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- 12:12, 12 March 2024 Technical rider (hist | edit) [2,694 bytes] Joak (talk | contribs) (Created page with "=== Title of work === === Short description of the work === * Is it a performance, installation, workshop,...? * What is it made of? * What does it do? === space requirements === * ~36m2 space ( Length x Width x Height: 6m x 6m x 3m) * the installation requires the possibility to mount a beamer on the ceiling * the installation requires the possibility to mount light spots on the wall * wall color === if performance: Seating / placement === * should the audience s...")
- 21:55, 10 March 2024 LB Handbook 2023-2024 (hist | edit) [29 bytes] Rs (talk | contribs) (Created page with "File:LB HANDBOOK 2324.pdf")
- 11:29, 7 March 2024 SI 24 Contributors (hist | edit) [4,963 bytes] Martino (talk | contribs) (Created page with " ==== Alex Zakkas ==== Alex Zakkas practices design as a critical and experimental mode of research, using any media unstable enough to observe life in its synthetic condition, systems of thought and behaviour accustomed to designed or wild-grown entanglements with technology, opportunistic workarounds and techno-poetic acrobatics. He works as a teacher and researcher in The Hague University of Applied Sciences and the Rietveld Academie, as well as independently, often w...") Tag: Visual edit: Switched
- 11:29, 7 March 2024 ON LOITERING and other forms of in-situ computation (hist | edit) [12,574 bytes] Martino (talk | contribs) (Created page with "=== People ===") Tag: Visual edit: Switched originally created as "On Loitering"
- 19:10, 6 March 2024 Introductory text Feminist Datacenter (hist | edit) [4,062 bytes] ØverLørd (talk | contribs) (Created page for exercise done in methods class)
- 16:01, 5 March 2024 Claudio's Thesis - printing page (hist | edit) [518 bytes] 123cld (talk | contribs) (Created page with "= '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY. (EXCERPTS)''''' = === <big>'''Foreword (out of word count?)'''</big> === I wrote this thesis as an attempt to track and annotate the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/of it. A device to think through, to delve in, to dissect and clarify the reasons and stakes of the practic...") Tag: Visual edit: Switched
- 15:54, 5 March 2024 T2 Assessment (hist | edit) [3,612 bytes] Michael Murtaugh (talk | contribs) (Created page with "'''Suggested Presentation Structure''' * 15 minutes: give a presentation, making use of the wiki to show us: your contributions to special issues 16 and 17 + tell if in the past 2 trimesters you have started to engage with things you would like to carry on in your second year as part of your graduation project and thesis (such things can be a subject, a tool, a format, a medium, etc) * 5 minutes: the panel can ask questions regarding what you presented * 5 Minutes: we a...")
- 18:05, 4 March 2024 Open licenses session (hist | edit) [6,557 bytes] Manetta (talk | contribs) (Created page with "==4 free software freedoms== <blockquote> - The freedom to run the program as you wish, for any purpose (freedom 0).<br> - The freedom to study how the program works, and change it so it does your computing as you wish (freedom 1). Access to the source code is a precondition for this.<br> - The freedom to redistribute copies so you can help others (freedom 2).<br> - The freedom to distribute copies of your modified versions to others (freedom 3). By doing this you can g...")
- 17:05, 27 February 2024 Claudio's Thesis - SECOND EDIT (hist | edit) [64,375 bytes] 123cld (talk | contribs) (Created page with "<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>GRS2023 </u> = '''''BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES. A STUDIO DIARY.''''' = === <big>'''Foreword (out of word count)'''</big> === I wrote this thesis to annotate and field-report the unfolding of my work over the course of the second year of this program. It is intended to be a complement to "making". A direct, on-going reflection on/...") Tag: Visual edit: Switched
- 12:00, 27 February 2024 A history of hand-made film and experimental cinema (hist | edit) [1,070 bytes] Nan Wang (talk | contribs) (Created page with " {{#widget:YouTube|id=R_kceafWtbE}} {{#widget:YouTube|id=Pbu9X8ZKdcg}} Dreams that Money Can Buy (1947) excerpt - Marcel Duchamp John Cage dream sequence {{#widget:YouTube|id=d3QGoADBZFs}} watch the full film here: https://www.dailyartmagazine.com/dreams-that-money-can-buy/ {{vimeo|213289955}} {{vimeo|7734447}} {{#widget:YouTube|id=FcHsysPGSt0}} {{#widget:YouTube|id=fOEqTwwkB3Y}} {{#widget:YouTube|id=HgxtzFGtfIg}} {{#widget:YouTube|id=LpAOHBHxaSM}} https:/...")
- 11:31, 27 February 2024 Thematic Seminar handmade film2024 (hist | edit) [502 bytes] Nan Wang (talk | contribs) (Created page with "'''March 5th:''' 1. Day one: Lecture and screenings: A history of hand-made film and experimental cinema| Workshop: introduction to TouchDesigner '''March 7th:''' 2. Day two: Lecture and screenings: Visual music & expanded cinema Workshop: How to build audio active networks in TouchDesigner. '''March 12th''' 3. Day three: Prototyping a small audiovisual work in TouchDesigner inspired by the aesthetics, narr...") Tag: Visual edit: Switched
- 14:03, 26 February 2024 Web audio (hist | edit) [923 bytes] Manetta (talk | contribs) (Created page with "How to work with audio on the web? ==Tone.js== A nice place to start is: [https://tonejs.github.io Tone.js] <blockquote> Tone.js is a Web Audio framework for creating interactive music in the browser. The architecture of Tone.js aims to be familiar to both musicians and audio programmers creating web-based audio applications. On the high-level, Tone offers common DAW (digital audio workstation) features like a global transport for synchronizing and scheduling events a...")