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[[File:Sponge Sculpture.jpg|none|thumb|569x569px|'''[[LONG LIVE THE SPONGE]]''']]
[[File:Sponge Sculpture.jpg|thumb|569x569px|'''[[LONG LIVE THE SPONGE]]'''|center]]






== '''On Going Projects''' ==


[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]|none|alt=]]




[[File:Dutch - Thai Flags.jpg|none|thumb|403x403px|'''TO MY MOTHERLAND''' ''(temporary working title)'']]




<span style=" font-family: monospace">
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">ON GOING PROJECTS ===
↘ <big>Graduation Project</big>
[[File:New Product Part3.gif|none|thumb|400x400px|'''[[TO MY MOTHERLAND|DREAM WEAVER 555]]''' ]]
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">FINISHED PROJECTS  ===
[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]


↘ Writing through Editing Seminar - Change meaning of Archive Footages ''(plan to devolop)''
[https://2223.mywdka.nl/roomforsound/author/1053577/ RESIDENCY AT ROOM FOR SOUND]|none|alt=]]


{{youtube|fJ5SJ5aZRhg}}


{{youtube|ZIbYTH_BFeg}}




↘[[File:The_Holy_Sponge_จ้า.gif|400x400px|'''[[THE HOLY SPONGE]]''' ''(EYE Research lab)''|thumb|none]]




== '''Finished Projects''' ==


↘[[File:The_Holy_Sponge_จ้า.gif|400x400px|'''THE HOLY SPONGE''' ''(EYE Research lab)''|thumb|none]]
↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, will continue this methodology in the future)'']]






↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, might develop in the future)'']]
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●




===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">RW & RW ===
'''YEAR 1'''


== '''RW&RM''' ==
[[WHAT / HOW / WHY]]
[[WHAT / HOW / WHY|WHAT / HOW / WHY]]


[[SELF-DIRECTED INTERVIEW|SELF-DIRECTED INTERVIEW]]
[[SELF-DIRECTED INTERVIEW|SELF-DIRECTED INTERVIEW]]
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[[Text on Practice - Te|Text on Practice]]
[[Text on Practice - Te|Text on Practice]]


</tt>
[[TE - Project that may or may not be made|Project that may or may not be made]]
 
 
'''YEAR 2'''
 
[[Te-GRS|GRS - Rapid Prototypes]]
 
[[Te - Project Proposal|Project Proposal]]
 
[[Te - Thesis Outline|Thesis Outline]]
 
[[Te - Thesis First Chapter|Thesis]]
 
 
 
 
 
 
 
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
 
 
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">RANDOM SCRATCH ===
 
What else could it be?
 
WAS THERE, THEN GONE.
 
เศษซากอดีตที่เคยรุ่งโรจน์
 
visibility is a trap
 
HOME is where the haunt is. (Ghosts of my life)
 
This is the broken one
 
I see nothing but my sadness.
 
IS IT A GOOD IDEA? but it never stops developing.
 
Make invisible visible.
 
Time is a fluid construct. -> Present is a product of national myths and histories.
 
Can you distrust what you see?
 
CAN I REALLY TRUST YOU?
 
Get up! before you fall asleep again. (รักที่ขอนแก่น)
 
 
 
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
 
 
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">NOTES/QUESTIONS===
 
'''Document the process more.'''
 
Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->
 
Concern more about the audience.
 
Think about who the audience is in next/each work.
 
Who is your audience?
 
What is your position?
 
Who is able to read?
 
like to MANIPULATE & play with audience’s perception.
 
Politics and Filmmaking share something in common -> Manipulation, Hierarchy
 
 
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
 
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS ===
'''<u>WATCH</u>'''
 
They live
 
https://mubi.com/cast/chris-marker
 
https://www.e-flux.com/video/533278/hiwa/
 
https://mubi.com/cast/peter-tscherkassky
 
https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv
 
https://dafilms.com/film/14407-incident-in-the-museum
 
 
 
 
'''<u>READ</u>'''
 
A glossary of haunting - Eve Tuck and C.Reed
 
Capitalist Realism - Mark Fisher
 
Postcapitalist Desire: The Final Lectures - Mark Fisher
 
The Weird and the Eerie - Mark Fisher
 
Discipline and Punish The Birth of the Prison - Michel Foucault
 
In the Blink of an EYE - Walter Murch
 
[https://www.google.nl/books/edition/_/F1wLDsrhms4C?hl=en&gbpv=1 Language Adaptation]
 
