Revision as of 13:11, 13 November 2021

"Habitat is not just an opportunity to work together with other realities. Habitat tries to find a new way of doing it. Habitat makes the place alive through the practices of all its participants. It is a way to experiment new, hybrid practices and cultural communities, extremely necessary in our contemporaneity. For this reason, it's not just a matter of curating projects in Tredozio, Rocca, Portico and S. Benedetto, but a community of people who know each other, building bridges by sharing a place, imagining new forms of existence for our future. "

(Parasite2.0)


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                                                                       /-|    Fantasy    |-\                        
+----------------+                                                   /-  +---------------+  -\   +-----------------+
|                |       +---------------+       +---------------+ /-    +---------------+    -\ |                 |
| External World |-------| Understanding |-------|    Memory     --------|   Invention   |-------|   Imagination   |
|                |       +---------------+       +---------------+ \-    +---------------+    -/ |                 |
+----------------+                                                   \-  +---------------+  -/   +-----------------+
        |                                                              \-|  Creativity   |-/              |         
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        |----------------------------------|        Production       |-------------------------------------         
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' drifting memories laying on the stones of present

time dripping inside wild cave in Vercors mountains
voice of a soul processing being caught in a cloud on a hill
enormous space we can free inside and outside for selves
moment becomes present
memory dance
resonating with a mood at the door to a new year of life
water giving and washes away
everything is already there
(Perila)

Questioning

On a theoretical layer: How the publishing process, (as a means to unfold and re-tell the reality) could create new, cultural roots for social and micro-territorial developments? What kind of infrastructures a residency and collective workshop would need in order to facilitate the sharing of processes and knowledge? And how they could be used to re-think the future we live in? Could a constellation of smaller eco-systems be the way to decentralize political and monetary power, recalibrating our lives based on urgent and real needs? What could we learn from smaller realities such as rural villages in order to build new, modern and almost self-reliant communities? How the circulation of knowledge, processes and results achieved during the residency could be turned into concrete actions which could help both the local community and the artists' development? How the set of traditions and local heritage could be used as a set of tools for better understanding the present?

On a practical layer: How to amplify territorial-based narrations? How to approach local archives? And how to create new, vernacular imaginaries? A journey into the building up of a new, ultra-territorial community-based model aiming to re-create the ideal environments for a participative, cultural development.

Project Proposal

Thesis Outline

Introduction

1.

Understanding the local conditions – the potential relevance of Habitat

Where to collocate Habitat, my-self

The First edition: A contact.

2.

Mapping the first edition' outcomes

Possibilities for a partecipative action

Tooling the local bubble: Local circulation and ultra-territorial bridges

Relevance small scale

Conclusions

If becoming a model: how to spread the format.

Considerations

Conceptual Outline

"..social practice artists create forms of living that activate communities and advance public awareness of pressing social issues." (Thompson, 2012, p.8)

"The small local intervention has become the basic unit of contemporary art" (Boomgard, 2004, p.23)

Could the impact of different ultra-territorial publishing practices departing from remote, small-scaled areas offer new cultural trajectories and social developments to apply on a wider scale? What the curator Nicolas Bourriaud in the 1990s described as "the tendency to make art based on, or inspired by, human relations and their social context", also known as Relational Aesthetics, inevitably takes into practice while considering the sources for inspirations and the spaces for local-publishing. And then, "The interconnectivity (participation, sociality and conversation and "the civic") reveals a peculiar historic moment in which these notions aren't limited to the world of contemporary art, but includes various cultural phenomena which have cropped up across the urban fabric." (Thompson, 2012, p.19)

When I've been firstly approached by Lorenzo, in late January 2021, I couldn't even imagine how that meeting would change my life. Lorenzo, while being the guy kindly helping clumsy elders at his phone shop, never breaking down the smile upon his face, he's also the vice-major of Tredozio. I had the feeling that he must learn a lot in the shop, how to listen to any people complain or doubt while trying to help, concretely. Because 5G must work everywhere, and anywhere, and possibly without paying too much. That kind of approach that you would find in some other almost-paper figures making important decisions, for us, citizens of the "Bella Italia", but also citizens of the world (even if what's around borders don't bother us too much). He told me about Tredozio, and the lack of youths still trying to do something for their village. Apparently, everyone is moving away. But not also apparently:

Why do you want to write this text? I want to write this text to narrate the processes, both theoretically and practically I'm going through for building Habitat, an ultra-territorial residency and collective workshop which take place in Tredozio in Italy, which aims to develop new possible cultural roots for the territory, while valuing the actual vulnerability of human coexistence within the landscape he's been creating.

Outline of Methodology Habitat is working for me as a life experimentation playground, which gives me the possibility to think simultaneously to urgent needs in terms of changes of life conditions, but also the opportunity we have to act within the limits of specific places. This environment lets me think about a virtuous sharing circle for essential goods as much as for knowledge.

The process starts by collecting, analyzing, and then re-elaborating the material that's been initiated during the first month of residency (August 2021), between Tredozio, Rocca S. Casciano and Portico e San Benedetto. Several interviews and podcast have been recorded during the first Habitat's manifestation. Different artists were invited to spend some time in the village of Cà de Monti, experiencing in person the conviviality of the place and the creative opportunities offered by the environment.

While doing that, I'm doing steps forward in relation to the tools I've learned last year: from Etherpad 2 HTML, handling a website started from scratch, Online broadcasting, but also the idea of creating my own environment. ...

Guidelines

Introduction- overview [500 words]; Chapter 1 [2000 words]; Chapter 2 [2000 words]; Chapter 3 [2000 words]; Conclusion [500 words] = 7000 + Bibliography + Annotated bibliography (five texts max). Synopsis of 5 texts that will be central to the thesis. –––––––––––

Pads

GRS

@@ Line 22: / Line 22: @@
 </pre>
+<div style="text-align:center">
+''''
+'''''drifting memories laying on the stones of present''<br><br>
+''time dripping inside wild cave in Vercors mountains'' <br>
+''voice of a soul processing being caught in a cloud on a hill''<br>
+''enormous space we can free inside and outside for selves''<br>
+''moment becomes present''<br>
+''memory dance''<br>
+''resonating with a mood at the door to a new year of life''<br>
+''water giving and washes away''<br>
+''everything is already there<br>''
+(Perila)''
+</div>
 =Questioning=
 On a theoretical layer: How the publishing process, (as a means to unfold and re-tell the reality) could create new, cultural roots for social and micro-territorial developments? What kind of infrastructures a residency and collective workshop would need in order to facilitate the sharing of processes and knowledge? And how they could be used to re-think the future we live in? Could a constellation of smaller eco-systems be the way to decentralize political and monetary power, recalibrating our lives based on urgent and real needs? What could we learn from smaller realities such as rural villages in order to build new, modern and almost self-reliant communities?
 How the circulation of knowledge, processes and results achieved during the residency could be turned into concrete actions which could help both the local community and the artists' development?

User:Jacopo/secondyear: Difference between revisions