User:Emily/RW&RM/Trimester 01/02: Difference between revisions

From XPUB & Lens-Based wiki
No edit summary
No edit summary
Line 1: Line 1:
Bring along a text, an art object (repro) by another and a piece of popular media (film,clip &c) that interest you.


Text: ''Is There Love in the TelematicEmbrace''<br>
 
An art object: Postcards, Hu Jieming<br>
'''Text'''
A piece of popular media: Black Mirror II<br>
----<span style="float:right; ">[[image:Telematic_embrace.jpg|320px]]</span>
''Is There Love in the Telematic Embrace'' by Roy Ascott<br>
In this article the author poses a question - what is the content in telematic medium. Telematics is a term used to designate computer-mediated communications networking. The question of content is addressed to what might be called the integrated data work, and to its capacity to engage the intellect, emotions and sensibility of the observer. Observer becomes the creator and meaning is unstable. The aesthetic shifts from the observed object to participating subject. Therefore the author puts at the interface to telematic systems, content is created rather than received. Content of a telematic art will depend in large measure on the nature of the interface.
<br>
<br>
 
 
'''Art object'''
----<span style="float:right; ">[[image:Cent_mille_milliards1.jpg|200px]]</span>
''A Hundred Thousand Billion Poems'' by Raymond Queneau<br>
A Hundred Thousand Billion Poems is a set of ten sonnets, which is printed with each line on a separated strips. Since all ten sonnets have not only the same rhyme scheme but also the same rhyme sounds, the poem can be read in different combination with each lines. Therefore, there are ten to the fourteenth power different poems. Within the limited lines, the author created a large quantities of outcomes, and provide an infinite imagination. Here is a interactive version of it: http://www.bevrowe.info/Queneau/QueneauRandom_v4.html <br>  
It makes me consider where the content really exists. The meaning changes each time the reader flip over the strip, and is always in a state of becoming in the readers’ mind.
<br>
<br>
<br>
<br>
'''popular media'''
----<span style="float:right; ">[[image:Black_mirror2.jpg|200px]]</span>
'' Black Mirror II''<br>
the female character lost his boyfriend in a car accidence, she produced a Aishi |artificial one using the data from social network, at first she can only communicate with him via smartphone, then she made it in physical body.

Revision as of 01:47, 8 October 2014


Text


Telematic embrace.jpg

Is There Love in the Telematic Embrace by Roy Ascott
In this article the author poses a question - what is the content in telematic medium. Telematics is a term used to designate computer-mediated communications networking. The question of content is addressed to what might be called the integrated data work, and to its capacity to engage the intellect, emotions and sensibility of the observer. Observer becomes the creator and meaning is unstable. The aesthetic shifts from the observed object to participating subject. Therefore the author puts at the interface to telematic systems, content is created rather than received. Content of a telematic art will depend in large measure on the nature of the interface.


Art object


Cent mille milliards1.jpg

A Hundred Thousand Billion Poems by Raymond Queneau
A Hundred Thousand Billion Poems is a set of ten sonnets, which is printed with each line on a separated strips. Since all ten sonnets have not only the same rhyme scheme but also the same rhyme sounds, the poem can be read in different combination with each lines. Therefore, there are ten to the fourteenth power different poems. Within the limited lines, the author created a large quantities of outcomes, and provide an infinite imagination. Here is a interactive version of it: http://www.bevrowe.info/Queneau/QueneauRandom_v4.html
It makes me consider where the content really exists. The meaning changes each time the reader flip over the strip, and is always in a state of becoming in the readers’ mind.



popular media


Black mirror2.jpg

Black Mirror II
the female character lost his boyfriend in a car accidence, she produced a Aishi |artificial one using the data from social network, at first she can only communicate with him via smartphone, then she made it in physical body.