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==Networking, Infrastructure, Protocols==
==Networking, Infrastructure, Protocols==
<span style="color:#0000FF"> Galloway, A. (2004). Protocol: How Control Exists After Decentralization. MIT Press.</span>
<span style="color:#0000FF"> Galloway, A. (2004). Protocol: How Control Exists After Decentralization. MIT Press.</span>
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<span style="color:#0000FF"> Larkin, B. (2013). The Politics and Poetics of Infrastructure. Annual Review of Anthropology, 42(1), pp.327-343.</span>
<span style="color:#0000FF"> Larkin, B. (2013). The Politics and Poetics of Infrastructure. Annual Review of Anthropology, 42(1), pp.327-343.</span>


<span style="color:#0000FF"> Dragana, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9 </span>
<span style="color:#0000FF"> Dragona, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9 </span>
 
<span style="color:#0000FF"> Dragona, D. and Charitos, D. (). Challenging Infrastructures: Alternative Networking and Role of Art. </span>


<span style="color:#0000FF"> Dragana, D. (2014). Counter-Infrastructures: Critical Empowerment and Emancipation in a Networked World. Media N Journal. Vol 10, No.3 </span>
<span style="color:#0000FF"> Dragona, D. (2014). Counter-Infrastructures: Critical Empowerment and Emancipation in a Networked World. Media N Journal. Vol 10, No.3 </span>


CROSS REFERENCED Open Practice<span style="color:#0000FF"> Abraham, A. and Bansal, L. (2006). In the shade of the commons. Amsterdam: Waag Society.</span>
CROSS REFERENCED Open Practice<span style="color:#0000FF"> Abraham, A. and Bansal, L. (2006). In the shade of the commons. Amsterdam: Waag Society.</span>
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CROSS REFERENCED <span style="color:#0000FF"> Rosenzweig, R. (1998). Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of the Internet. The American Historical Review, 103(5), p.1530.</span>
CROSS REFERENCED <span style="color:#0000FF"> Rosenzweig, R. (1998). Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of the Internet. The American Historical Review, 103(5), p.1530.</span>


<span style="color:#0000FF"> Hertz,G. (2009) Methodologies of Reuse in the Media Arts: Exploring Black Boxex, Tatics and Archaeologies. Ditigal Arts and Culture</span>
<span style="color:#0000FF"> Hertz,G. (2009) Methodologies of Reuse in the Media Arts: Exploring Black Boxes, Tatics and Archaeologies. Ditigal Arts and Culture</span>


CROSS REFERENCED network <span style="color:#0000FF"> Striegl, L. and Emerson, L. (2019). Anarchive as technique in the Media Archaeology Lab | building a one Laptop Per Child mesh network. International Journal of Digital Humanities, 1(1), pp.59-70.</span>
CROSS REFERENCED network <span style="color:#0000FF"> Striegl, L. and Emerson, L. (2019). Anarchive as technique in the Media Archaeology Lab | building a one Laptop Per Child mesh network. International Journal of Digital Humanities, 1(1), pp.59-70.</span>
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CROSS REFERENCED network <span style="color:#0000FF"> cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2 </span>
CROSS REFERENCED network <span style="color:#0000FF"> cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2 </span>
<span style="color:#0000FF"> Sun, Y. et al (2015). Reliving the Past and Making a Harmonious Society Today: A study of elderly electronic hackers in China. Proceedings of the 2015 ACM Conference on Computer Supported Cooperative Work and Social Computing, CSCW 2015, Vancouver, Canada. </span>


==Open Source Software/Hardware Practices==
==Open Source Software/Hardware Practices==
<span style="color:#0000FF">* Mazzilli-Daechsel, S. (2019). Simondon and the maker movement. Culture, Theory and Critique, pp.1-13.</span>
CROSS REFERENCE Maker Movement <span style="color:#0000FF"> Mazzilli-Daechsel, S. (2019). Simondon and the maker movement. Culture, Theory and Critique, pp.1-13.</span>


CROSS REFERENCE Archaeology <span style="color:#0000FF">Abbing, R. and Morandi, M. (2016). Using a Teletype Model 43 with Gnu/Linux. MALware Technical Report. Available at: https://mediaarchaeologylab.com/wp-content/uploads/2019/02/MALware_Roel-Martino.pdf</span>
CROSS REFERENCE Archaeology <span style="color:#0000FF">Abbing, R. and Morandi, M. (2016). Using a Teletype Model 43 with Gnu/Linux. MALware Technical Report. Available at: https://mediaarchaeologylab.com/wp-content/uploads/2019/02/MALware_Roel-Martino.pdf</span>
Line 79: Line 85:


