User:Taaaaaaaaeto: Difference between revisions

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[[File:Sponge Sculpture.jpg|none|thumb|569x569px|'''[[LONG LIVE THE SPONGE]]''']]
[[File:Sponge Sculpture.jpg|thumb|569x569px|'''[[LONG LIVE THE SPONGE]]'''|center]]
 
 
 
 
 
 
 


<span style=" font-family: monospace">  
<span style=" font-family: monospace">  


===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">ON GOING PROJECTS ===
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">ON GOING PROJECTS ===
↘
[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]|none|alt=]]




↘
[[File:Dutch - Thai Flags.jpg|none|thumb|403x403px|'''TO MY MOTHERLAND''' ''(temporary working title)'']]


↘ <big>Graduation Project</big>
[[File:New Product Part3.gif|none|thumb|400x400px|'''[[TO MY MOTHERLAND|DREAM WEAVER 555]]''' ]]
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●




↘ Writing through Editing Seminar - Change meaning of Archive Footages ''(plan to devolop)''
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">FINISHED PROJECTS  ===


{{youtube|fJ5SJ5aZRhg}}
↘
[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]


{{youtube|ZIbYTH_BFeg}}
[https://2223.mywdka.nl/roomforsound/author/1053577/ RESIDENCY AT ROOM FOR SOUND]|none|alt=]]








===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">FINISHED PROJECTS ===
↘[[File:The_Holy_Sponge_จ้า.gif|400x400px|'''[[THE HOLY SPONGE]]''' ''(EYE Research lab)''|thumb|none]]






↘[[File:The_Holy_Sponge_จ้า.gif|400x400px|'''THE HOLY SPONGE''' ''(EYE Research lab)''|thumb|none]]
↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, will continue this methodology in the future)'']]






↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, might develop in the future)'']]
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●




===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">RW & RW ===
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">RW & RW ===
[[WHAT / HOW / WHY|WHAT / HOW / WHY]]
'''YEAR 1'''
 
[[WHAT / HOW / WHY]]


[[SELF-DIRECTED INTERVIEW|SELF-DIRECTED INTERVIEW]]
[[SELF-DIRECTED INTERVIEW|SELF-DIRECTED INTERVIEW]]
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[[Text on Practice - Te|Text on Practice]]
[[Text on Practice - Te|Text on Practice]]
[[TE - Project that may or may not be made|Project that may or may not be made]]
'''YEAR 2'''
[[Te-GRS|GRS - Rapid Prototypes]]
[[Te - Project Proposal|Project Proposal]]
[[Te - Thesis Outline|Thesis Outline]]
[[Te - Thesis First Chapter|Thesis]]
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●




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visibility is a trap
visibility is a trap


HOME is where the haunt is.
HOME is where the haunt is. (Ghosts of my life)


This is the broken one
This is the broken one


I see nothing but my sadness.
I see nothing but my sadness.
IS IT A GOOD IDEA? but it never stops developing.
Make invisible visible.
Time is a fluid construct. -> Present is a product of national myths and histories.
Can you distrust what you see?
CAN I REALLY TRUST YOU?
Get up! before you fall asleep again. (รักที่ขอนแก่น)
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">NOTES/QUESTIONS===
'''Document the process more.'''
Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->
Concern more about the audience.
Think about who the audience is in next/each work.


Who is your audience?
Who is your audience?
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Who is able to read?
Who is able to read?


IS IT A GOOD IDEA? but it never stops developing.
like to MANIPULATE & play with audience’s perception.
 
Politics and Filmmaking share something in common -> Manipulation, Hierarchy


Make invisible visible.


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS ===
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS ===
'''WATCH'''
'''<u>WATCH</u>'''


<nowiki>https://mubi.com/films/im-a-cyborg-but-thats-ok</nowiki>
They live


https://mubi.com/cast/chris-marker


https://www.e-flux.com/video/533278/hiwa/


'''READ'''
https://mubi.com/cast/peter-tscherkassky


Eve Tuck and C.Reed - A glossary of haunting
https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv


https://dafilms.com/film/14407-incident-in-the-museum




'''RESEARCH'''


postmodern cinema


https://fr.wikipedia.org/wiki/Gregg_Araki
'''<u>READ</u>'''
 
A glossary of haunting - Eve Tuck and C.Reed
 
Capitalist Realism - Mark Fisher
 
Postcapitalist Desire: The Final Lectures - Mark Fisher
 
The Weird and the Eerie - Mark Fisher
 
Discipline and Punish The Birth of the Prison - Michel Foucault
 
In the Blink of an EYE - Walter Murch
 
[https://www.google.nl/books/edition/_/F1wLDsrhms4C?hl=en&gbpv=1 Language Adaptation]
 
