Mariapocalypse (Wordhole): Difference between revisions
No edit summary |
No edit summary |
||
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
'''What it is''' | '''What it is''' | ||
The apocalypse is an editorial space. On the basis of a pending catastrophe we are called to decide upon the relevance of archives in the future and make choices based on our informed judgement and the needs that we imagine a future society will have in order to (re)build itself and in connection to radio making. | The apocalypse is an editorial space. On the basis of a pending catastrophe we are called to decide upon the relevance of archives in the future and make choices based on our informed judgement and the needs that we imagine a future society will have in order to (re)build itself (and) in connection to radio making. | ||
'''What to do with it''' | '''What to do with it''' | ||
To connect SI22 to the apocalypse narrative I would like to fictionalize and adapt ( | To connect SI22 to the apocalypse narrative I would like to fictionalize and adapt (excerpts of) the transcripts of the interviews we had on 7/11 (rendered by Riviera and Rosa) with prominent Radio Worm radio makers (Lucas, Lieuwe and Ash) as a radio activation manual/radio community survival guide, and turn it into a publication through weasyprint or another web to print F/LOSS tool. The publication could (maybe should) also include photos and/or illustrations (as a universal language). It will serve as a manifestation of the post-apocalyptic narrative, as a tribute to Worm Radio and as a thank you gift to the makers who opened their arms and studio for us. | ||
'''The idea behind it''' | '''The idea behind it''' | ||
In this post-apocalyptic narrative the sense of community is central as well as the desire to establish practices that can be followed and sustained with the minimum possible resources. The archival elements should be economical but also supporting a positive climate of collaboration between the members of an emerging community. The apocalypse is not seen as a frustrating end of things but as an opportunity for a clean start upon the ruins of what might have been good at parts but was also essentially burdening us with its insufferable weight. | In this post-apocalyptic narrative the sense of community is central as well as the desire to establish practices that can be followed and sustained with the minimum possible resources. The archival elements should be economical but also supporting a positive climate of collaboration between the members of an emerging community. The apocalypse is not seen as a frustrating end of things but as an opportunity for a clean start upon the ruins of what might have been good at parts but was also essentially burdening us with its insufferable weight. | ||
See also: [[User:Mxrwho/SI22 Manual for Post-apocalyptic Radio Making|Manual for Post-Apocalyptic Radio Making]] | |||
[[Category:Wordhole]] | [[Category:Wordhole]] | ||
Latest revision as of 22:18, 19 November 2023
What it is
The apocalypse is an editorial space. On the basis of a pending catastrophe we are called to decide upon the relevance of archives in the future and make choices based on our informed judgement and the needs that we imagine a future society will have in order to (re)build itself (and) in connection to radio making.
What to do with it
To connect SI22 to the apocalypse narrative I would like to fictionalize and adapt (excerpts of) the transcripts of the interviews we had on 7/11 (rendered by Riviera and Rosa) with prominent Radio Worm radio makers (Lucas, Lieuwe and Ash) as a radio activation manual/radio community survival guide, and turn it into a publication through weasyprint or another web to print F/LOSS tool. The publication could (maybe should) also include photos and/or illustrations (as a universal language). It will serve as a manifestation of the post-apocalyptic narrative, as a tribute to Worm Radio and as a thank you gift to the makers who opened their arms and studio for us.
The idea behind it
In this post-apocalyptic narrative the sense of community is central as well as the desire to establish practices that can be followed and sustained with the minimum possible resources. The archival elements should be economical but also supporting a positive climate of collaboration between the members of an emerging community. The apocalypse is not seen as a frustrating end of things but as an opportunity for a clean start upon the ruins of what might have been good at parts but was also essentially burdening us with its insufferable weight.
See also: Manual for Post-Apocalyptic Radio Making