User:Louisa: Difference between revisions

From XPUB & Lens-Based wiki
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Liquid [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---LIQUID-A4-FINAL-resampled.pdf PDF] [https://pad.xpub.nl/p/LIQUID PAD]
Liquid [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---LIQUID-A4-FINAL-resampled.pdf PDF] [https://pad.xpub.nl/p/LIQUID PAD]
==Main links== <br>
> https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture
{| class="wikitable" style="margin:2em 1em;background-color:white;border:0;padding:1em;text-align:left;width:100%;max-width:750px;" cellpadding="10"
|-
! Word !! Authors !! PDF (small)
|-
| LIQUID || Rachel Armstrong, Andrea Božic & Julia Willms (TILT) || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---LIQUID-A4-FINAL-resampled.pdf link]
|-
| OTHERNESS || Daniel L. Everett, Sarah Moeremans || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---OTHERNESS---singles--resampled.pdf link] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---OTHERNESS---singles-images-resampled.pdf link] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---OTHERNESS-TENSE-resampled.pdf link]
|-
| PRACTICAL VISION || Moses Kilolo (Jalada), Klara van Duijkeren & Vincent Schipper (The Future) || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION---singles-imges-resampled.pdf link] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION---singles-resampled.pdf link] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION-TF-resampled.pdf link]
|-
| ECO-SWARAJ || Ashish Kothari, Rodrigo Sobarzo || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---ECO-SWARAJ---FINAL-SINGLES-ARTIST-resampled.pdf link] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---ECO-SWARAJ---FINAL-SINGLES-resampled.pdf link]
|-
| HOPE || Gurur Ertem, Ogutu Muraya || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---HOPE---FINAL-SINGLES-resampled.pdf  link]
|-
| TENSE || Simon(e) van Saarloos, Eilit Marom & Anna Massoni & Elpida Orfanidou & Adina Secretan & Simone Truong || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf link] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---TENSE---RESPONSE-resampled.pdf link]
|-
| UNDECIDABILITY || Silvia Bottiroli, Jozef Wouters || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---UNDECIDABILITY---text-resampled.pdf link]
|-
| RESURGENCE || Isabelle Stengers, Ola Macijewska || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---RESURGENCE-3-resampled.pdf link]
|-
| !? || Nina Power, Michiel Vandevelde || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---!__-resampled.pdf link]
|-
| ATATA || Natalia Chavez Lopez, Hilda Moucharrafieh || [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/raw/branch/master/pdfs-small/Words-for-the-Future---ATATA_single-resampled.pdf link]
|}


===<p style="color: #686966; font-family: garamond; text-decoration:none; text-shadow: 1px 1px 3px #e0dfd1, 1px 2px 4px #e0dfd1">issue #14</p>===
===<p style="color: #686966; font-family: garamond; text-decoration:none; text-shadow: 1px 1px 3px #e0dfd1, 1px 2px 4px #e0dfd1">issue #14</p>===

Revision as of 12:57, 14 October 2020

PT5rqyzgc.gif


I am working with themes around gaming and the effect of new technologies on the player's perception of reality. By analysing gameplay methods and implementing them into RL settings, I am creating scenarios in which the viewer turns into the protagonist of an interactive fictional narrative.
my shitty website

☣ present

☣ issues

issue #13

Words/publications to edit: ?!, Undecidability, Resurgence, Liquid
with Nami, Clara, Kendal

?! PDF PAD NEW PAD

Undecidability PDF PAD

Resurgence PDF PAD

Liquid PDF PAD

==Main links==
> https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture

Word Authors PDF (small)
LIQUID Rachel Armstrong, Andrea Božic & Julia Willms (TILT) link
OTHERNESS Daniel L. Everett, Sarah Moeremans link link link
PRACTICAL VISION Moses Kilolo (Jalada), Klara van Duijkeren & Vincent Schipper (The Future) link link link
ECO-SWARAJ Ashish Kothari, Rodrigo Sobarzo link link
HOPE Gurur Ertem, Ogutu Muraya link
TENSE Simon(e) van Saarloos, Eilit Marom & Anna Massoni & Elpida Orfanidou & Adina Secretan & Simone Truong link link
UNDECIDABILITY Silvia Bottiroli, Jozef Wouters link
RESURGENCE Isabelle Stengers, Ola Macijewska link
!? Nina Power, Michiel Vandevelde link
ATATA Natalia Chavez Lopez, Hilda Moucharrafieh link

