Federico-Thesis-again

TOWARDS A COSMOLOGY FOR RURAL COMPUTING

Introduction

This research started without consciousness the last summer during a residency at Habitat, a collective workshop and re-activation residency of rural areas in Italy driven by fellow XPUB student Jacopo Lega. I was supposed to stay in Habitat for a week, and it happened, but after a few days, I was back there for a few weeks, escaping my swampy hometown. Habitat, currently, is placed at the top of a hill in Appennino Tosco-Romagnolo named Ca' de Monti, and it is closed by the village Tredozio. A quite abandoned set lives in the stage of the area; The after-WWII exodus from rurality to cities marked the entire Italy, giving our Country the opportunity to enter global politics.

I was born in a middle-size (swampy) city, Pavia, and grew up in its suburb, then I moved to The City, to Milan, for studies, and then here I am in Rotterdam writing the thesis of the Master. Experiencing rurality, or better, inhabiting rurality for the first time in a total commitment, triggered in me a total shift of values and visions for the future(s). What I could experience in that timeframe was another way of living, another way to deal with and dwell on the whole ecosystem.

The bricks of the cottages, the different trees with all the different greens, the human Habitanti, the little scorpions, the lack of mobile connectivity, the wifi in only a room, the smells from the wood, the big rock at the really top of the hill, the antenna next to it... the ecosystem has to embraced in its whole totality.

The Habitat ecosystem has different assets in comparison to where I lived until now, I would call those behaviours, which change with the shape of the ecosystem, "urbanism". Etymologically speaking, "urbanism" comes from Latin "urbe", city, and it refers to the relationship between citizens and the spaces: I think we can extend this way of dealing with spaces and dwelling also to other less-architectural topics. For instance, what I found extremely fascinating it's the lack of connectivity in Ca' de Monti. We (as Habitat) call them "shadow areas", areas that got limits. This let happens different digital urbanism, you can't infinite scroll anywhere around Habitat. We do not have cable internet. Our bridge to the Internet is an antenna, a long WiFi service that sends to and receives from us data packages. Again, the internet is only in a room, and it really creates a different way of experiencing the situation.

We want to embrace those limits instead of trying to suppress them, for instance, demanding fibre cabled internet or filling the whole cottages with a repeater.

Since Habitat was born as a re-activation experiment, I think there is an inner community-building desire around it. What this text is going to deal with is the question of the relationship between a community and infrastructural technology. There won't be any fixed answer, and in a metaphor, I want to think of this as a dream inside a nightmare, where the dream is our attempt to imagine another way to live and to inhabit technology and the nightmare is our fixed globalized life. In Habitat I have been baptized as Minister of Infrastructure, my role is based on the develop of new tools: this is my personal urgency, which mixes concerns about the kind of tools that are possible to develop to dwell and narrate the experience of reactivation: this is the first layer, the other layers are the implicancies on how they are conceived.

We want to avoid Alphabet, Meta, Amazon and any big tech nightmares. Surely we have to deal with them, but the focus is on the development of tools without the standardized dynamics of the current hegemonic system. In better words, we would build our tools by embracing another framework to understand Reality.

When I talk about framework I intend the social superstructure that shape thoughts, ideas, desires, develop of stuff, believes: whatever happen in the stage of Reality. If a cosmology is the set of elements that composes orders of Reality, a cosmogony is the performative-building act of it.

This new frame to deal with developing and deploying tools would be defined as post-technical.

As the philosopher Federico Campagna proposes, the current developing and deploying framework is totally driven by a technical cosmogony. With this association, he wants to underline the violent predominance of seriality and capitalization of essentially everything: someone could call it neo-liberalism, others just capitalistic hegemony. It's the triumph of alienation and post-Fordism, where the boundaries between life and labour don't exist anymore. The author describe Reality as “a weave made of essence and existence, like warp and weft, and the event of its undoing requires a weaver that is capable of interlacing the two back together, regardless of the specific forms and colours that each of them can take.”

We can replace the subject "weaver" with "Magician": at the moment, just remember it.*

The reality I'm talking about can't be thought of as the whole reality but, in this case, as the radio spectrum cosmo we dwell daily: as mentioned above, Habitat uses wireless media to communicate with the out there. It's a necessity that we want to embraces not only as a necessity but also as a leitmotif for building up our beliefs.

I was born and grew in this frame of reality, and it's extremely difficult to reach another envision of how to invent, deal with, develop stuff and thoughts from outside this dynamic. But what I experienced in Habitat, is the rituality behind actions and approaches unknown by this seriality framework. By embracing another framework, I think is possible to alternate the current hegemonic system: I will call mythopoetic work the act of building the new framework.

Mythopoiesis is related to the making of myths, something that Habitat would embraces as basis for building its community; this can be understood as a possible collective discipline that has its roots in the attempt to explain the ineffable, or indeed what you can't express through empiricism. Clearly, I think the collective creation of mythology can be an important way to do community-building.

