User:Taaaaaaaaeto: Difference between revisions

Latest revision as of 15:27, 24 May 2024

LONG LIVE THE SPONGE

ON GOING PROJECTS

↘ Graduation Project

DREAM WEAVER 555

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

FINISHED PROJECTS

↘

SOMETHING THAT See Archive RESIDENCY AT ROOM FOR SOUND

↘

THE HOLY SPONGE (EYE Research lab)

↘

TURNING TIDE AND CATARACT (Bachelor Thesis, will continue this methodology in the future)

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

RW & RW

YEAR 1

WHAT / HOW / WHY

SELF-DIRECTED INTERVIEW

WHAT TIME IS IT IN ROTTERDAM?

TeScratch

TeAnnotation

Text on Practice

Project that may or may not be made

YEAR 2

GRS - Rapid Prototypes

Project Proposal

Thesis Outline

Thesis

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

RANDOM SCRATCH

What else could it be?

WAS THERE, THEN GONE.

เศษซากอดีตที่เคยรุ่งโรจน์

visibility is a trap

HOME is where the haunt is. (Ghosts of my life)

This is the broken one

I see nothing but my sadness.

IS IT A GOOD IDEA? but it never stops developing.

Make invisible visible.

Time is a fluid construct. -> Present is a product of national myths and histories.

Can you distrust what you see?

CAN I REALLY TRUST YOU?

Get up! before you fall asleep again. (รักที่ขอนแก่น)

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

NOTES/QUESTIONS

Document the process more.

Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->

Concern more about the audience.

Think about who the audience is in next/each work.

Who is your audience?

What is your position?

Who is able to read?

like to MANIPULATE & play with audience’s perception.

Politics and Filmmaking share something in common -> Manipulation, Hierarchy

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●

LISTS

WATCH

They live

https://mubi.com/cast/chris-marker

https://www.e-flux.com/video/533278/hiwa/

https://mubi.com/cast/peter-tscherkassky

https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv

https://dafilms.com/film/14407-incident-in-the-museum

READ

A glossary of haunting - Eve Tuck and C.Reed

Capitalist Realism - Mark Fisher

Postcapitalist Desire: The Final Lectures - Mark Fisher

The Weird and the Eerie - Mark Fisher

Discipline and Punish The Birth of the Prison - Michel Foucault

In the Blink of an EYE - Walter Murch

Language Adaptation

ARTIST

Gregg Araki

Douglas Gordon

Raphael Montanez Ortiz

Dario Argento

Robert Bresson

George Romero

Wes Craven

John Carpenter

Hito Steyerl

Guy Sherwin

Harun Farocki

On Kawara

Tehching Hsieh

giuseppe penone

Bill Viola

Bruce Nauman

Cory Arcangel

Dara Birnbaum

Tony Oursler

Steina and Woody Vasulka

Joan Jonas

Pauline Oliveros

mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest

Santiago Alvarez

Cauleen Smith

The Yes Man

RESEARCH / SITE

postmodern cinema

https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/

https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks

Defamiliarisation https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization

