Jujube/voor-assessment: Difference between revisions
No edit summary |
No edit summary |
||
| Line 61: | Line 61: | ||
'''[[Jujube/methods-research-group#What_have_I_been_reading_so_far.3F|what I have read | '''[[Jujube/methods-research-group#What_have_I_been_reading_so_far.3F|what I have read]]''' - - - '''[[Jujube/methods-research-group#How_is_my_research_related_to_this_research_group.3F | the past is now]]''' | ||
</div> | </div> | ||
| Line 80: | Line 80: | ||
[[File:Garage-cafe-documentation.jpg | 250px]] | [[File:Garage-cafe-documentation.jpg | 250px]] | ||
empathy through autobiography | empathy through autobiography, and autobiography through documentary | ||
autobiography through documentary | |||
</div> | </div> | ||
| Line 123: | Line 121: | ||
== developing criteria & evolving practice == | == developing criteria & evolving practice == | ||
I am becoming acutely aware of the medium I choose. I choose the moving image, and am creating for the cinema or cinema-like experiences. | I am becoming more acutely aware of the medium I choose. I choose the moving image, and am creating for the cinema or cinema-like experiences. | ||
Revision as of 21:26, 26 March 2019
TODO
- files
- jullie clip, still
- seek clip, still
- floorplan still
- lara (edited with new shots) trailer
- mia trailer
- amy trailer
05.02.19
Su,
I used to, perhaps still am, obsessed with the precision of words.
If someone misuses a word, I get annoyed. You can count that as a fact.
But then, when it comes to an idea, I am the opposite of precise.
I become very vague.
Is that how I seek refuge?
My distrust towards the world.
But how can I move the world if I cannot trust it?
This is my dilemma.
a feeling, Zumthor, phenomenology
empathy through autobiography, and autobiography through documentary
24.03.19
I am notating, writing, discussing, organizing, editing, shooting, baking:
feminist film theory, my own position against (or within) it, my discomfort (but also disdain, rather haphazardly), an event of a collective in formation/meetings with people I want to make into moving image, footage of someone else, my own footage, bread.
I keep telling myself to keep calm and give myself the permission to pause. So far it seems to work — as long as I am not overworked — I feel okay. But perhaps I am turning one obsessiveness into another, which is now more obviously work, a durational performance that is too coded for others and not that transparent to myself.
How do you answer that question now — what do you do?
Ingredient list✴︎
- performance
- applying, communicating, meeting, performance, meeting, shooting✻
- Jujube/collective
- instigating, meeting, writing, communicating, meeting
- Jujube/miard-collaboration-notes
- taking chance, meeting, writing, communicating, meeting, collaborating honestly
✴︎all concoctions contain meetings
✻on my own or with recruited and trusted help
developing criteria & evolving practice
I am becoming more acutely aware of the medium I choose. I choose the moving image, and am creating for the cinema or cinema-like experiences.
- from seek
- understanding the medium: Jujube/cinematography, the Cinematic
- production of the image: Objectivity
- relationship with theories
- essay #2
- practice
- Jujube/practice