User:Sal Miranda: Difference between revisions
Sal Miranda (talk | contribs) No edit summary |
Sal Miranda (talk | contribs) No edit summary |
||
| (35 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
< | <gallery mode=packed style="text-align:left" heights=200px> | ||
trial_sm.jpg | |||
micro2.jpg | |||
char1.jpg | |||
med1.jpg | |||
Holiday1.jpg | |||
img1.jpg | |||
splash_2.jpg | |||
While-you-were2.jpg | |||
</gallery> | |||
<br>http://salvadormiranda.com<br><br> | |||
=== Works === | === Works === | ||
[[ | [[This is my land...]]<br> | ||
[[While gazing through a monitor]]<br> | |||
[[An (a)historical excavation]]<br> | [[An (a)historical excavation]]<br> | ||
[[On Holiday]]<br> | [[On Holiday]]<br> | ||
| Line 12: | Line 22: | ||
[[Toward an argument for visibility]] <br> | [[Toward an argument for visibility]] <br> | ||
===Research=== | ===Research=== | ||
[[Thesis: Propaganda, Aesthetics and Art: Languages and Rehearsals of Power]]<br> | |||
[[Paper:The Simulated Real: Aesthetics and the Semblance of the Real in Terroristic Images]]<br> | [[Paper:The Simulated Real: Aesthetics and the Semblance of the Real in Terroristic Images]]<br> | ||
=== Thematic Projects === | === Thematic Projects === | ||
| Line 19: | Line 30: | ||
[[360 & VR: Mix]]<br> | [[360 & VR: Mix]]<br> | ||
=== Prototyping === | === Prototyping === | ||
[[SM Grad Project]]<br> | |||
[[Imphe excavations]] <br> | [[Imphe excavations]] <br> | ||
[[Pinhole]] <br> | [[Pinhole]] <br> | ||
| Line 28: | Line 40: | ||
[[Greenscreen]] <br> | [[Greenscreen]] <br> | ||
[[Mocap]] <br> | [[Mocap]] <br> | ||
=== Experiments === | |||
[[A Quiet Refusal]]<br> | |||
[[The Charlemagne Scream]] <br> | |||
[[Sal's Cinesharing]]<br> | |||
[[Nikinta]]<br> | |||
[[Casket]]<br> | |||
[[Debate: in progress]] <br> | |||
[[MELK]] <br> | |||
[[Research Notes]] <br> | |||
===Reading, Writing and Research Methodologies=== | ===Reading, Writing and Research Methodologies=== | ||
Session 1: [[Sal's page]] on 'Who What Why'<br> | Session 1: [[Sal's page]] on 'Who What Why'<br> | ||
| Line 38: | Line 59: | ||
Session 8: [[Space comes to Normalville]]<br> | Session 8: [[Space comes to Normalville]]<br> | ||
Session 9: [[Sal's Text on Method]]<br> | Session 9: [[Sal's Text on Method]]<br> | ||
=== Grad Seminar=== | === Grad Seminar=== | ||
[[SM Thesis | [[SM Final Draft Thesis]]<br> | ||
[[SM Thesis Draft]]<br> | |||
[[SM Thesis outline v3]]<br> | [[SM Thesis outline v3]]<br> | ||
[[SM | [[SM Project proposal]]<br> | ||
<div> | |||
Latest revision as of 11:54, 9 October 2019
Works
This is my land...
While gazing through a monitor
An (a)historical excavation
On Holiday
Aim Down Sights
Error View
While you were sleeping
Vanitech
Toward an argument for visibility
Research
Thesis: Propaganda, Aesthetics and Art: Languages and Rehearsals of Power
Paper:The Simulated Real: Aesthetics and the Semblance of the Real in Terroristic Images
Thematic Projects
Focal Camera Workshop: Photoresistor Camera
Photobook: 1050 Kilometers
35mm Film: Window Gazing
360 & VR: Mix
Prototyping
SM Grad Project
Imphe excavations
Pinhole
Glitching
Photo Studio test shots
Sky Blue Sky
Lasercut Rollieflex
MELK camera tests
Greenscreen
Mocap
Experiments
A Quiet Refusal
The Charlemagne Scream
Sal's Cinesharing
Nikinta
Casket
Debate: in progress
MELK
Research Notes
Reading, Writing and Research Methodologies
Session 1: Sal's page on 'Who What Why'
Session 2: Sal's page 2.0 TENT/Witte de With
Session 3: Sal's page 3 Drone Aesthetics & Tech. Sublime
Session 4: Sal's Page 4 on Utopia
Session 5: Pitch Sketches on 1050 KM
Session 6: Sal's Trimester Summary
Session 7: Sal: Being a Terrorist
Session 8: Space comes to Normalville
Session 9: Sal's Text on Method
Grad Seminar
SM Final Draft Thesis
SM Thesis Draft
SM Thesis outline v3
SM Project proposal