Latest revision as of 13:13, 10 December 2013

Nicole Hametner, Trimester 4, december 2013

Relation to larger context

Pieter Geenen/ Raphael Hefti/ Chris Cornish/ Roni Horn/ James Turell/ Olafur Eliasson/ Bill Viola/ Harun Farocki/ Michael Snow/ Jan Fabre/ Fiona Tan/ David Claerbout/ Tacita Dean/ Runa Islam/ structural film/

Steve McQueen, Running Thunder, 2007

installation with hung screen in space
reflections of the presentational mode
photograph of a stone enclosed by a dead tree

Steve McQueen, Running Thunder, 2007

Nicole Hametner, There, 2012

Gillian Carnegie, Black Square, 2008

the contradiction between matter and image
the viewer's position, needs her movement to reveal the image
challenge of depicting a night scene
made me think of my previous work in the forest

Gillian Carnegie, Black Square, 2008

Nicole Hametner, Wald, 2006

Mark Rothko/ Hiroshi Sugimoto

precise idea of the work's installation
necessity of a sensitive observer
sense of the unknown
transcendence of the individual
towards spiritual experience

Mark Rothko, Rothko Chapel, 1971

Hiroshi Sugimoto, Pine Trees/ Coffin of Light, 2001

Black paintings

abstract expressionism
the sublime
representation of abscence

Pointillism of Georges Seurat

grid of dots
structure of the paper

Georges Seurat, The Artist's Mother, 1882

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+  Nicole Hametner, Trimester 4, december 2013
-* ''Aster'', 2008: topic of the night in the center/ allows to talk about the process, reveal the unseen, latent image/ limit of perception, the invisible is the main referent/ theme of absence/ introspection, exp. portrait/ psychoanalysis/ exteriors becoming screens for inner images/ contemplation/ romanticism/ juxtaposition of pictural and photographic/ duration and instant
+= Relation to larger context =
+Pieter Geenen/ Raphael Hefti/ Chris Cornish/ Roni Horn/ James Turell/ Olafur Eliasson/ Bill Viola/ Harun Farocki/ Michael Snow/ Jan Fabre/ Fiona Tan/ David Claerbout/ Tacita Dean/ Runa Islam/ structural film/<br><br>
+<u>Steve McQueen, ''Running Thunder'', 2007</u>
+* installation with hung screen in space
+* reflections of the presentational mode
+* photograph of a stone enclosed by a dead tree<br>
 <table border="0" padding="2">
 <tr>
-<td valign="top">[[File:NHametnerAster.jpg| frame | Nicole Hametner, ''Aster'', 2008]]</td>
+<td valign="top">
-<td valign="top"></td>
+[[File:SteveMcQueenRunningThunder01.jpg| frame |Steve McQueen, ''Running Thunder'', 2007]]<br>
+[[File:SteveMcQueenRunningThunder02.jpg| frame |Steve McQueen, ''Running Thunder'', 2007]]<br>
+</td>
+<td valign="top">[[File:NHametnerThere.jpg | frame | Nicole Hametner, ''There'', 2012]]</td>
 </tr>
 <tr>
@@ Line 10: / Line 20: @@
 </table>
-* ''Le Sapin'', 2010: media specificity, woodcut-photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ blackness, deep black of the matrices/ again the night as central element/ at the border of the visibility/ oscillate between negativ and positiv, day and night/ black and white images closer to our nightvision/ the process of photography, to freeze and solidify in silver/ between the pictural and the photographic/ materiality of the polaroid portrait, the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world
+<u>Gillian Carnegie, ''Black Square'', 2008</u>
+* the contradiction between matter and image
+* the viewer's position, needs her movement to reveal the image
+* challenge of depicting a night scene
+* made me think of my previous work in the forest<br>
 <table border="0" padding="2">
 <tr>
-<td valign="top">[[File:NHametnerLeSapin.jpg| frame | Nicole Hametner, ''Le Sapin'', 2010]]</td>
 <td valign="top">
+[[File:GillianCarnegieBlackSquare.jpg| frame |Gillian Carnegie, ''Black Square'', 2008]]<br>
 </td>
+<td valign="top">[[File:NHametnerWald.jpg| frame |Nicole Hametner, ''Wald'', 2006]]</td>
 </tr>
 <tr>
@@ Line 21: / Line 36: @@
 </table>
-* ''Schwarzes Licht'', 2010: light installation/ role of the audience/ oscillation of present and absent image, latent image/ greek mythology/ Freud's three casket theory
+<u>Mark Rothko/ Hiroshi Sugimoto</u>
+* precise idea of the work's installation
+* necessity of a sensitive observer
+* sense of the unknown
+* transcendence of the individual
+* towards spiritual experience<br>
 <table border="0" padding="2">
 <tr>
-<td valign="top">[[File:NHametnerSchwarzesLicht01.jpg| frame | right | Nicole Hametner, ''Schwarzes Licht'', 2010]]</td>
+<td valign="top">
-<td valign="top"></td>
+[[File:RothkoChapelHouston.jpg| frame | Mark Rothko, ''Rothko Chapel'', 1971]]<br>
+</td>
+<td valign="top">[[File:SugimotoPineTrees.jpg| frame |Hiroshi Sugimoto, ''Pine Trees/ Coffin of Light'', 2001]]</td>
 </tr>
 <tr>
@@ Line 31: / Line 53: @@
 </table>
-* ''Montchoisi'', 2011: from forest to the element of water/ its different states/ from frozen towards the constant flow (now in the digital video image)
+<u>Black paintings</u>
-<table border="0" padding="2">
+* abstract expressionism
-<tr>
+* the sublime
-<td valign="top">[[File:NHametnerMontchoisi02.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td>
+* representation of abscence<br>
-<td valign="top">[[File:NHametnerMontchoisi01.jpg| frame | Nicole Hametner, ''Montchoisi'', 2011]]</td>
-</tr>
-<tr>
-</tr>
-</table>
-* First Trimester at Piet Zwart: tried to link with previous investigations/ theme of perception/ techniques of the observer, 19th to 21st century/ [http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">pulsing thaumathrope</font>], theme of the after image/ dematerialisation/ from stillness to moving image/ intrigued by the temporal moving noise in the underexposure digital image
+<u>Pointillism of Georges Seurat</u>
+* grid of dots
+* structure of the paper
 <table border="0" padding="2">
 <tr>
-<td valign="top">[[File:Thaumatrope.jpg| frame | right | Thaumatrope, 2012]]</td>
+<td valign="top">
+[[File:GeorgesSeurat.jpg| frame | Georges Seurat, ''The Artist's Mother'', 1882]]<br>
+</td>
 <td valign="top"></td>
 </tr>