Tape+Loop: Difference between revisions

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== (re) ordering the archive ==
== (re) ordering the archive ==
http://activearchives.org/mw/images/b/bc/Kurenniemi-DRY-R.jpeg
* [http://activearchives.org/wiki/Dataradio_Presentation_%28WORM%29 Erkki Kurenniemi]
* [http://activearchives.org/wiki/Dataradio_Presentation_%28WORM%29 Erkki Kurenniemi]



Revision as of 11:35, 14 October 2014

i am sitting in a room

Alvin Lucier, 1969

tactical audio

... when you cut into the present the future leaks out

(re) ordering the archive

Kurenniemi-DRY-R.jpeg

Pluderphonics, or Audio Piracy as a Compositional Prerogative], John Oswald, 1985

An active listener might speed up a piece of music in order to perceive more clearly its macrostructure, or slow it down to hear articulation and detail more precisely. Portions of pieces are juxtaposed for comparison or played simultaneously, tracing "the motifs of the Indian raga Darbar over Senegalese drumming recording in Paris and a background mosaic of frozen moments from an exotic Hollywood orchestration of the 1950's (a sonic texture like a "Mona Lisa" which in close-up, reveals itself to be made up of tiny reproductions of the Taj Mahal."

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