User:Martin: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
<img src="https://freight.cargo.site/w/600/q/94/i/b2ca37f2ed624cdb6c3212aaea3c5a63a4e048530f527f3b512f2dc504b98f2d/Martin.gif" alt="Martin" width="300" height="300"> | <img src="https://freight.cargo.site/w/600/q/94/i/b2ca37f2ed624cdb6c3212aaea3c5a63a4e048530f527f3b512f2dc504b98f2d/Martin.gif" alt="Martin" width="300" height="300"> | ||
<img src="https://freight.cargo.site/w/600/q/94/i/3c27a10316d9b1a7f7a88f0726374d216df3141477e0259951be52053542950a/Martin2.gif" alt="Martin" width="300" height="300"> | |||
Work 🡢 [https://martinfoucaut.com Martin Foucaut] | Work 🡢 [https://martinfoucaut.com Martin Foucaut] | ||
| Line 13: | Line 15: | ||
===<p style="font-family:helvetica">'''Previous readings (2018-2019)'''</p>=== | ===<p style="font-family:helvetica">'''Previous readings (2018-2019)'''</p>=== | ||
<br> | <br> | ||
🡢 1. [[L'art comme expérience — John Dewey]] <br> | 🡢 1. [[L'art comme expérience — John Dewey]] (yet to be filled) <br> | ||
publisher: Gallimard (1934)<br><br> | publisher: Gallimard (1934)<br><br> | ||
🡢 2. [[L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin]] <br> | 🡢 2. [[L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin]] (yet to be filled) <br> | ||
publisher: Alia (1939)<br><br> | publisher: Alia (1939)<br><br> | ||
🡢 3. [[Dispositif — Jean-Louis Baudry]] <br> | 🡢 3. [[Dispositif — Jean-Louis Baudry]] (yet to be filled)<br> | ||
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975) <br><br> | publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975) <br><br> | ||
🡢 4. [[L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss]] <br> | 🡢 4. [[L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss]] (yet to be filled) <br> | ||
publisher: Macula (1993) <br><br> | publisher: Macula (1993) <br><br> | ||
🡢 5. [[Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty]] <br> | 🡢 5. [[Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty]] (yet to be filled) <br> | ||
publisher: Les presses du réel (2008) <br><br> | publisher: Les presses du réel (2008) <br><br> | ||
🡢 6. [[Préçis de sémiotique générale — Jean-Marie Klinkenbeg]] <br> | 🡢 6. [[Préçis de sémiotique générale — Jean-Marie Klinkenbeg]] (yet to be filled) <br> | ||
publisher: Point (2000) <br><br> | publisher: Point (2000) <br><br> | ||
🡢 7. [[Langage des nouveaux médias — Lev Manovitch]] <br> | 🡢 7. [[Langage des nouveaux médias — Lev Manovitch]] (yet to be filled) <br> | ||
publisher: Presses du Réel (2001) <br><br> | publisher: Presses du Réel (2001) <br><br> | ||
🡢 8. [[Le Net Art au musée — Anne Laforêt]] <br> | 🡢 8. [[Le Net Art au musée — Anne Laforêt]] (yet to be filled) <br> | ||
publisher: Questions Théoriques (2011) <br><br> | publisher: Questions Théoriques (2011) <br><br> | ||
🡢 9. [[Narrative comprehension and Film communication — Edward Branigan]] <br> | 🡢 9. [[Narrative comprehension and Film communication — Edward Branigan]] (yet to be filled) <br> | ||
publisher: Routledge (2013) <br><br> | publisher: Routledge (2013) <br><br> | ||
🡢 10. [[Statement and counter statement / Notes on experimental Jetset — Experimental Jetset]] <br> | 🡢 10. [[Statement and counter statement / Notes on experimental Jetset — Experimental Jetset]] (yet to be filled) <br> | ||
publisher: Roma (2015) <br><br> | publisher: Roma (2015) <br><br> | ||
🡢 11. [[Post Digital Print — Alessandro Ludovico]] <br> | 🡢 11. [[Post Digital Print — Alessandro Ludovico]](yet to be filled) <br> | ||
publisher: B42 (2016) <br><br> | publisher: B42 (2016) <br><br> | ||
🡢 12. [[L'écran comme mobile — Jean Louis Boissier]] <br> | 🡢 12. [[L'écran comme mobile — Jean Louis Boissier]] (yet to be filled) <br> | ||
publisher: Presses du réel (2016) <br> | publisher: Presses du réel (2016) <br> | ||
Revision as of 11:03, 16 September 2020
Work 🡢 Martin Foucaut
Research and Methods
Session 1
Thematic Projects
Reading Notes
Previous readings (2018-2019)
🡢 1. L'art comme expérience — John Dewey (yet to be filled)
publisher: Gallimard (1934)
🡢 2. L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin (yet to be filled)
publisher: Alia (1939)
🡢 3. Dispositif — Jean-Louis Baudry (yet to be filled)
publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)
🡢 4. L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss (yet to be filled)
publisher: Macula (1993)
🡢 5. Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty (yet to be filled)
publisher: Les presses du réel (2008)
🡢 6. Préçis de sémiotique générale — Jean-Marie Klinkenbeg (yet to be filled)
publisher: Point (2000)
🡢 7. Langage des nouveaux médias — Lev Manovitch (yet to be filled)
publisher: Presses du Réel (2001)
🡢 8. Le Net Art au musée — Anne Laforêt (yet to be filled)
publisher: Questions Théoriques (2011)
🡢 9. Narrative comprehension and Film communication — Edward Branigan (yet to be filled)
publisher: Routledge (2013)
🡢 10. Statement and counter statement / Notes on experimental Jetset — Experimental Jetset (yet to be filled)
publisher: Roma (2015)
🡢 11. Post Digital Print — Alessandro Ludovico(yet to be filled)
publisher: B42 (2016)
🡢 12. L'écran comme mobile — Jean Louis Boissier (yet to be filled)
publisher: Presses du réel (2016)
Current readings (2020)
Yet to be filled