|
|
| (33 intermediate revisions by 2 users not shown) |
| Line 1: |
Line 1: |
| <div class="toclimit-2"> | | '''[[:Category:Implicancies|Preparations, process, ingredients #18]]''' (2022)<br> |
| __TOC__
| | → Listen to [https://issue.xpub.nl/18/ Radio Implicancies #18] |
| </div>
| |
|
| |
|
| == Implicancies ==
| | '''[[:Category:Implicancies_15|Preparations, process, ingredients #15]]''' (2021)<br> |
| | → Listen to [https://issue.xpub.nl/15/ Radio Implicancies #15] |
|
| |
|
| [[File:Fxcebook.jpg]]
| | '''[[:Category:Implicancies_12|Preparations, process, ingredients #12]]''' (2020)<br> |
| | | → Listen to [https://issue.xpub.nl/12/index.html Radio Implicancies #12]''' |
| == How this works ==
| |
| | |
| This Special Issue is formatted as '''four workshop propositions''' on knowledge systems and their (technological) implicancies. Each proposition is developed and taken care of by three or four participants collectively. This means to work on a workshop concept, to research a topic deeply, to come up with a relevant dynamics, to source and/or design tools, to make a description, to take care of documentation. The workshops are your contribution to the ''Unbound Libraries'' worksession. They are also the main ingredient for the launch in Varia on 18 June.
| |
| | |
| From 30 May until 5 June, we participate together in ''Unbound Libraries'', a worksession developed by Constant. Worksessions are temporary research labs, intensive collective environments where different types of expertise can come into contact with each other. To these otherwise-disciplined situations, ca. 30 artists, software developers, theorists, activists and others are invited to contribute and that includes you!
| |
| | |
| Before that, several familiar and unfamiliar guests will join us for conversations and workshops. As a way to infuse, test and document our thinking we will also work on a Becoming Library. This library changes every week because we will be adding fastly-made A5 booklets with texts and images that help us think and experiment.
| |
| | |
| == Schedule ==
| |
| | |
| === // Week 1 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/08-04-2020_-Event_1|Wednesday 8 April]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/08-04-2020_-Event_1}}
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/09-04-2020_-Event_1|Thursday 9 April]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/09-04-2020_-Event_1}}
| |
| | |
| === // Week 2 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/15-04-2020_-Event_2|Wednesday 15 April]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/15-04-2020_-Event_2}}
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/16-04-2020_-Event_2|Thursday 16 April]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/16-04-2020_-Event_2}}
| |
| | |
| === // Week 3 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-04-2020_-Event_3|Thursday 22 April]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-04-2020_-Event_3}}
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/23-04-2020_-Event_3|Thursday 23 April]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/23-04-2020_-Event_3}}
| |
| | |
| === // Week 4 + 5 ===
| |
| | |
| (May vacation + study week)
| |
| | |
| === // Week 6 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/13-05-2020_-Event_2|Wednesday 13 May]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/13-05-2020_-Event_2}}
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/14-05-2020_-Event_1|Thursday 14 May]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/14-05-2020_-Event_1}}
| |
| | |
| === // Week 7 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/20-05-2020_-Event_1|Wednesday 20 May]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/20-05-2020_-Event_1}}
| |
| | |
| === // Week 8 ===
| |
| | |
| (27 May skip)
| |
| | |
| === // Week 9 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/30-05-2020_-Event_1|Saturday 30 May → Friday 5 June]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/30-05-2020_-Event_1}}
| |
| | |
| === // Week 10 ===
| |
| | |
| (10 June skip)
| |
| | |
| === // Week 11 ===
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/18-06-2020_-Event_1|Thursday 18 June]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/18-06-2020_-Event_1}}
| |
| | |
| ==== [[Calendars:Networked_Media_Calendar/Networked_Media_Calendar/19-06-2020_-Event_1|Friday 19 June]] ====
| |
| | |
| {{Calendars:Networked_Media_Calendar/Networked_Media_Calendar/19-06-2020_-Event_1}}
| |
| | |
| == Guests + contributors ==
| |
| | |
| === André Castro ===
| |
| | |
| André Castro is a media artist, with a background in sound art and experimental music. His recent practice deals with digital publications, offline digital libraries (bibliotecha.info), MIDI songs, and chatbots.
