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===Art and Film Since 1945=== | ===Art and Film Since 1945=== | ||
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:relationship between cinema and the visual arts in the postwar ear | :relationship between cinema and the visual arts in the postwar ear | ||
:new forms of artistic expression | :new forms of artistic expression | ||
:7 essays--> Hollywood glamour and stardom, the experimental cinema of the sixties, the influence of psychoanalytic and feminist film theory on art, nostalgia for cinema's olden age, and presentiments of its fragmentation and death. | :7 essays--> Hollywood glamour and stardom, the experimental cinema of the sixties, the influence of psychoanalytic and feminist film theory on art, nostalgia for cinema's olden age, and presentiments of its fragmentation and death. | ||
:This publication accompanies the exhibition "Hall of Mirrors: Art and Film Since 1945, organised by The Museum of Contemporary Art, Los Angeles --> work byJoseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, Andy Warhol, Raúl Ruiz, John Baldessari, Cindy Sherman, Hiroshi Suginoto, and Stan Douglas | :This publication accompanies the exhibition "Hall of Mirrors: Art and Film Since 1945, organised by The Museum of Contemporary Art, Los Angeles --> work byJoseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, Andy Warhol, Raúl Ruiz, John Baldessari, Cindy Sherman, Hiroshi Suginoto, and Stan Douglas | ||
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Hall of Mirrors by Kerry Brougher | |||
:Art is not the reflection of reality, it is the reality of that reflection -- Jean-Luc Godard, 1967 | |||
:The Machine-as-photographed ... The Machine-as-pictured through the means of machinery - something like a 'hall of mirrors' reflecting mirrors, ad infinitum, to confound all material sense and punch a hole in the whole of universal space --Stan Brakhage, 1972 | |||
:The cinema is a mechanical mirror that has a memory --Raúl Ruiz, 1992 | |||
Revision as of 14:44, 12 April 2015
Art and Film Since 1945
- relationship between cinema and the visual arts in the postwar ear
- new forms of artistic expression
- 7 essays--> Hollywood glamour and stardom, the experimental cinema of the sixties, the influence of psychoanalytic and feminist film theory on art, nostalgia for cinema's olden age, and presentiments of its fragmentation and death.
- This publication accompanies the exhibition "Hall of Mirrors: Art and Film Since 1945, organised by The Museum of Contemporary Art, Los Angeles --> work byJoseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, Andy Warhol, Raúl Ruiz, John Baldessari, Cindy Sherman, Hiroshi Suginoto, and Stan Douglas
Hall of Mirrors by Kerry Brougher
- Art is not the reflection of reality, it is the reality of that reflection -- Jean-Luc Godard, 1967
- The Machine-as-photographed ... The Machine-as-pictured through the means of machinery - something like a 'hall of mirrors' reflecting mirrors, ad infinitum, to confound all material sense and punch a hole in the whole of universal space --Stan Brakhage, 1972
- The cinema is a mechanical mirror that has a memory --Raúl Ruiz, 1992