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What is the difference of the construction or the usage of elements between these two system? | What is the difference of the construction or the usage of elements between these two system? | ||
'''Thesis Question ''' | =='''Thesis Question '''== | ||
'''Abstract''' | =='''Abstract'''== | ||
'''Thesis Outline''' | =='''Thesis Outline'''== | ||
=='''Bibliography'''== | |||
Fritz Van Briessen,"The Way of the Brush--Painting Techniques of China and Japan" | Fritz Van Briessen,"The Way of the Brush--Painting Techniques of China and Japan" | ||
Revision as of 17:29, 20 January 2015
The comparison between Chinese ink painting and Dutch painting from the history and culture aspect. Such as: The abstract gesture/mark appeared in western paintings during 16th~17th century. And in China painting, the "abstract mark" existed hundred years before that. How the landscape appearance effects both this two painting genres？ In the Chinese painting theory “The Six principles of Chinese painting”(古画品录) written by art historian Xie He from six centuries, points out the “Spirit Resonance” or vitality is the overall energy of a work of art. And he talks how to judge a painting if it is good through six principles. How does his theory work in Chinese painting and if it would also work on judging western paintings? What is the difference of the construction or the usage of elements between these two system?
Thesis Question
Abstract
Thesis Outline
Bibliography
Fritz Van Briessen,"The Way of the Brush--Painting Techniques of China and Japan"
Philip Rawson,"Drawing"
Translated and edited by Mai-mai Sze.[Original version written by Gai Wang, Shi Wang, Nie Wang, Sheng Zhu(王概、王蓍、王臬、諸升); Edited by Xinyou Shen (沈心友)]"The Mustard Seed Garden Manual of Painting"