User:Lbattich/th - rough bilbiography

Andrade, Oswald (1928) ‘Cannibalist Manifesto‘, tr. Leslie Bary, Latin American Literary Review, Vol. 19, No. 38 (Jul. - Dec., 1991), pp. 38-47

Batchelor, D. (2000) Chromophobia. London: Reaktion Books.

Crimp, D. (1979) ‘Pictures’. October, Vol. 8. Cambridge MA: MIT Press. 75-88.

Crimp, D. (1982) 'Appropriating Appropriation', in Evans, D. (ed.) (2009) Appropriation. Documents of Contemporary Art. Cambridge: MIT Press, pp. 189-193.

Debord, G. et al (1959) ‘Détournement as Negation and Prelude’, in Knabb, K. (ed.) (2006) Situationist International Anthology. 2nd ed. Berkeley: Bureau of Public Secrets.

De Duve, Thierry. (1996) Kant After Duchamp. Cambridge: MIT Press.

Dell'Aria‎, Annie. (2010) ‘Appropriate Appropriation: a comparison of the reuse of images across the terms postmodern, post-communist, and postproduction.’ Re-Visions: The journal of international postgraduate students' art & design research. Vol. 1. December 2010.

Dolar, Mladen. (2014) What’s in a Name?. Ljubljana: Aksioma – Institute for Contemporary Art.

Foster, H. (1996) The Return of the Real. Cambridge MA: MIT Press.

Foster, H. (2002) ‘Archives of Modern Art’. October, Vol. 99, Winter. Cambridge MA: MIT Press.

Freud, Sigmund. (1901) ‘The Forgetting of Proper Names’, in The Psychopathology of Everyday Life. tr. Alan Tyson. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 6. London: Vintage. 2001.

Goldsmith, K. (2005) ‘Sentences on Conceptual Writing’. Available: http://www.ubu.com/papers/kg_ol_goldsmith.html. Accessed 3 June 2015.

Goldsmith, K. (2011) Uncreative Writing : Managing Language in The Digital Age. New York: Columbia University Press.

Harrison, N. (2010) ‘The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity', Art & Education. Available: http://www.artandeducation.net/paper/the-pictures-generation-the-copyright-act-of-1976-and-the-reassertion-of-authorship-in-postmodernity/. Accessed 3 June 2015.

Kosuth, J. (1991) Art After Philosophy And After: Collected Writings, 1966-1990. Edited by Gabriele Guercio and Jean-François Lyotard. Cambridge: MIT Press.

Krauss, Rosalind. (1999) Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames and Hudson.

Lippard, L. R. (1973) Six Years: The Dematerialization of The Art Object From 1966 to 1972. New York: Praeger. 1973.

Lobel, Michael. (2007) ‘Sturtevant: Inappropriate Appropriation’. Parkett, Vol. 75. Zürich: Parkett. 142-153.

Lütticken, Sven. (2002) 'The Art of Theft'. New Left Review, Vol. 13. Jan-Feb 2002.

Nietzsche, Friedrich. (1874) ‘On the Uses and Disadvantages of History for Life’, in Untimely Meditations, tr. R. J. Hollingdale. Cambridge: Cambridge University Press. 1993.

Riley, C. A. (1995) Color Codes. Lebanon, New Hampshire: UPNE.