User:Taaaaaaaaeto: Difference between revisions

From XPUB & Lens-Based wiki
Line 75: Line 75:


===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS ===
===<span style="color: #FF3361; font-family: monospace; font-size: 22px; margin: 0.5vw; border-style: solid; border-color: black; border-width: 0.6vw; background-color: black; margin-bottom: 10vw;">LISTS ===
'''WATCH'''
'''<u>WATCH</u>'''


<nowiki>https://mubi.com/films/im-a-cyborg-but-thats-ok</nowiki>
<nowiki>https://mubi.com/films/im-a-cyborg-but-thats-ok</nowiki>


https://mubi.com/films/the-farewell-2019




'''READ'''
 
 
'''<u>READ</u>'''


Eve Tuck and C.Reed - A glossary of haunting
Eve Tuck and C.Reed - A glossary of haunting


Capitalist Realism




'''RESEARCH'''
 
 
'''<u>RESEARCH</u>'''


postmodern cinema
postmodern cinema
Line 108: Line 114:


John Carpenter
John Carpenter
Hito Steyerl
Guy Sherwin
Harun Farocki
On Kawara
https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/


giuseppe penone
giuseppe penone

Revision as of 22:37, 14 April 2023

ON GOING PROJECTS


TO MY MOTHERLAND (temporary working title)


↘ Writing through Editing Seminar - Change meaning of Archive Footages (plan to devolop)



FINISHED PROJECTS

THE HOLY SPONGE (EYE Research lab)


TURNING TIDE AND CATARACT (Bachelor Thesis, might develop in the future)


RW & RW

WHAT / HOW / WHY

SELF-DIRECTED INTERVIEW

WHAT TIME IS IT IN ROTTERDAM?

TeScratch

TeAnnotation

Text on Practice


RANDOM SCRATCH

What else could it be?

WAS THERE, THEN GONE.

เศษซากอดีตที่เคยรุ่งโรจน์

visibility is a trap

HOME is where the haunt is.

This is the broken one

I see nothing but my sadness.

Who is your audience?

What is your position?

Who is able to read?

IS IT A GOOD IDEA? but it never stops developing.

Make invisible visible.


LISTS

WATCH

https://mubi.com/films/im-a-cyborg-but-thats-ok

https://mubi.com/films/the-farewell-2019



READ

Eve Tuck and C.Reed - A glossary of haunting

Capitalist Realism



RESEARCH

postmodern cinema

https://fr.wikipedia.org/wiki/Gregg_Araki

Douglas Gordon

Raphael Montanez Ortiz

Dario Argento

Robert Bresson

George Romero

Gorge Romero

Wes Craven

John Carpenter

Hito Steyerl

Guy Sherwin

Harun Farocki

On Kawara

https://www.lightwork.org/archive/apichatpong-weerasethakul-fireworks-archives/

giuseppe penone

Silueta series

The Third Eye exhibition in Paris