|
|
| Line 54: |
Line 54: |
|
| |
|
| → 1. [[TIC80]]<br> | | → 1. [[TIC80]]<br> |
|
| |
| =<p style="font-family:helvetica">Thematic Projects</p>=
| |
|
| |
| ===<p style="font-family:helvetica">Workshops</p>===
| |
|
| |
| '''Collaboration, Conflict & Consent with Eleanor Greenhalgh'''
| |
|
| |
| → 1. [[2020 xpub1 Collaboration, Conflict & Consent | Workshop page]]<br>
| |
| → 2. [[freeze|Freeze]]<br>
| |
|
| |
|
| |
|
| |
| '''Words for the Future'''
| |
| [[Category:WordsfortheFuture|Words of the Future]]
| |
|
| |
| Words/publications to read/annotate : Tense, Practical Vision, Eco-Swaraj
| |
| <br>
| |
| Team: Pon, Floor & Martin
| |
| <br><br>
| |
| → 1. [[TENSE_ISSUE13|TENSE]] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---TENSE---ESSAY-resampled.pdf PDF] [https://pad.xpub.nl/p/TENSE PAD][https://www.figma.com/file/QFNnwDTXWSxFIjZQC65pcr/Tense?node-id=0%3A1 MAP]<br>
| |
| Simon(e) van Saarloos / from [https://www.nienkescholts.com/words-for-the-future Words of the Future] - Nienke Scholts (2017)
| |
| <br>
| |
| → 2. [[Practical Vision_ISSUE13|Practical Vision]] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/branch/master/pdfs-small/Words-for-the-Future---PRACTICAL-VISION---singles-resampled.pdf PDF][https://pad.xpub.nl/p/Practical_Vision_Jalada PAD]<br>
| |
| Moses Kilolo / from [https://www.nienkescholts.com/words-for-the-future Words of the Future] - Nienke Scholts (2017)
| |
| <br>
| |
| → 3. [[Eco-Swaraj_ISSUE13|Eco-Swaraj]] [https://git.xpub.nl/XPUB/S13-Words-for-the-Future-materials/src/commit/e7e3b5038a5781f790072462aa3da051cd6086d0/pdfs/Words-for-the-Future---ECO-SWARAJ---FINAL-SINGLES.pdf PDF] [https://pad.xpub.nl/p/Eco_swaraj%E2%80%93Ashish_Kothari PAD]<br>
| |
| Ashish Kothari / from [https://www.nienkescholts.com/words-for-the-future Words of the Future] - Nienke Scholts (2017)
| |
|
| |
| '''Licensing'''
| |
|
| |
| → 1. [[Writting a General License]] - group work with [[User:Flo| Floor]], [[User:Federico| Pon]] & [[User:Camilo| Camillo]] (in Progress) [https://pad.xpub.nl/p/we_don PAD] <br>
| |
| → 2. [[License to Sub-License]] - individual work (in Progress) [https://pad.xpub.nl/p/Make_your_own PAD]<br><br>
| |
|
| |
| '''Mapping readings'''
| |
|
| |
| → 1. [[Mapping the map]] - group work with XPUB1 / coordinated by Steve [https://pad.xpub.nl/p/XPUB113-9-20 PAD]<br>
| |
| → 2. [https://pzwiki.wdka.nl/mediadesign/File:A3_WORDSOFTHEFUTURE_TEST_V1.pdf A3 MAP TEMPLATE (FOR PRINT TEST)]<br>
| |
|
| |
| '''The Map of maps'''
| |
|
| |
| → 1. [https://pzwiki.wdka.nl/mediadesign/File:A3_WORDSOFTHEFUTURE_TEST_V1.pdf|MAP TEMPLATE]<br>
| |
| → 2. [https://pad.xpub.nl/p/28_10_20_SPECIAL_ISSUE_13_IDEAS PAD FOR "MAP OF THE MAPS" GUIDELINES / QUESTIONS / DEADLINES]
| |
|
| |
| '''Meta-map'''
| |
|
| |
| Making a image that describe itself as an image, a map that describes itself as a map, by using Ascii aalib (Keywords: reflexivity; embodied aesthetic; meta-cognitive; representation; sublime; attention; paradox; mise en abyme;)<br>
| |
| → 1. [https://www.tandfonline.com/doi/full/10.3402/jac.v6.23009 The meta as an aesthetic category] Bruno Trentini (2014)<br>
| |
| → 2. [[File:RMZ ARTIST WRITING(2).pdf|left|[[thumb]]Rosa Maria Zangenberg ]] The eye tells the story by Rosa Maria Zangenberg (2017)<br>
| |
| → 3. [https://brill.com/view/title/2075 Leonardo Da Vinci - Paragone by Louise Farago]
| |
|
| |
| '''Design department Special ISSUE XIII'''
| |
|
| |
| → 1. [https://hotline.xpub.nl/Designteam HOTLINE]<br>
| |
| → 2. [https://pad.xpub.nl/p/Design_Team_WFTF PAD]
| |
|
| |