Silueta series

The Third Eye exhibition in Paris

https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/

Protest Art

https://archive.org/details/prelinger

https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j

Adaptation of Language

Unreliable Narrator

Droste Effect

@@ Line 1: / Line 1: @@
-[[File:Sponge Sculpture.jpg|none|thumb|569x569px|'''[[LONG LIVE THE SPONGE]]''']]
+[[File:Sponge Sculpture.jpg|thumb|569x569px|'''[[LONG LIVE THE SPONGE]]'''|center]]
-== '''On Going Projects''' ==
+<span style=" font-family: monospace">
+===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">ON GOING PROJECTS ===
+↘ <big>Graduation Project</big>
+[[File:New Product Part3.gif|none|thumb|400x400px|'''[[TO MY MOTHERLAND|DREAM WEAVER 555]]''' ]]
+●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
+===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">FINISHED PROJECTS  ===
 ↘
-[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]|none|alt=]]
+[[File:Dancing_Sponges.gif|thumb|402x402px|[[Something that|'''SOMETHING THAT''']]  [https://www.instagram.com/some.thing.that/ See Archive]
+[https://2223.mywdka.nl/roomforsound/author/1053577/ RESIDENCY AT ROOM FOR SOUND]|none|alt=]]
-↘
-[[File:Dutch - Thai Flags.jpg|none|thumb|403x403px|'''TO MY MOTHERLAND''' ''(temporary working title)'']]
-↘ Writing through Editing Seminar - Change meaning of Archive Footages ''(Ongoing)''
+↘[[File:The_Holy_Sponge_จ้า.gif|400x400px|'''[[THE HOLY SPONGE]]''' ''(EYE Research lab)''|thumb|none]]
-{{youtube|fJ5SJ5aZRhg}}
-{{youtube|ZIbYTH_BFeg}}
+↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, will continue this methodology in the future)'']]
-== '''Finished Projects''' ==
-↘[[File:The_Holy_Sponge_จ้า.gif|400x400px|'''THE HOLY SPONGE''' ''(EYE Research lab)''|thumb|none]]↘[[File:Screen Shot 2023-02-22 at 13.47.58.png|none|thumb|403x403px|'''TURNING TIDE AND CATARACT''' ''(Bachelor Thesis, might develop in the future)'']]
+●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
+===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">RW & RW ===
+'''YEAR 1'''
-== '''RW&RM''' ==
+[[WHAT / HOW / WHY]]
-[[WHAT / HOW / WHY|WHAT / HOW / WHY]]
 [[SELF-DIRECTED INTERVIEW|SELF-DIRECTED INTERVIEW]]
@@ Line 40: / Line 59: @@
 [[Text on Practice - Te|Text on Practice]]
-</tt>
+[[TE - Project that may or may not be made|Project that may or may not be made]]
+'''YEAR 2'''
+[[Te-GRS|GRS - Rapid Prototypes]]
+[[Te - Project Proposal|Project Proposal]]
+[[Te - Thesis Outline|Thesis Outline]]
+[[Te - Thesis First Chapter|Thesis]]
+●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
+===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">RANDOM SCRATCH ===
+What else could it be?
+WAS THERE, THEN GONE.
+เศษซากอดีตที่เคยรุ่งโรจน์
+visibility is a trap
+HOME is where the haunt is. (Ghosts of my life)
+This is the broken one
+I see nothing but my sadness.
+IS IT A GOOD IDEA? but it never stops developing.
+Make invisible visible.
+Time is a fluid construct. -> Present is a product of national myths and histories.
+Can you distrust what you see?
+CAN I REALLY TRUST YOU?
+Get up! before you fall asleep again. (รักที่ขอนแก่น)
+●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
+===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">NOTES/QUESTIONS===
+'''Document the process more.'''
+Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->
+Concern more about the audience.
+Think about who the audience is in next/each work.
+Who is your audience?
+What is your position?
+Who is able to read?
+like to MANIPULATE & play with audience’s perception.
+Politics and Filmmaking share something in common -> Manipulation, Hierarchy
+●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
+===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS ===
+'''<u>WATCH</u>'''
+They live
+https://mubi.com/cast/chris-marker
+https://www.e-flux.com/video/533278/hiwa/
+https://mubi.com/cast/peter-tscherkassky
+https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv
+https://dafilms.com/film/14407-incident-in-the-museum
+'''<u>READ</u>'''
+A glossary of haunting - Eve Tuck and C.Reed
+Capitalist Realism - Mark Fisher
+Postcapitalist Desire: The Final Lectures - Mark Fisher
+The Weird and the Eerie - Mark Fisher
+Discipline and Punish The Birth of the Prison - Michel Foucault
+In the Blink of an EYE - Walter Murch
+[https://www.google.nl/books/edition/_/F1wLDsrhms4C?hl=en&gbpv=1 Language Adaptation]
+'''<u>ARTIST</u>'''
+Gregg Araki
+Douglas Gordon
+Raphael Montanez Ortiz
+Dario Argento
+Robert Bresson
+George Romero
+Wes Craven
+John Carpenter
+Hito Steyerl
+Guy Sherwin
+Harun Farocki
+On Kawara
+Tehching Hsieh
+giuseppe penone
+Bill Viola
+Bruce Nauman
+Cory Arcangel
+Dara Birnbaum
+Tony Oursler
+Steina and Woody Vasulka
+Joan Jonas
+Pauline Oliveros
+mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest
+Santiago Alvarez
+Cauleen Smith
+The Yes Man
+'''<u>RESEARCH / SITE</u>'''
+postmodern cinema
+https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/
+https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks
+Defamiliarisation https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization
+Silueta series
+The Third Eye exhibition in Paris
+https://www.e-flux.com/live/521062/landscape-theory-beyond-japan-jean-luc-godard-and-the-dziga-vertov-group/
+Protest Art
+https://archive.org/details/prelinger
+https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j
+Adaptation of Language
+[https://www.masterclass.com/articles/what-is-an-unreliable-narrator-4-ways-to-create-an-unreliable-narrator-in-writing Unreliable Narrator]
-== '''Note''' ==
+Droste Effect
-[[Note found on notebooks]]'''<br />'''