User:Emily/NOTES for Own Research & Resource 12

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Art and Film Since 1945

relationship between cinema and the visual arts in the postwar ear
new forms of artistic expression
7 essays--> Hollywood glamour and stardom, the experimental cinema of the sixties, the influence of psychoanalytic and feminist film theory on art, nostalgia for cinema's olden age, and presentiments of its fragmentation and death.
This publication accompanies the exhibition "Hall of Mirrors: Art and Film Since 1945, organised by The Museum of Contemporary Art, Los Angeles --> work byJoseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, Andy Warhol, Raúl Ruiz, John Baldessari, Cindy Sherman, Hiroshi Suginoto, and Stan Douglas

Hall of Mirrors by Kerry Brougher

Art is not the reflection of reality, it is the reality of that reflection -- Jean-Luc Godard, 1967
The Machine-as-photographed ... The Machine-as-pictured through the means of machinery - something like a 'hall of mirrors' reflecting mirrors, ad infinitum, to confound all material sense and punch a hole in the whole of universal space --Stan Brakhage, 1972
The cinema is a mechanical mirror that has a memory --Raúl Ruiz, 1992

Part I Lost Illusions: Dismantling the Dream Factory

Part II Cinema Degree Zero: Testing the Limits

Part III Rear Window: Fragments of The Cinematic Past

Beautiful Moments by Russell Ferguson

"The Other" Cinema: American Avant-Garde Film of the 1960s by Bruce Jenkins

Engaging Perspectives: Film, Feminism, Psychoanalysis, and the Problem of Vision by Kate Linker

Notes on Film and Painting by Robert Rosen

Dr. Mabuse and Mr. Edison by Jonathan Crary

History Without Object by Molly Nesbit