<span style="color:#0000FF">Kelty, C. (2008). Two Bits: The Cultural Significance of free Software. Duke University Press</span>
<span style="color:#0000FF">Kelty, C. (2008). Two Bits: The Cultural Significance of free Software. Duke University Press</span>
<span style="color:#0000FF">Kelty, C. (). There is No Free Software. Journal of Peer Production </span>


<span style="color:#0000FF"> Mansoux, A. (2017) Sandbox Culture, A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production. PhD thesis, Center for Cultural Studies,Goldsmith College, University of London.</span>
<span style="color:#0000FF"> Mansoux, A. (2017) Sandbox Culture, A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production. PhD thesis, Center for Cultural Studies,Goldsmith College, University of London.</span>
<span style="color:#0000FF">Mansoux, A. () My Lawyer is an Artist: Free Culture Licenses as Art Manifestos</span>
<span style="color:#0000FF">Mansoux, A. and de Valk, M. FLOSS + Art </span>


<span style="color:#0000FF"> Lee, C. (2008) Art unlimited: an investigation into contemporary digital arts and the free software movement. PhD thesis, Middlesex University Available at https://eprints.mdx.ac.uk/4963/1/ChunLeeThesis.pdf </span>
<span style="color:#0000FF"> Lee, C. (2008) Art unlimited: an investigation into contemporary digital arts and the free software movement. PhD thesis, Middlesex University Available at https://eprints.mdx.ac.uk/4963/1/ChunLeeThesis.pdf </span>
<span style="color:#0000FF">Snelting, F. () Awkward Gestures: designing with Free Software </span>
<span style="color:#0000FF"> Nuvolari, A. () Open Source Software Development: Some Historical Perspectives. First Monday, Volume 10, Number 10.  </span>
<span style="color:#0000FF">Freeman, J. (1972) The Tyranny of Structurelessness. Published on The Second Wave. </span>


==Techno-Feminism==
==Techno-Feminism==
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CROSS REFERENCED <span style="color:#0000FF">Toupin, S. and Hache. A. () Feminist Autonomous Infrastructures </span>
CROSS REFERENCED <span style="color:#0000FF">Toupin, S. and Hache. A. () Feminist Autonomous Infrastructures </span>


==Maker Movement==
==Maker Movement / DIY DIT Hacktivism ==
<span style="color:#0000FF">Lindtner, S. (2015). Hacking with Chinese Characteristics. Science, Technology, & Human Values, 40(5), pp.854-879.</span>
<span style="color:#0000FF">Lindtner, S. (2015). Hacking with Chinese Characteristics. Science, Technology, & Human Values, 40(5), pp.854-879.</span>


<span style="color:#0000FF">Dragana, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9 </span>
CROSS REFERENCED network <span style="color:#0000FF">Dragana, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9 </span>


an overview of maker movement in China from the very first hacker spaces. The writer took noticed of the unique cultural fabrics that exist in Chinese context of maker culture. It also provided brief history of how maker culture originated in Silicon Valley. Origination of maker culture in the U.S. was instilled by media such as the Wired Magazine, as ways to enabling of new forms of citizen science and democratizing technology production. It drew critical comparisons between the Chinese context and elite reuse culture; such as, the understanding of dealing e-waste in mundane small shops in China as making out of necessity and intuitive acts, as compared to reuse promoted as an compensation towards consumerism.
CROSS REFERENCED <span style="color:#0000FF"> Toupin, S.(2014) Feminist Hackerspaces: The Synthesis of Feminist and Hacker Cultures. Journal of Peer Production, 2014 Available at: https://www.academia.edu/24232869/Feminist_Hackerspaces_The_Synthesis_of_Feminist_and_Hacker_Cultures_2014_ </span>


The article also discussed topics of authorship and IP(intellectual property) in context of Chinese manufacturing. It cited "Gongkai", a principle that refer to open sharing principle in Chinese manufacturing and "Gongban", a prototype board that's shared across various components in manufacturing business to decrease cost. This is cited as example that differs to the quintessential Western open source culture.
<span style="color:#0000FF"> CROSS REFERENCED Toupin, S. () Feminist Hacking. Resistance through Spatiality. The Beautiful Warriors, Technofeminist Praxis in The 21st Century. Minor Compositions. </span>


CROSS REFERENCE Open Practice <span style="color:#0000FF"> Mazzilli-Daechsel, S. (2019). Simondon and the maker movement. Culture, Theory and Critique, pp.1-13.</span>