issue #14

issue #15

☣ prototyping

python

21-9-20 Python Syntax workshop notes

Notebook, integrated development environment like processing, see immediate changes. Too seamless? Notebook = best of both worlds. New way of publishing ideas/code/discourse around code. Used to visualise data. Other servers apart from xpub server to use. Possible to run offline. Multiple ways of using program. Python running on the background.

->lab interface with split screen.

console: also used for terminal, typing commands, back and forth dialog. Typed commands interpreted as python code. read->eval->print= interactive mode of language. Reading what you wrote, process and spit result back.

notebook: fusion of console with more of a publishing idea. Possible to type "regular" text. Different modes: code/markdown, markdown is normal text but can be edited with special characters to make cursive for example. Also possible to move different blocks around to built a mix of text and code. Creating hyperdocuments.

literate programming
literateprogramming.com/knutweb.pdf
styling markdown

The House of Dust
repetitive structure: "A house of .." makes it feel more like a poem. Looping similar to code. producing unpredictability.

Variables
random function is a paradox since computers are naturally predictable so more like "pseudo-random".

Parsing
"reading carefully", program breaking apart the different types of input.

TRY 1

generated poems

In a world of distance, I find myself in hollow frameworks. Surrounded by my tangled memories, all I can see now is void. In a world of comfort, I find myself in hollow frameworks. Surrounded by my tangled memories, all I can see now is fractions. In a world of distance, I find myself in blinding noise. Surrounded by my nightly terrors, all I can see now is void. In a world of distress, I find myself in darkened space. Surrounded by the echos of passing sounds, all I can see now is void. In a world of comfort, I find myself in hollow frameworks. Surrounded by the echos of passing sounds, all I can see now is void. In a world of distress, I find myself in darkened space. Surrounded by my tangled memories, all I can see now is fractions. In a world of comfort, I find myself in blinding noise. Surrounded by my tangled memories, all I can see now is a new light. In a world of distance, I find myself in hollow frameworks. Surrounded by the echos of passing sounds, all I can see now is a new light. In a world of comfort, I find myself in hollow frameworks. Surrounded by the echos of passing sounds, all I can see now is void.

TRY 2 I want to learn how to make the python code an .exe file. https://www.youtube.com/watch?v=UZX5kH72Yx4 Mainly because I want to have the option of giving input like you would use a chatbot to add a level of interactivity. Screenshot (279).png

TRY 3 Turns out i'm an idiot and all i needed was the input() function. I am now trying to code a text adventure from scratch to possibly use for a non-linear reading experience of the words for the future issues:

Screenshot (346).png

YouTube Tutorial on python text adventure:

https://youtu.be/DEcFCn2ubSg

https://youtu.be/ypNFNr72Xe8

https://youtu.be/dVjs6HI9MCs

projects

Trouble Shooter 2020

Screenshot (204).png

1 Euro Cinema online

1eurocinema-wip.png 1eurocinema-wip(2).png

Ultra-Stream

https://pad.xpub.nl/p/Ultra-Stream PT5rqyzgc.gif

☣ past


theory

Overwriting Reality (BA Thesis)


☣ thinking about

learning interests

theory

gamified user-profiling

I am interested in the techniques of gamified user-profiling used by companies to target users online with personalised ads/content. PT5rqyzgc.gif

coding

three.js

I am learning three.js in order to be able to create accessible 3D environments inside the browser.

set-up/techniques

automated escape room

I would like to connect a computer game with sensors and buttons in a real space which affect the stage of the game and vice versa.

multi-user dungeon

My goal is to make a multi-user online game which can be extended and changed by other users in real time.