| |
| | |
| André is a 2013 alumnus of the MMDC program and has previously studied under the Sonic Arts MA at Lansdown Centre for Electronic Arts (Middlesex University, UK).
| |
| | |
| Currently André is a tutor at the Piet Zwart Institute.
| |
| | |
| http://oooooooooo.io
| |
| | |
| === Cristina Cochior ===
| |
| | |
| Is a researcher and designer working in the Netherlands. With an interest in automation practices, situated software and peer to machine knowledge production, her practice consists of artistic research investigations into the intimate bureaucracy of knowledge organisation and sharing systems.
| |
| | |
| === Julie Bosschat Thorez ===
| |
| | |
| Is an artist and researcher whose work re-appropriates scientific methods to explore the impact of digital systems over human agency and governance. Trained in Fine Arts at the ERG in Brussels and Media Design at the Piet Zwart Institute in Rotterdam, she has developed a practice based approach to digital art preservation over the years, with a focus on variability, circulation, co-authorship and access. She's into these things: infrastructures, archives, cartography, spatiality, inexactitude, human ecosystems, biopower. She also cultivates a passion for embarassing puns and consternating news headlines.
| |
| | |
| === Aymeric Mansoux ===
| |
| | |
| Aymeric Mansoux research deals with the defining, constraining and confining of cultural freedom in the context of network based practices. His past and current collaborations spawn across the creation of festivals and conferences (Le Placard, make art, FREE?!), music and sound works (0xA, Raid Over Moscow, stmsq1), installations (Go Forth & *, Hello Process, Meshy), software (Puredyne GNU/Linux) as well as collectives and communities (GOTO10, La Société Anonyme, 80c), books (FLOSS+Art, Elastic Versailles) and all sorts of workshops related to media, net, generative, software art and culture.
| |
| | |
| His latest collaborations are Naked on Pluto (VIDA award [ES]), with Marloes de Valk and Dave Griffiths, a project that aims at unfolding the issues of software mediation in the context of privacy and communication within a proprietary and commercial social network such as Facebook; and The SKOR Codex (Japan Media Arts Festival award [JP]), with La Société Anonyme, a limited edition of eight hand bound books of raw data dumps that mimic NASA’s Golden Disc Record, aiming at documenting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
| |
| | |
| He is currently a PhD candidate at the Centre for Cultural Studies, Goldsmiths, University of London [UK] under supervision of Prof. Matthew Fuller, researching on the creative misunderstandings between art, politics and the law within free culture. He regularly publishes essays and papers linked to his ongoing research: [http://bleu255.com/ http://bleu255.com]
| |
| | |
| === Martino Morandi ===
| |
| | |
| researches at the intersections between technology, politics and art. His interests and projects articulate around the material conditions of technologies and their genealogies, using non-hegemonic paradigms like conviviality, semi-efficiency, dys-functioning. He collaborates with LAG in Amsterdam and Constant in Bruxelles.
| |
| | |
| === Zoumana Méïté ===
| |
| | |
| is a performer and theatre-maker based in Brussels with a practice in artistic research, dramaturgy and improvisation. He concluded the post-master programme in a.pass, advanced performance and scenography studies. In his performances he moves with radio-waves, ink-drops and the memories of his own body.
| |
| | |
| === An Mertens ===
| |
| | |
| === Elodie Mugrefya ===
| |
| | |
| is co-responsible for artistic research & project development at Constant. She is interested in the issues surrounding the procedures for disseminating, passing on and maintaining knowledge, customs and beliefs.