The examination of Chinese maker movement offered by author's field work challenges western authority and authenticity claims of what counts as innovation, creativity, and design; challenges a global maker movement that subsumes local practices in the visions and historical references to American digital culture.
==Textual Medium==
 
Guerra, J. (2019).  Feminism and Protocols. Internet-Draft. Internet Engineering Task Force (IETF). Available at: https://tools.ietf.org/html/draft-guerra-feminism-00
 
CROSS REFERENCED <span style="color:#0000FF"> Toupin, S.(2014) Feminist Hackerspaces: The Synthesis of Feminist and Hacker Cultures. Journal of Peer Production, 2014 Available at: https://www.academia.edu/24232869/Feminist_Hackerspaces_The_Synthesis_of_Feminist_and_Hacker_Cultures_2014_ </span>


==Relevancy to be determined/Broader scope==
==Relevancy to be determined/Broader scope==
<span style="color:#0000FF">Bridle, J. (2018). New Dark Age: Technology and the End of the Future. London ; Brooklyn, NY: Verso </span>
<span style="color:#0000FF">Bridle, J. (2018). New Dark Age: Technology and the End of the Future. London ; Brooklyn, NY: Verso </span>


<span style="color:#0000FF">* Crary, J. (2014). 24/7. London: Verso.</span>
<span style="color:#0000FF">Crary, J. (2014). 24/7. London: Verso.</span>


<span style="color:#0000FF">* Han, B. (2017). Psychopolitics. London ; Brooklyn, NY: Verso</span>
<span style="color:#0000FF">Han, B. (2017). Psychopolitics. London ; Brooklyn, NY: Verso</span>


<span style="color:#0000FF">* Halpern, O. (2015). Beautiful data. Durham: Duke University Press.</span>
<span style="color:#0000FF">Halpern, O. (2015). Beautiful data. Durham: Duke University Press.</span>


<span style="color:#0000FF">* Turner, F. (2010). From Counterculture to Cyberculture. Chicago: University of Chicago Press.</span>
<span style="color:#0000FF">Turner, F. (2010). From Counterculture to Cyberculture. Chicago: University of Chicago Press.</span>


==No Longer Relevant==
==No Longer Relevant==
<span style="color:#0000FF"> de Kloet, J. (2002). Digitisation and Its Asian Discontents: The Internet, Politics and Hacking in China and Indonesia </span>
<span style="color:#0000FF"> de Kloet, J. (2002). Digitisation and Its Asian Discontents: The Internet, Politics and Hacking in China and Indonesia </span>
==Knowledge Production==
<span style="color:#0000FF"> Illich, I. (1971). Deschooling Society. Marion Boyars Publishers Ltd.  </span>

Latest revision as of 23:48, 25 January 2020

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Networking, Infrastructure, Protocols

Galloway, A. (2004). Protocol: How Control Exists After Decentralization. MIT Press.

Larkin, B. (2013). The Politics and Poetics of Infrastructure. Annual Review of Anthropology, 42(1), pp.327-343.

Dragona, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9

Dragona, D. and Charitos, D. (). Challenging Infrastructures: Alternative Networking and Role of Art.

Dragona, D. (2014). Counter-Infrastructures: Critical Empowerment and Emancipation in a Networked World. Media N Journal. Vol 10, No.3

CROSS REFERENCED Open Practice Abraham, A. and Bansal, L. (2006). In the shade of the commons. Amsterdam: Waag Society.

Antoniadis, P. (2016) Local Networks for Local Interactions: Four Reasons Why and a Way Forward. First Monday. Volume 21, Number 12.

CROSS REFERENCED Archaeology cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2

CROSS REFERENCED Archaeology Abbing, R. and Morandi, M. (2016) The stupid network that we know and love. Available at https://machineresearch.wordpress.com/2016/09/26/marino-monti-roel-abbing/

Toupin, S. (2016) Gesturing Towards "Anti-Colonial Hacking" and its Infrastructure. Journal of Peer Production

CROSS REFERENCED Feminism Toupin, S. and Hache. A. () Feminist Autonomous Infrastructures

Cramer, F. () Peer-to-Peer Services: Transgressing the Archive (and its melodies?). Digital Craft. Available at http://www.digitalcraft.org/index.php?artikel_id=502

CROSS REFERENCED Archaeology Striegl, L. and Emerson, L. (2019). Anarchive as technique in the Media Archaeology Lab | building a one Laptop Per Child mesh network. International Journal of Digital Humanities, 1(1), pp.59-70.