| '''Tense Communication'''
| |
|
| |
| → 1. [[Tense Web/Motion Experiments|Tense Web/Motion experiments]]
| |
|
| |
|
| ==<p style="font-family:helvetica">SPECIAL ISSUE VISUAL DESIGN</p>== | | ==<p style="font-family:helvetica">SPECIAL ISSUE VISUAL DESIGN</p>== |
TO DO
ALL PADS
Texts
https://pzwiki.wdka.nl/mediadesign/Category:WordsfortheFuture
| Word |
Authors |
PDF (small)
|
| LIQUID |
Rachel Armstrong, Andrea Božic & Julia Willms (TILT) |
link
|
| OTHERNESS |
Daniel L. Everett, Sarah Moeremans |
link link link
|
| PRACTICAL VISION |
Moses Kilolo (Jalada), Klara van Duijkeren & Vincent Schipper (The Future) |
link link link
|
| ECO-SWARAJ |
Ashish Kothari, Rodrigo Sobarzo |
link link
|
| HOPE |
Gurur Ertem, Ogutu Muraya |
link
|
| TENSE |
Simon(e) van Saarloos, Eilit Marom & Anna Massoni & Elpida Orfanidou & Adina Secretan & Simone Truong |
link link
|
| UNDECIDABILITY |
Silvia Bottiroli, Jozef Wouters |
link
|
| RESURGENCE |
Isabelle Stengers, Ola Macijewska |
link
|
| !? |
Nina Power, Michiel Vandevelde |
link
|
| ATATA |
Natalia Chavez Lopez, Hilda Moucharrafieh |
link
|
Prototyping
With Pyhton
→ 1. Generating 100 000 billions of poems
from 100 000 milliards de poèmes — Raymond Queneau (1961)
→ 2. Trump speeches words occurences counter
→ 3. Computer assisted licensing
→ 4. Making a Gradient Patch (Coordinated by Manetta and Michael)
With Processing
→ 1. Learning Processing
With Tic80
→ 1. TIC80
SPECIAL ISSUE VISUAL DESIGN
Creating the map with Web to Print
Creating the cover and colophon with Web to Print
WFTF Colophon Web To Print
Map preview IRL
Book preview IRL
TENSE
Our process in pads
Our process in Figma
A note about the text
Because the text itself is very spontaneously written and quiet 'apocalyptic' in a way. It has different motions to adress. Sometimes personal thoughts. Sometimes philosophical thoughts. It is not an essay with a conclusion, but more a flow of ideas. After reading it we had a lot of thoughts and discussions about what it really means. The text self is not easy to understand and we needed to use the dictionairy frequently. To explain this text we would need a lot more text. The summary would count more words than the actual essay so we're currently working on alternative way(s) to make this essay intelligible.
Work in progress mapping the essay with visual parts
https://www.figma.com/file/QFNnwDTXWSxFIjZQC65pcr/Tense?node-id=0%3A1
Navigation Screen Captures
Square screencapture TENSE 01
Square screencapture TENSE 02
Square screencapture TENSE 03
Square screencapture TENSE 04
Square screencapture TENSE 05
Square screencapture TENSE 06
TENSE screen capture Square 01
TENSE screen capture Square 02
TENSE Web to Print Process
Tense Artistic Response To Print 01
Tense Artistic Response To Print 02
Post-Launch TENSE Motion Design Process
Working from a Web interation video capture
Trying to play around with the Browser window resizing in order to create a playful animation decidaced be a thumbnail of the project.
The two first screen capture will be the basis of the upcoming motion. I will first try to smooth the window movement and make the two screen capture fit togehter before synchronizing them and looping them.
TENSE MOTION Initial Screen Capture 1
TENSE MOTION Initial Screen Capture 2
Smoothing/Combining/Synchronizing Frames
Working from a videocapture and trying to smooth the quiet laggy movment of the window was quiet tricky,
I got there after a while.
Final Result Square + Rectangle Format
Tense Motion V3 - Martin Foucaut
TENSE Motion Rectangle Format Loop in the loop