| |
| | |
| === Michael Murtaugh ===
| |
| | |
| Michael Murtaugh completed his undergraduate degree in Computer Science and Electrical Engineering at the Massachusetts Institute of Technology (’94). Subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a masters degree (’96). His research focus was on building tools for “Evolving Documentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
| |
| | |
| Currently Michael teaches in the Master Media Design and Communication programme at the Piet Zwart Institute. He is a member of Constant, a Brussels based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he is currently working on Active Archives, a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies. Next to these activities, Murtaugh is the founder of automatist.org, a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online.
| |
| | |
| [http://automatist.org/ http://automatist.org/]
| |
| | |
| === Helen Pritchard ===
| |
| | |
| http://www.helenpritchard.info/
| |
| | |
| === Aymeric Mansoux ===
| |
| | |
| Aymeric Mansoux research deals with the defining, constraining and confining of cultural freedom in the context of network based practices. His past and current collaborations spawn across the creation of festivals and conferences (Le Placard, make art, FREE?!), music and sound works (0xA, Raid Over Moscow, stmsq1), installations (Go Forth & *, Hello Process, Meshy), software (Puredyne GNU/Linux) as well as collectives and communities (GOTO10, La Société Anonyme, 80c), books (FLOSS+Art, Elastic Versailles) and all sorts of workshops related to media, net, generative, software art and culture.
| |
| | |
| His latest collaborations are Naked on Pluto (VIDA award [ES]), with Marloes de Valk and Dave Griffiths, a project that aims at unfolding the issues of software mediation in the context of privacy and communication within a proprietary and commercial social network such as Facebook; and The SKOR Codex (Japan Media Arts Festival award [JP]), with La Société Anonyme, a limited edition of eight hand bound books of raw data dumps that mimic NASA’s Golden Disc Record, aiming at documenting the life at a Dutch institution before it ceased to exists with the 2012 Dutch art funding cuts.
| |
| | |
| He is currently a PhD candidate at the Centre for Cultural Studies, Goldsmiths, University of London [UK] under supervision of Prof. Matthew Fuller, researching on the creative misunderstandings between art, politics and the law within free culture. He regularly publishes essays and papers linked to his ongoing research: [http://bleu255.com/ http://bleu255.com]
| |
| | |
| === Michael Murtaugh ===
| |
| | |
| Michael Murtaugh completed his undergraduate degree in Computer Science and Electrical Engineering at the Massachusetts Institute of Technology (’94). Subsequently he was part of the Interactive Cinema group, led by Glorianna Davenport at the MIT Media Lab where he completed a masters degree (’96). His research focus was on building tools for “Evolving Documentaries”, or how traditional film/video model evolves in the context of digital networked media such as the Web.
| |
| | |
| Currently Michael teaches in the Master Media Design and Communication programme at the Piet Zwart Institute. He is a member of Constant, a Brussels based collective engaged in the fields of free and open source software, feminism, copyright alternatives, and collaborative networks. With Constant he is currently working on Active Archives, a platform for diverse material ranging from texts to images and video. Seeing the project as both technical and cultural, the system facilitates, re-use of material while enriching content through metadata, vocabularies, and taxonomies. Next to these activities, Murtaugh is the founder of automatist.org, a new media design firm specialised in community databases, interactive documentary, and tools for new forms of reading and writing online.
| |
| | |
| [http://automatist.org/ http://automatist.org/]
| |
| | |
| === Steve Rushton ===
| |
| | |
| Steve Rushton writes and edits.
| |
| | |
| === Femke Snelting ===
| |
| | |
| develops projects at the intersection of design, feminisms, and free software. In various constellations she explores how digital tools and practices might co-construct each other. She is member of Constant, association for art and media based in Brussels. Since 1997, Constant generates performative publishing, curatorial processes, poetic software, experimental research and educational prototypes in local and international contexts. With Jara Rocha she activates Possible Bodies, a collective research to interrogates the concrete and at the same time fictional entities of bodies in the context of volumetric technologies. With the Underground Division (Helen Pritchard and Jara Rocha), she studies the computational imaginations of rock formations. Femke teaches at XPUB (experimental publishing master, Rotterdam) and at a.pass (advanced performance and scenography studies, Brussels).
| |
| | |
| [[File:Anotherend.jpg]]
| |