CROSS REFERENCED Archaeology Emerson, L. () Minitel, 1978-2012. Available at: https://loriemerson.net/2016/03/14/minitel-an-other-network/

CROSS REFERENCED Archaeology Emerson, L (2016) Workshop // Othernet, Alternet, Darknet. Available at: https://loriemerson.net/2016/02/24/workshop-othernet-alternet-darknet/

CROSS REFERENCED Archaeology What’s Wrong With the Internet and How We Can Fix It: Interview With Internet Pioneer John Day. Available at https://loriemerson.net/2015/07/23/whats-wrong-with-the-internet-and-how-we-can-fix-it-interview-with-internet-pioneer-john-day/

CROSS REFERENCED Archaeology Rosenzweig, R. (1998). Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of the Internet. The American Historical Review, 103(5), p.1530.

Easterling, K. (2014). Extrastatecraft; London ; Brooklyn, NY: Verso

Aranda, J., Kuan Wood, B., Vidokle, A., Assange, J., Berardi Bifo, F., Diederichsen, D., Latour, B., Lovink, G., MacCormack, P., Obrist, H. and Steyerl, H. (2015). The Internet Does Not Exist. Berlin: Sternberg Press.

Barbrook, R. and Cameron, A. ()The Internet Revolution: From Dot-com Capitalism to Cybernetic Communism. Amsterdam: Institute for Network Cultures.

CROSS REFERENCED Archaeology Edwards, P. (1996). The Closed World: Computers and the Politics of Discourse in Cold War America

Media Archaeology

CROSS REFERENCED Rosenzweig, R. (1998). Wizards, Bureaucrats, Warriors, and Hackers: Writing the History of the Internet. The American Historical Review, 103(5), p.1530.

Hertz,G. (2009) Methodologies of Reuse in the Media Arts: Exploring Black Boxes, Tatics and Archaeologies. Ditigal Arts and Culture

CROSS REFERENCED network Striegl, L. and Emerson, L. (2019). Anarchive as technique in the Media Archaeology Lab | building a one Laptop Per Child mesh network. International Journal of Digital Humanities, 1(1), pp.59-70.

Li, P. () Zomebie Media Art - Media Archaeology as Art Methodology

CROSS REFERENCED network Emerson, L (2016) Workshop // Othernet, Alternet, Darknet. Available at: https://loriemerson.net/2016/02/24/workshop-othernet-alternet-darknet/

CROSS REFERENCED network What’s Wrong With the Internet and How We Can Fix It: Interview With Internet Pioneer John Day. Available at https://loriemerson.net/2015/07/23/whats-wrong-with-the-internet-and-how-we-can-fix-it-interview-with-internet-pioneer-john-day/

CROSS REFERENCED network Abbing, R. and Morandi, M. (2016) The stupid network that we know and love. Available at https://machineresearch.wordpress.com/2016/09/26/marino-monti-roel-abbing/

CROSS REFERENCE Archaeology Abbing, R. and Morandi, M. (2016). Using a Teletype Model 43 with Gnu/Linux. MALware Technical Report. Available at: https://mediaarchaeologylab.com/wp-content/uploads/2019/02/MALware_Roel-Martino.pdf

CROSS REFERENCED network Emerson, L. () Minitel, 1978-2012. Available at: https://loriemerson.net/2016/03/14/minitel-an-other-network/

Emerson, L. and Kirby, J. (2016) As if, or, Using Media Archaeology to Reminagine Past, Present, and Future: An Interview with Lori Emerson. International Journal of Communication Volume 10.

CROSS REFERENCED network Edwards, P. (1996). The Closed World: Computers and the Politics of Discourse in Cold War America

CROSS REFERENCED network cheek, cris, Braxton Soderman and Nicole Starosielski.(2013) Network Archaeology. Amodern Journal. Vol. 2

Sun, Y. et al (2015). Reliving the Past and Making a Harmonious Society Today: A study of elderly electronic hackers in China. Proceedings of the 2015 ACM Conference on Computer Supported Cooperative Work and Social Computing, CSCW 2015, Vancouver, Canada.

Open Source Software/Hardware Practices

CROSS REFERENCE Maker Movement Mazzilli-Daechsel, S. (2019). Simondon and the maker movement. Culture, Theory and Critique, pp.1-13.

CROSS REFERENCE Archaeology Abbing, R. and Morandi, M. (2016). Using a Teletype Model 43 with Gnu/Linux. MALware Technical Report. Available at: https://mediaarchaeologylab.com/wp-content/uploads/2019/02/MALware_Roel-Martino.pdf

CROSS REFERENCED network Abraham, A. and Bansal, L. (2006). In the shade of the commons. Amsterdam: Waag Society.