 
 
 
'''<u>ARTIST</u>'''
 
Gregg Araki


Douglas Gordon
Douglas Gordon
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George Romero
George Romero
Gorge Romero


Wes Craven
Wes Craven


John Carpenter
John Carpenter
Hito Steyerl
Guy Sherwin
Harun Farocki
On Kawara
Tehching Hsieh


giuseppe penone
giuseppe penone
Bill Viola
Bruce Nauman
Cory Arcangel
Dara Birnbaum
Tony Oursler
Steina and Woody Vasulka
Joan Jonas
Pauline Oliveros
mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest
Santiago Alvarez
Cauleen Smith
The Yes Man
'''<u>RESEARCH / SITE</u>'''
postmodern cinema
https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/
https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks
Defamiliarisation https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization


Silueta series
Silueta series


The Third Eye exhibition in Paris
The Third Eye exhibition in Paris
https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/
Protest Art
https://archive.org/details/prelinger
https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j
Adaptation of Language
[https://www.masterclass.com/articles/what-is-an-unreliable-narrator-4-ways-to-create-an-unreliable-narrator-in-writing Unreliable Narrator]
Droste Effect

Latest revision as of 15:27, 24 May 2024

LONG LIVE THE SPONGE





ON GOING PROJECTS

↘ Graduation Project

DREAM WEAVER 555


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


FINISHED PROJECTS

↘

SOMETHING THAT See Archive RESIDENCY AT ROOM FOR SOUND



↘

THE HOLY SPONGE (EYE Research lab)


↘

TURNING TIDE AND CATARACT (Bachelor Thesis, will continue this methodology in the future)


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


RW & RW

YEAR 1

WHAT / HOW / WHY

SELF-DIRECTED INTERVIEW

WHAT TIME IS IT IN ROTTERDAM?

TeScratch

TeAnnotation

Text on Practice

Project that may or may not be made


YEAR 2

GRS - Rapid Prototypes

Project Proposal

Thesis Outline

Thesis





●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


RANDOM SCRATCH

What else could it be?

WAS THERE, THEN GONE.

เศษซากอดีตที่เคยรุ่งโรจน์

visibility is a trap

HOME is where the haunt is. (Ghosts of my life)

This is the broken one

I see nothing but my sadness.

IS IT A GOOD IDEA? but it never stops developing.

Make invisible visible.

Time is a fluid construct. -> Present is a product of national myths and histories.

Can you distrust what you see?

CAN I REALLY TRUST YOU?

Get up! before you fall asleep again. (รักที่ขอนแก่น)


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


NOTES/QUESTIONS

Document the process more.

Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->

Concern more about the audience.

Think about who the audience is in next/each work.

Who is your audience?

What is your position?

Who is able to read?

like to MANIPULATE & play with audience’s perception.

Politics and Filmmaking share something in common -> Manipulation, Hierarchy


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

LISTS

WATCH

They live

https://mubi.com/cast/chris-marker

https://www.e-flux.com/video/533278/hiwa/

https://mubi.com/cast/peter-tscherkassky

https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv

https://dafilms.com/film/14407-incident-in-the-museum



READ

A glossary of haunting - Eve Tuck and C.Reed

Capitalist Realism - Mark Fisher

Postcapitalist Desire: The Final Lectures - Mark Fisher

The Weird and the Eerie - Mark Fisher

Discipline and Punish The Birth of the Prison - Michel Foucault

In the Blink of an EYE - Walter Murch

Language Adaptation



ARTIST

Gregg Araki

Douglas Gordon

Raphael Montanez Ortiz

Dario Argento

Robert Bresson

George Romero

Wes Craven

John Carpenter

Hito Steyerl

Guy Sherwin

Harun Farocki

On Kawara

Tehching Hsieh

giuseppe penone

Bill Viola

Bruce Nauman

Cory Arcangel

Dara Birnbaum

Tony Oursler

Steina and Woody Vasulka

Joan Jonas

Pauline Oliveros

mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest

Santiago Alvarez

Cauleen Smith

The Yes Man



RESEARCH / SITE

postmodern cinema

https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/

https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks

Defamiliarisation https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization

Silueta series

The Third Eye exhibition in Paris

https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/

Protest Art

https://archive.org/details/prelinger

https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j

Adaptation of Language

Unreliable Narrator

Droste Effect

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