- Zoe Beloff @ Stedelijk statements, patrica pisters worlding the brain: Difference between revisions
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In this short talk, Zoe Beloff discusses her recent installation work, in which she investigates how are emotions and feelings have been turned into commodities and instrumentalized by global corporations. | In this short talk, Zoe Beloff discusses her recent installation work, in which she investigates how are emotions and feelings have been turned into commodities and instrumentalized by global corporations. <br> | ||
https://visit.gent.be/sites/default/files/styles/727x310_detailpage/public/images-event/113_zb_future_emoji_0.jpg?itok=VaTD3bP6<br> | |||
https://visit.gent.be/sites/default/files/styles/727x310_detailpage/public/images-event/113_zb_future_emoji_0.jpg?itok=VaTD3bP6 | |||
In the installation, round projections are being shown of people reenacting emoticons. <br><br> | In the installation, round projections are being shown of people reenacting emoticons. <br><br> | ||
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https://www.brainpickings.org/wp-content/uploads/2011/08/duchenne1.jpg<br><br> | https://www.brainpickings.org/wp-content/uploads/2011/08/duchenne1.jpg<br><br> | ||
She mentions 'slowspeak' from Orwell's 1984 in relation to emoticons on facebook etc. | She mentions 'slowspeak' from Orwell's 1984 in relation to emoticons on facebook etc. <br><br> | ||
<br><br> | |||
https://thegenealogyofstyle.files.wordpress.com/2014/12/marey_morin20walk_1886.jpg?w=730<br> | https://thegenealogyofstyle.files.wordpress.com/2014/12/marey_morin20walk_1886.jpg?w=730<br> | ||
Marey's analysis of soldiers marching<br> | Marey's analysis of soldiers marching<br> | ||
https://i.pinimg.com/originals/c2/4e/e6/c24ee66ba43eddfb6d6fe8b68eedeb9f.jpg | https://i.pinimg.com/originals/c2/4e/e6/c24ee66ba43eddfb6d6fe8b68eedeb9f.jpg <br> | ||
Man as industrial palace > body as factory<br><br> | Man as industrial palace > body as factory<br><br> | ||
The camera does not lie > now > the algorythm does not lie <br><br> | The camera does not lie > now > the algorythm does not lie <br><br> | ||
In the little screw (sovjet cartoon) machines all have their own distinct character and emotions. | In the little screw (sovjet cartoon) machines all have their own distinct character and emotions. <br> | ||
Zoe Beloff wonders if we can imagine technology feeling emotions? She thinks that machines won't get emotions as that will make them less sufficient (nobody wants machines who react in an emotional way?) but that humans wil anthropomorphize technologies more and more. <br><br> | Zoe Beloff wonders if we can imagine technology feeling emotions? She thinks that machines won't get emotions as that will make them less sufficient (nobody wants machines who react in an emotional way?) but that humans wil anthropomorphize technologies more and more. <br><br> | ||
Revision as of 12:42, 4 November 2017
In this short talk, Zoe Beloff discusses her recent installation work, in which she investigates how are emotions and feelings have been turned into commodities and instrumentalized by global corporations.
https://visit.gent.be/sites/default/files/styles/727x310_detailpage/public/images-event/113_zb_future_emoji_0.jpg?itok=VaTD3bP6
In the installation, round projections are being shown of people reenacting emoticons.
Some brief notes:
Duchenne de Boulogne, who first catalogued emotions through electroshocking people's faces > atlas of emotions
She mentions 'slowspeak' from Orwell's 1984 in relation to emoticons on facebook etc.
https://thegenealogyofstyle.files.wordpress.com/2014/12/marey_morin20walk_1886.jpg?w=730
Marey's analysis of soldiers marching
Man as industrial palace > body as factory
The camera does not lie > now > the algorythm does not lie
In the little screw (sovjet cartoon) machines all have their own distinct character and emotions.
Zoe Beloff wonders if we can imagine technology feeling emotions? She thinks that machines won't get emotions as that will make them less sufficient (nobody wants machines who react in an emotional way?) but that humans wil anthropomorphize technologies more and more.