CROSS REFERENCED Feminism Nafus, D.(2011). Patches Don't Have Gender: What is Not Open in Open Source Software. New Media & Society

Coffin, J (2006) Analysis of Open Source Principles in Diverse Collaborative Communities. First Monday, volume 11, number 6

Coleman, G. (2012). Coding Freedom. Princeton University Press.

Kelty, C. (2008). Two Bits: The Cultural Significance of free Software. Duke University Press

Kelty, C. (). There is No Free Software. Journal of Peer Production

Mansoux, A. (2017) Sandbox Culture, A Study of the Application of Free and Open Source Software Licensing Ideas to Art and Cultural Production. PhD thesis, Center for Cultural Studies,Goldsmith College, University of London.

Mansoux, A. () My Lawyer is an Artist: Free Culture Licenses as Art Manifestos

Mansoux, A. and de Valk, M. FLOSS + Art

Lee, C. (2008) Art unlimited: an investigation into contemporary digital arts and the free software movement. PhD thesis, Middlesex University Available at https://eprints.mdx.ac.uk/4963/1/ChunLeeThesis.pdf

Snelting, F. () Awkward Gestures: designing with Free Software


Nuvolari, A. () Open Source Software Development: Some Historical Perspectives. First Monday, Volume 10, Number 10.

Freeman, J. (1972) The Tyranny of Structurelessness. Published on The Second Wave.

Techno-Feminism

CROSS REFERENCED Nafus, D.(2011). Patches Don't Have Gender: What is Not Open in Open Source Software. New Media & Society

Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies, Vol 14, No.3

CROSS REFERENCED Toupin, S.(2014) Feminist Hackerspaces: The Synthesis of Feminist and Hacker Cultures. Journal of Peer Production, 2014 Available at: https://www.academia.edu/24232869/Feminist_Hackerspaces_The_Synthesis_of_Feminist_and_Hacker_Cultures_2014_

CROSS REFERENCED Toupin, S. () Feminist Hacking. Resistance through Spatiality. The Beautiful Warriors, Technofeminist Praxis in The 21st Century. Minor Compositions.

Livio, M. and Emerson, L. () Towards Feminist Labs: Provocations for Collective Knowledge-Making

CROSS REFERENCED Toupin, S. and Hache. A. () Feminist Autonomous Infrastructures

Maker Movement / DIY DIT Hacktivism

Lindtner, S. (2015). Hacking with Chinese Characteristics. Science, Technology, & Human Values, 40(5), pp.854-879.

CROSS REFERENCED network Dragana, D. and Charitos, D. (2017). Going Off the Cloud: The Role of the Art in the Development of a User Owned & Controlled Connected World. Journal of Peer Production, Issue 9

CROSS REFERENCED Toupin, S.(2014) Feminist Hackerspaces: The Synthesis of Feminist and Hacker Cultures. Journal of Peer Production, 2014 Available at: https://www.academia.edu/24232869/Feminist_Hackerspaces_The_Synthesis_of_Feminist_and_Hacker_Cultures_2014_

CROSS REFERENCED Toupin, S. () Feminist Hacking. Resistance through Spatiality. The Beautiful Warriors, Technofeminist Praxis in The 21st Century. Minor Compositions.

CROSS REFERENCE Open Practice Mazzilli-Daechsel, S. (2019). Simondon and the maker movement. Culture, Theory and Critique, pp.1-13.

Textual Medium

Guerra, J. (2019). Feminism and Protocols. Internet-Draft. Internet Engineering Task Force (IETF). Available at: https://tools.ietf.org/html/draft-guerra-feminism-00

Relevancy to be determined/Broader scope

Bridle, J. (2018). New Dark Age: Technology and the End of the Future. London ; Brooklyn, NY: Verso

Crary, J. (2014). 24/7. London: Verso.

Han, B. (2017). Psychopolitics. London ; Brooklyn, NY: Verso

Halpern, O. (2015). Beautiful data. Durham: Duke University Press.

Turner, F. (2010). From Counterculture to Cyberculture. Chicago: University of Chicago Press.

No Longer Relevant

de Kloet, J. (2002). Digitisation and Its Asian Discontents: The Internet, Politics and Hacking in China and Indonesia

Knowledge Production

Illich, I. (1971). Deschooling Society. Marion Boyars Publishers Ltd.

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