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==Format==
==Format==
Mapathon (collective mapping session). Participants will be asked to produce their own cartographic poster zine based on datasets referents to house speculation in the city of Rotterdam. Superpower diagrams is a workshop to explore the storytelling of visualising data. This workshop will introduce the concept of radical maps and counter-cartographies in order to visualise information and to use them as a socio political communication tool.  
Mapathon (collective mapping session). <br>
Participants will be asked to produce their own cartographic poster zine based on datasets referring to house speculation in the city of Rotterdam. Superpower diagrams is a workshop to explore the storytelling of visualising and speculate with data. This workshop will introduce the concept of radical maps and counter-cartographies in order to render information and to use them as a socio-political communication tool and an editorial mechanism.


==Key topics==
==Key topics==

Revision as of 23:26, 3 November 2019

Title

SUPERPOWER DIAGRAMS: make your own data-cartography

Who is leading the workshop

Paloma

Format

Mapathon (collective mapping session).
Participants will be asked to produce their own cartographic poster zine based on datasets referring to house speculation in the city of Rotterdam. Superpower diagrams is a workshop to explore the storytelling of visualising and speculate with data. This workshop will introduce the concept of radical maps and counter-cartographies in order to render information and to use them as a socio-political communication tool and an editorial mechanism.

Key topics

Collaborative mapping, visual grammar, diagramming, counter-cartographies, re-publishing maps. 

Short description

What will happen

The workshop will start with a small introduction to counter-cartographies and collaborative mapping showing a small atlas of references and explaining how are they using diagrams as an editorial tool ( Bureau d’Études, Iconoclasistas, Otto Neurath, Market cafe magazine, dear data, etc. )

Then the participants will be provided with datasets about house speculation in the city of Rotterdam. They will received different data from diverse fonts ( municipality, communities, online voices…) and in groups 3-4 people will choose a dataset to work with and a storytelling to communicate this data (What is the message that am I going to transmit).

The next step will be to create a visual language in order to translate the dataset into a graphic communicative element (pictographic grammar) . We will design codes for translation reading and interpretation and we will start our collaborative mapping session. The visual lenguage will be hand drawn or using fast reproduction tools (photocopy machine, stamps, letraset, tracing paper, etc.).

The goal of the workshop is to create a poster-zine, that we have the capacity to reproduce so in parallel to the creation of the visual language we will design a layout and print strategy. (Riso print in order to work just with two colours and fast production ?? It would be nice but maybe too complicated if participants are not familiar with this print method, otherwise we can just use regular A3 printers).

The workshop will finish with the print and the creation of the poster-zine and a small sharing a discussion about different strategies that have been used.

Why (relevance)?

Images are produced and consumed in our current culture in quantities that would have been unthinkable in any previous period in human history so this is a crucial area to communicate with societies. Moreover, a lot of the information we have on the internet, especially when it’s related with data sets, requires complex interpretation procedures so for me visual communication becomes a necessary tool to engage with modern human.

Cartographies are tools between art, architecture, design, activism and technology that can also be used as the base of collaborative processes so I hardly believe that is a superpower mechanism to make societies gain awareness, to reclaim a reality, to render invisibility and to use design elements to make activism.

Outcome: what will be goal of the session?

The goal of the session is to produce a cartogrtaphic poster-zine based on collaborative mapping that allow us to render a reality about house speculation in Rotterdam.

maximum amount of participants

20 ¿?

Prerequisites, material to bring

Sketch tools, laptop. The workshop is mainly computer free but we can need laptops to print and process some information. 


Some References

Market Cafe Magazine

Market Cafe Magazine is a zine about data visualization founded in 2017 by information designers and educators Tiziana Alocci and Piero Zagami.

Reading Market Cafe Magazine you will hear from different voices about what designing information means and where it's going. Our mad research brought us to discover the most talented and finest people in the industry to guide you through this journey. Market Cafe Magazine is 100% independent, self-published and self-distributed in London.

Market Cafe Magazine is not only a zine. It's also an online and offline community: we organise workshops and meetups to discuss the different sides of working with data. Subscribe our spam-free newsletter, follow us on Instagram and Twitter or join our Facebook group Data Loves Zines to know about our next events.

Dear Data

Dear Data is a year-long, analog data drawing project by Giorgia Lupi and Stefanie Posavec, two award-winning information designers living on different sides of the Atlantic.By collecting and hand drawing their personal data and sending it to each other in the form of postcards, they became friends.

Each week, and for a year, we collected and measured a particular type of data about our lives, used this data to make a drawing on a postcard-sized sheet of paper, and then dropped the postcard in an English “postbox” (Stefanie) or an American “mailbox” (Giorgia)!Eventually, the postcard arrived at the other person’s address with all the scuff marks of its journey over the ocean: a type of “slow data” transmission.

Over the fifty-two weeks, the collecting of data about our lives became a kind of ritual. We would spend the week noticing and noting down our activities or thoughts, before translating this information into a hand-drawn visualization.

On the front of the postcard there would be a unique representation of our weekly data, and, on the other side (in addition to the necessary postage and address), we would squeeze in detailed keys to our drawings: the code to enable the recipient to decipher the picture, and to fantasize about what had happened to her new friend the week before.

We prefer to approach data in a slower, more analogue way. We’ve always conceived Dear Data as a “personal documentary” rather than a quantified-self project which is a subtle – but important – distinction. Instead of using data just to become more efficient, we argue we can use data to become more humane and to connect with ourselves and others at a deeper level.