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*'''Campany, D. (Ed.), 2007. ''The Cinematic, Documents of Contemporary Art''. Whitechapel [u.a.], London'''.
*'''Campany, D. (Ed.), 2007. ''The Cinematic, Documents of Contemporary Art''. Whitechapel [u.a.], London'''.
A compilation of essays which explore the defining characteristics of the moving image and cinema especially in comparison to the photographic still image. The essays themselves are diverse ranging from academic essays, interviews with filmmakers and photographic artists and excerpts from prominent books on the subject for example. Topics which feature prominently include that of duration and time, how moving images are "read" differently to still images and the broader implications of choices made by creators.


*'''Solnit, R. 2005. A Field Guide to Getting Lost. Canongate Books Ltd, 2005.'''<br />
*'''Solnit, R. 2005. A Field Guide to Getting Lost. Canongate Books Ltd, 2005.'''<br />
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'''Other possible texts (yet to read):—'''<br />
'''Other possible texts:—'''<br />
*Photography is Magic - Charlotte Cotton
*Photography is Magic - Charlotte Cotton
*Wanderlust - Rebecca Solnit
*Wanderlust - Rebecca Solnit
*Take Place: Photography and Place from Multiple Perspectives - Helen Westgeest (ed.)
*Take Place: Photography and Place from Multiple Perspectives - Helen Westgeest (ed.)

Revision as of 18:45, 28 September 2019

Annotated bibliography with 5 key texts (synopsis)

  • Zylinska, J., 2017. Nonhuman Photography. The MIT Press, Cambridge, Massachusetts London, England.

Nonhuman Photography is a theoretical text which looks at three types of "nonhuman" photography

  • Cotton, C., 2007. The Photograph as Contemporary Art, Reprinted. ed, Thames & Hudson world of art. Thames & Hudson, London.

The Photograph as Contemporary Art features reproductions of works by contemporary photographic artists separated into a number of (non-conventional) categories. Each image is accompanied by a description and critical analysis of the artist and/or their featured work. As a whole the publication serves as a document which gives a good overview of contemporary photographic practices.

  • McKenzie, J., 2014. Light + Photomedia: A New History and Future of the Photographic Image, The international library of visual culture. Tauris, London.

Light + Photomedia proposes an alternative to the term photography and instead defines all media that incorporate light in some way as light-space-time structures and more broadly as photomedia.

  • Campany, D. (Ed.), 2007. The Cinematic, Documents of Contemporary Art. Whitechapel [u.a.], London.

A compilation of essays which explore the defining characteristics of the moving image and cinema especially in comparison to the photographic still image. The essays themselves are diverse ranging from academic essays, interviews with filmmakers and photographic artists and excerpts from prominent books on the subject for example. Topics which feature prominently include that of duration and time, how moving images are "read" differently to still images and the broader implications of choices made by creators.

  • Solnit, R. 2005. A Field Guide to Getting Lost. Canongate Books Ltd, 2005.



Other possible texts:—

  • Photography is Magic - Charlotte Cotton
  • Wanderlust - Rebecca Solnit
  • Take Place: Photography and Place from Multiple Perspectives - Helen Westgeest (ed.)