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=<p style="font-family:helvetica">Research and Methods</p>=
=<p style="font-family:helvetica">Research and Methods</p>=
<div style='max-width:300px;"> '''Yet to be filled''' </div>


===<p style="font-family:helvetica">Session 1</p>===
===<p style="font-family:helvetica">Session 1</p>===
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=<p style="font-family:helvetica">Reading Notes</p>=
=<p style="font-family:helvetica">Reading Notes</p>=


'''Previous readings'''<br><br>  
===<p style="font-family:helvetica">'''Previous readings (2018-2019)'''</p>===
<br>
🡢&nbsp;1.&nbsp; [[L'art comme expérience — John Dewey]] <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Gallimard (1934)<br><br>
 
🡢&nbsp;2.&nbsp; [[L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin]] <br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Alia (1939)<br><br>


🡢&nbsp;1.&nbsp;L'art comme expérience — John Dewey <br>
🡢&nbsp;3.&nbsp; [[Dispositif — Jean-Louis Baudry]] <br>
&nbsp;&nbsp;&nbsp;éditeur : Gallimard (1934)<br><br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975) <br><br>


🡢&nbsp;2.&nbsp;L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin <br>  
🡢&nbsp;4.&nbsp; [[L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss]]  <br>  
&nbsp;&nbsp;&nbsp;éditeur : Alia (1939)<br><br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Macula (1993) <br><br>  


🡢&nbsp;3.&nbsp;Dispositif — Jean-Louis Baudry <br>
🡢&nbsp;5.&nbsp; [[Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty]]  <br>  
&nbsp;&nbsp;&nbsp;éditeurs : Raymond Bellour, Thierry Kuntzel et Christian Metz (1975) <br><br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Les presses du réel (2008) <br><br>  


🡢&nbsp;4.&nbsp;L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss  <br>  
🡢&nbsp;6.&nbsp; [[Préçis de sémiotique générale — Jean-Marie Klinkenbeg]] <br>  
&nbsp;&nbsp;&nbsp;éditeur : Macula (1993) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Point (2000) <br><br>  


🡢&nbsp;5.&nbsp; Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty  <br>  
🡢&nbsp;7.&nbsp; [[Langage des nouveaux médias — Lev Manovitch]] <br>
&nbsp;&nbsp;&nbsp;publisher: Les presses du réel (2008) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Presses du Réel (2001) <br><br>  


🡢&nbsp;6.&nbsp;Préçis de sémiotique générale — Jean-Marie Klinkenbeg <br>  
🡢&nbsp;8.&nbsp; [[Le Net Art au musée — Anne  Laforêt]] <br>  
&nbsp;&nbsp;&nbsp;publisher: Point (2000) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Questions Théoriques (2011) <br><br>  


🡢&nbsp;7.&nbsp; Langage des nouveaux médias — Lev Manovitch <br>
🡢&nbsp;9.&nbsp; [[Narrative comprehension and Film communication — Edward Branigan]] <br>  
&nbsp;&nbsp;&nbsp;publisher: Presses du Réel (2001) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Routledge (2013) <br><br>  


🡢&nbsp;8.&nbsp; Le Net Art au musée — Anne  Laforêt <br>  
🡢&nbsp;10.&nbsp; [[Statement and counter statement / Notes on experimental Jetset — Experimental Jetset]] <br>
&nbsp;&nbsp;&nbsp;publisher: Questions Théoriques (2011) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Roma (2015) <br><br>  


🡢&nbsp;9.&nbsp; Narrative comprehension and Film communication — Edward Branigan <br>  
🡢&nbsp;11.&nbsp; [[Post Digital Print — Alessandro Ludovico]] <br>
&nbsp;&nbsp;&nbsp;publisher: Routledge (2013) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: B42 (2016) <br><br>  


🡢&nbsp;10.&nbsp; Statement and counter statement / Notes on experimental Jetset — Experimental Jetset <br>
🡢&nbsp;12.&nbsp;[[L'écran comme mobile — Jean Louis Boissier]] <br>
&nbsp;&nbsp;&nbsp;publisher: Roma (2015) <br><br>  
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;publisher: Presses du réel (2016) <br>


🡢&nbsp;11.&nbsp; Post Digital Print — Alessandro Ludovico <br>
===<p style="font-family:helvetica">'''Current readings (2020)'''</p>===
&nbsp;&nbsp;&nbsp;publisher: B42 (2016) <br><br>  


🡢&nbsp;12.&nbsp; L'écran comme mobile — Jean Louis Boissier <br>
Yet to be filled
&nbsp;&nbsp;&nbsp;publisher: Pressesdu réel (2016) <br><br>


[[Category:Xpub]]
[[Category:Xpub]]

Revision as of 18:05, 15 September 2020

Martin

Work 🡢 Martin Foucaut

Research and Methods

Session 1

Thematic Projects

Reading Notes

Previous readings (2018-2019)


🡢 1.  L'art comme expérience — John Dewey
         publisher: Gallimard (1934)

🡢 2.  L'œuvre d'art à l'époque de sa reproductibilité technique — Walter Benjamin
         publisher: Alia (1939)

🡢 3.  Dispositif — Jean-Louis Baudry
         publisher: Raymond Bellour, Thierry Kuntzel et Christian Metz (1975)

🡢 4.  L’Originalité de l’avant-garde et autres mythes modernistes — Rosalind Krauss
         publisher: Macula (1993)

🡢 5.  Inside the White Cube, the Ideology of Gallery Space — Brian O'Doherty
         publisher: Les presses du réel (2008)

🡢 6.  Préçis de sémiotique générale — Jean-Marie Klinkenbeg
         publisher: Point (2000)

🡢 7.  Langage des nouveaux médias — Lev Manovitch
         publisher: Presses du Réel (2001)

🡢 8.  Le Net Art au musée — Anne Laforêt
         publisher: Questions Théoriques (2011)

🡢 9.  Narrative comprehension and Film communication — Edward Branigan
         publisher: Routledge (2013)

🡢 10.  Statement and counter statement / Notes on experimental Jetset — Experimental Jetset
          publisher: Roma (2015)

🡢 11.  Post Digital Print — Alessandro Ludovico
          publisher: B42 (2016)

🡢 12. L'écran comme mobile — Jean Louis Boissier
          publisher: Presses du réel (2016)

Current readings (2020)

Yet to be filled

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