User:Taaaaaaaaeto: Difference between revisions
Taaaaaaaaeto (talk | contribs) mNo edit summary |
Taaaaaaaaeto (talk | contribs) m (→NOTE TO MYSELF) |
||
Line 96: | Line 96: | ||
Think about who the audience is in next/each work. | Think about who the audience is in next/each work. | ||
like to MANIPULATE & play with | like to MANIPULATE & play with audience’s perception. | ||
Politics and Filmmaking have something in common -> Manipulation, Hierarchy | |||
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS === | ===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS === |
Revision as of 23:26, 18 April 2023
ON GOING PROJECTS
↘
↘
↘
FINISHED PROJECTS
↘
↘
RW & RW
RANDOM SCRATCH
What else could it be?
WAS THERE, THEN GONE.
เศษซากอดีตที่เคยรุ่งโรจน์
visibility is a trap
HOME is where the haunt is. (Ghosts of my life)
This is the broken one
I see nothing but my sadness.
Who is your audience?
What is your position?
Who is able to read?
IS IT A GOOD IDEA? but it never stops developing.
Make invisible visible.
Time is a fluid construct. -> Present is a product of national myths and histories.
Can you distrust what you see?
CAN I REALLY TRUST YOU ?
NOTE TO MYSELF
Document the process more.
Don't rush
Have come to realized that I am paying more attention / obsessed with the methodology (trying to find alternative way / logic to create works) ->
Concern more about the audience.
Think about who the audience is in next/each work.
like to MANIPULATE & play with audience’s perception.
Politics and Filmmaking have something in common -> Manipulation, Hierarchy
LISTS
WATCH
They live
Yes Man
https://mubi.com/cast/chris-marker
https://mubi.com/films/the-farewell-2019
https://www.e-flux.com/video/533278/hiwa/
https://mubi.com/cast/peter-tscherkassky
https://mubi.com/films/nam-june-paik-moon-is-the-oldest-tv
https://dafilms.com/film/14407-incident-in-the-museum
READ
A glossary of haunting - Eve Tuck and C.Reed
Capitalist Realism - Mark Fisher
Postcapitalist Desire: The Final Lectures - Mark Fisher
Discipline and Punish The Birth of the Prison - Michel Foucault
In the Blink of an EYE - Walter Murch
ARTIST
Gregg Araki
Douglas Gordon
Raphael Montanez Ortiz
Dario Argento
Robert Bresson
George Romero
Wes Craven
John Carpenter
Hito Steyerl
Guy Sherwin
Harun Farocki
On Kawara
Tehching Hsieh
giuseppe penone
Bill Viola
Bruce Nauman
Cory Arcangel
Dara Birnbaum
Tony Oursler
Steina and Woody Vasulka
Joan Jonas
Pauline Oliveros
mark wallinger https://www.tate.org.uk/art/artists/mark-wallinger-2378/mark-wallinger-art-protest
RESEARCH / SITE
postmodern cinema
https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/
https://www.e-flux.com/criticism/235982/apichatpong-weerasethakul-s-fireworks
Defamiliarisation (in editing) https://narrative-environments.github.io/CourseCompendium/Defamiliarisation.html https://en.wikipedia.org/wiki/Defamiliarization
Silueta series
The Third Eye exhibition in Paris
Protest Art
https://archive.org/details/prelinger
https://www.idfa.nl/en/film/10096319-c79d-4ec7-9ca2-1c1e4eb8b40b/l-b-j