User:Lbattich/Narratives/Digital work - Photo book Thematic Project

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"There is a kind of white that is more than white, and this was that kind of white. There is a kind of white that repels everything that is inferior to it, and that is almost everything. This was that kind of white. There is a kind of white that is not created by bleach but that itself is bleach. This was that kind of white. This white was aggressively white. It did its work on everything around it, and nothing escaped. ...

Pure white: this is certainly a Western problem, and there’s no getting away from it."

- David Batchelor, Chromophobia.


Link to work


White1.png White-book2.jpg White-work3.jpg White-book4.jpg

Text

Empty spaces

vast, white spaces

with nothing on them.

Perhaps a word here and there …

a voice?

or perhaps some little figures walking

but these little figures wouldn’t really bring attention to themselves, they’d be lost in the big white space

it’d be hard to find them


what is this white space?

Someone entering the white space might think it is a nostalgic ideal space,

a nostalgia for a place that never really existed,

or will exist.


Some might think of the space as a sort of consecrated precinct.

A space where ethereal and eternal questions

can be asked.

A space where every step, every bit of dust, every stained surface

would be endowed with dignified significance.


Some might think that the white space is not big enough for them.

Some might think that the tiny words and the tiny figures are not big enough for them.


But the words, the stains, are not there to be found.

They are just there, that’s their tiny raison d’être.

They don’t care about being found or being lost in nothingness.


Some might think that the white space is a space where they can breath more freely.

Some might think that the white space is an ugly ideological myth.


Some might think the white space is a sort of escapism.

Some might think the words are a sort of escapism.

Some might think everything around them is a sort of escapism.


Some might think there is a hint of existential pathos

in the juxtaposition of little figures and monumental nothingness.

stained, corrupted spaces striving for whiteness –

or perhaps, the little figures are actually having a lot of fun.


Some might think the tiny bits of pigment, the stains, the figures,

are really alive.

Being alive is tantamount to courting extinction.

The tiny stains look very at home in the white emptiness,

and at the same time they look like they might perish at any moment.


Yhe little marks on the vast space may be alive,

yet they are inhuman, empty, callous, wallowing in stasis.


There is a massive indeterminacy attached to this space

and its inconspicuous inhabitants.


There is something about the words in this white space

that makes them crumple into nothingness.

Some might want to find some sort meaning

an illusion of meaning,

whatever it may be,

a poetic presence of ‘something’,

where there is none.