 
 
 
'''<u>ARTIST</u>'''
 
Gregg Araki
 
Douglas Gordon
 
Raphael Montanez Ortiz
 
Dario Argento
 
Robert Bresson
 
George Romero
 
Wes Craven
 
John Carpenter
 
Hito Steyerl
 
Guy Sherwin
 
Harun Farocki
 
On Kawara
 
Tehching Hsieh
 
giuseppe penone
 
Bill Viola
 
Bruce Nauman
 
Cory Arcangel
 
Dara Birnbaum
 
Tony Oursler
 
Steina and Woody Vasulka
 
Joan Jonas
 
Pauline Oliveros
 
mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest
 
Santiago Alvarez
 
Cauleen Smith
 
The Yes Man
 
 
 
 
 
'''<u>RESEARCH / SITE</u>'''
 
postmodern cinema
 
https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/
 
https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks
 
Defamiliarisation https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization
 
Silueta series
 
The Third Eye exhibition in Paris
 
https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/
 
Protest Art
 
https://archive.org/details/prelinger
 
https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j


Adaptation of Language


[https://www.masterclass.com/articles/what-is-an-unreliable-narrator-4-ways-to-create-an-unreliable-narrator-in-writing Unreliable Narrator]


== '''Note''' ==
Droste Effect
[[Note found on notebooks]]'''<br />'''

Latest revision as of 15:27, 24 May 2024





ON GOING PROJECTS

Graduation Project


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


FINISHED PROJECTS



THE HOLY SPONGE (EYE Research lab)


TURNING TIDE AND CATARACT (Bachelor Thesis, will continue this methodology in the future)


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


RW & RW

YEAR 1

WHAT / HOW / WHY

SELF-DIRECTED INTERVIEW

WHAT TIME IS IT IN ROTTERDAM?

TeScratch

TeAnnotation

Text on Practice

Project that may or may not be made


YEAR 2

GRS - Rapid Prototypes

Project Proposal

Thesis Outline

Thesis





●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


RANDOM SCRATCH

What else could it be?

WAS THERE, THEN GONE.

เศษซากอดีตที่เคยรุ่งโรจน์

visibility is a trap

HOME is where the haunt is. (Ghosts of my life)

This is the broken one

I see nothing but my sadness.

IS IT A GOOD IDEA? but it never stops developing.

Make invisible visible.

Time is a fluid construct. -> Present is a product of national myths and histories.

Can you distrust what you see?

CAN I REALLY TRUST YOU?

Get up! before you fall asleep again. (รักที่ขอนแก่น)


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●


NOTES/QUESTIONS

Document the process more.

Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->

Concern more about the audience.

Think about who the audience is in next/each work.

Who is your audience?

What is your position?

Who is able to read?

like to MANIPULATE & play with audience’s perception.

Politics and Filmmaking share something in common -> Manipulation, Hierarchy


●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

LISTS

WATCH

They live

https://mubi.com/cast/chris-marker

https://www.e-flux.com/video/533278/hiwa/

https://mubi.com/cast/peter-tscherkassky

https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv

https://dafilms.com/film/14407-incident-in-the-museum



READ

A glossary of haunting - Eve Tuck and C.Reed

Capitalist Realism - Mark Fisher

Postcapitalist Desire: The Final Lectures - Mark Fisher

The Weird and the Eerie - Mark Fisher

Discipline and Punish The Birth of the Prison - Michel Foucault

In the Blink of an EYE - Walter Murch

Language Adaptation



ARTIST

Gregg Araki

Douglas Gordon

Raphael Montanez Ortiz

Dario Argento

Robert Bresson

George Romero

Wes Craven

John Carpenter

Hito Steyerl

Guy Sherwin

Harun Farocki

On Kawara

Tehching Hsieh

giuseppe penone

Bill Viola

Bruce Nauman

Cory Arcangel

Dara Birnbaum

Tony Oursler

Steina and Woody Vasulka

Joan Jonas

Pauline Oliveros

mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest

Santiago Alvarez

Cauleen Smith

The Yes Man



RESEARCH / SITE

postmodern cinema

https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/

https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks

Defamiliarisation https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization

Silueta series

The Third Eye exhibition in Paris

https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/

Protest Art

https://archive.org/details/prelinger

https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j

Adaptation of Language

Unreliable Narrator

Droste Effect