] and discovered elements that reinforce capitalist narrative, such as the need to fight to survive and collect coins to purchase weapons. In response, we have decided to create a new version of the game with a storyline that focuses on healing and coping with grief and loss, rather than violence. Also, to link our storyline to SI20 we wanted to add somehow ritalistc elements as actions dring the gameplay.
Our team (Ada, Suzan and I) started with putting some keywords and suggestions on a black board How To Cope With Grif and How to Use Rituals and Ceremonies to Overcome Grief to define what Papa Louie lost and what rituals could help him heal.
Afternoon | Make a comic-like storyboard
We liked the idea of making a comic-like storyboard that visualises the new narrative for Papa Louie's Ghosteria. To create a few scenes depicting some of the 5 levels we outlined earlier, we used an app called Papa Louie Pals. The images turned out pretty nice! Playing around with the app was fun mainly because it allowed us to materialise our idea in just a couple of hours.
Papa Louie Pals, Google Play Papa Louie Pals, App store
Feb 15, Modding an oracle deck
Pad: Modding oracle decks - clicker game continued
Morning | Modding We continued working on our ideas from Monday about modding oracle decks or clicker games. Steve helped us set an aim for the day that is achievable and presentable. I continued the project Cara and I started about the holographic oracle deck. My goal was to make (prototype) a simple example of one holographic card combining a crystal and the energy source it represents. After doing some research I decided to work with Aquamarine and Liquified natural gas (LNG) as my first example.
- Why Aquamarine? It looks like water that has been crystallised; storing energy; compression, hardening, being under pressure or exposed to a certain temperature that changes its state (from liquid to solid)
- Why LNG? it is gas that has been liquified; compression, liquifying; being put under pressure or exposed to a certain temperature that changes its state (from gas to liquid); stores energy that can be channelled later.
Afternoon | Writing a poem and making the prism
A Poem about Aquamarine
Today’s gem is Aquamarine
Let’s marvel at its colors so pristine
From pale-blue to light-green
It keeps us awake just like caffeine
Deep in a cave we go
reaching times long ago
Walls from stoney draperies
telling us of Earth’s vivid memories
So many treasures we commodified
excavated, solidified or liquefied
Different states tamed by time and pressure
from gas to liquid to solid for our pleasure
Our kitchen stove runs on natural gas
From zero to hundred degrees, in just a blast
Often stored in deep pools of blue
perhaps, with enchanting turquoise hue
Natural gas is ephemeral unless liquified
so it satisfies our great needs and desire
Crystals like gas have no shape or form
yet through storing the energy they let us perform
and transform.