...of reenactment in contemporary (media) art and performance'', ed. by Inke Arns und Gaby Horn for Hartware MedienKunstVerein and KW Institute for Contempor
[http://en.inkearns.de/files/2011/05/HWRI-Arns-Kat-2007-engl.pdf]
4 KB (553 words) - 14:07, 24 May 2011
'''<br>Thematic Project Tutor: Inke Arns'''
...s of re-enactment in contemporary (media) art and performance, ed. by Inke Arns and Gaby Horn for Hartware MedienKunstVerein and KW Institute for Contempor
4 KB (563 words) - 17:34, 15 September 2014
'''Thematic Project Tutor: Inke Arns'''
...re-enactment in contemporary (media) art and performance,''''' ed. by Inke Arns and Gaby Horn for Hartware MedienKunstVerein and KW Institute for Contempor
4 KB (630 words) - 08:00, 12 May 2011
Arns writes that the decision for a particular code is, according to Lessig, “
...the code is even better represented in a form of software art/design. Inke Arns writes about the differences and similarities between those two in her essa
18 KB (2,829 words) - 19:31, 9 January 2012
Arns writes that the decision for a particular code is, according to Lessig, “
...the code is even better represented in a form of software art/design. Inke Arns writes about the differences and similarities between those two in her essa
18 KB (2,829 words) - 13:26, 10 February 2012
- Search for a Method, 5 Feb., 14:30: Discussion with Inke Arns (de), Wolfgang Ernst (de), Jussi Parikka (fi/uk) and Siegfried Zielinski (d
27 KB (3,870 words) - 17:34, 15 September 2014
