User:Jacopo/secondyear: Difference between revisions
| Line 42: | Line 42: | ||
=[[Project Proposal]]= | =[[Project Proposal]]= | ||
=Thesis Outline= | =Thesis Outline= | ||
'''Conceptual Outline''' (what is your question? Try to be a specific as possible. More specific than identifying a subject or general interest. It helps to ask: "what questions does the work I make generate?") | |||
'''Why do you want to write this text?''' | |||
'''Outline of Methodology''' | |||
(for example: " I would like to structure my thesis in relation to the a series of interviews I will conduct for my proposed project" | |||
OR | |||
"I will make a 'close reading' of three of my past projects" | |||
'''Guidelines''' | |||
Introduction- overview [500 words]; Chapter 1 [2000 words]; Chapter 2 [2000 words]; Chapter 3 [2000 words]; Conclusion [500 words] | |||
= 7000 + Bibliography + Annotated bibliography (five texts max). Synopsis of 5 texts that will be central to the thesis. | |||
=Pads= | =Pads= | ||
Revision as of 13:53, 14 October 2021
How to amplify territorial-based narrations? How to approach local archives? And how to create new, vernacular imaginaries? A journey into the building up of a new, ultra-territorial community-based model aiming to re-create the ideal environments for cultural developments.
+---------------+
/-| Fantasy |-\
+----------------+ /- +---------------+ -\ +-----------------+
| | +---------------+ +---------------+ /- +---------------+ -\ | |
| External World |-------| Understanding |-------| Memory --------| Invention |-------| Imagination |
| | +---------------+ +---------------+ \- +---------------+ -/ | |
+----------------+ \- +---------------+ -/ +-----------------+
| \-| Creativity |-/ |
| +---------------+ |
| |
| +-------------------------+ |
|----------------------------------| Production |-------------------------------------
+-------------------------+
Questioning
How the publishing process, (as a mean to unfold and re-tell the reality) could create new, cultural roots for social and micro-territorial developments? What kind of infrastructures a residency and collective workshop would need in order to facilitate the sharing of processes and knowledge? And how they could be use to re-think the future we live in? Could a constellation of smaller eco-systems be the a way to decentralize political and monetary power, recalibrating our lives based on urgent and real needs? What could we learn from smaller realities such as rural villages in order to build a new, modern and almost self-reliant communities? How the circulation of knowledge, processes and results achieved during the residency could be turned into concrete actions which could help both the local community and the artists' development? How the set of traditions and local heritage could be used as a set of tools for better understanding the present? Without flowing into too conservatives approaches.
drifting memories laying on the stones of present
time dripping inside wild cave in Vercors mountains
voice of a soul processing being caught in a cloud on a hill
enormous space we can free inside and outside for selves
moment becomes present
memory dance
resonating with a mood at the door to a new year of life
water giving and washes away
everything is already there
Perila
Project Proposal
Thesis Outline
Conceptual Outline (what is your question? Try to be a specific as possible. More specific than identifying a subject or general interest. It helps to ask: "what questions does the work I make generate?")
Why do you want to write this text?
Outline of Methodology (for example: " I would like to structure my thesis in relation to the a series of interviews I will conduct for my proposed project" OR "I will make a 'close reading' of three of my past projects"
Guidelines Introduction- overview [500 words]; Chapter 1 [2000 words]; Chapter 2 [2000 words]; Chapter 3 [2000 words]; Conclusion [500 words] = 7000 + Bibliography + Annotated bibliography (five texts max). Synopsis of 5 texts that will be central to the thesis.