The desire to develop new tools with different dynamics has multiple reasons: we want to embrace limits, instead of cheers to the eternal growth that capitalism wants; we want to be ecological, positioning ourselves between low-tech and re-usability; we want to attach metaphysical values to the inorganic mates we live with, without a mere utilitarian understanding of them.

Now I arrive at the hypothesis of rural computing: A way to deal with computation that embraces rurality and the reasons above. Computation is based on extractivism, but we want to avoid violent extractivism and, for instance, instead of buying new components we will try to reuse an old component, or instead of buying a plastic case for a controller we will try to build it with wood and sticks found around our cottages. This is not a retromaniac or a rustic fetish, it's a necessity, is a duty, is a burden. Our main goal is not changing the entire world, but it is to build our world, and this world embraces the whole ecosystem.

In order to outline a Rural Computing meaning I will take a case study on telecommunications, trying to outline three archetypes of them, understanding their origin in history, trying to get their essence, but without the burden of time linearity, in order to dig in ancient logos to be able to imagine a new path to develop technologies, to imagine a new existence of them.

The choice to focus and analyze telecommunication is double, firat from the necessity that habitat faces and because I think those tools are covered, from my perception, with a kind of magic, full of dramaturgic cues. The way of how I will propose the case studies will lay not on the mere use of some gadgets but on mythological resonations and relations: let's think of our world as a stage and telecommunication as part of the set-design, as a kind of hidden but in a full sightseen landscape: this affects the characters, their beliefs and their approach to the world. For a human deficit, the impossibility to watch without sight the exchange of data through wireless generates an almost imputable aura of mystery. These tools have the capacity to affect physical reality at a distance, and the link to a telepathy desire is strong: using our devices as a natural extension of our body in the best cyber-tradition, from a communication point of view, this desire for telepathy is fully committed.

Telepathy is a mystery. Any attempt to research/explain it in an absolute scientific way always failed. Accepting mysteries as a subjective dilemma and not as something to discover with absolutism would be a personal dogma, that I would apply to the research of Habitat mythopoiesis.

COSMOGONIES

As proposed above, the current hegemonic framework could be summarized as "technic cosmogony" (or technic agony) The existence of technology is admitted by its direct heritage to technic, and since essence and existence are inextricably bound to each other, we have to dig deep into a set of mythical observations in order to propose another existence.

I do not have anything against technic itself - or at least, nothing against the common conception of technic: the practical, often manual, side of making or dealing with stuff. For example, if we want to print a book, is not only necessary the flow of words of the author but also it's necessary to deal with the paper, the ink, printing and binding machines. This is the practical side, indeed.

The example I describe above takes anyway into account the essence of the cosmogony of technic, because the book, as an object, has core seriality.

What does seriality mean in this context? I think everyone gets its meaning of seriality, you can imagine this with sounds, visual, but probably with any sense: the repetition ad infinitum of anything. The hegemonic sense of seriality in technic's cosmogony can be understood as a method to take anything and put it in the big machine of production, at service of capital expansion. Looping continuously actions. We can image this sick and perpetual process as a spiral frame: when something is put into serial production, all its material and immaterial implicancies are stuck in the spiral.

It's about an accumulated instrumental value of evertyhing and this also can be understood as the essence of capitalism.

If we think of the role of Technic by looking at the contemporary world, we can see that all the social systems (political, economic, religious...) compete against each other for a global supremacy, especially through the expansion of their technological apparatus. Here the sole imperative is to win, to expand, to get an hegemonic status: this is their only shared goal.

An absolute instrumentality: everything is merely a means to an end, an end that points to the limitless expansion of the ability of production.

Now, if we think of any common contemporary technology we can easily find this pattern of absolute instrumentality. It doesn't provoke concerns, it's just incarnated in our way of living. The pervasiveness of contemporary telecommunications are just generated from this attitude given by this cosmogony - and let me be clear, it's extremely difficult to imagine another way to deal with those tools. The frame in which we live, we study, we have fun, we cry, we (have to) compete, etc... is all about absolute instrumentality.

But since we can be magicians we can try to unstitch the given existence of the tools in analysis and their essence. I will try to ask help to another cosmology to temporary see out of the hegemonic frame of technic, out of the seriality, out of the burden of the politics, embracing something that I just recently start to understand: I will ask help to the Magic, another cosmogony order.

I will propose to undertand Magic as the primordial occult philosophy, the research of the dogmatic natural order, the discipline that hide all the principles of any sciences and religions, Jewish cabbalists called magicians also as microprosopi, creators of the small world: microcosm builders!

As any artist (or magician), I have to deal with struggles. Any of 'us' is just a not very lucky human that has to share its bad luck. My personal enigma nowadays is the ineffable.

The ineffable is a word to express that something can't really be expressed by descriptive language. The ineffable is the first principle of Magic's cosmogony, and it can be thought as opposition of absolute instrumentality. The symbol is not the object, the essence is not the existence itself: words got a limit! But in front of this insurmountable limit we meet this elegant word, ineffable.

What can you say about the experience of the magnificent moment at the top of a mountain with a fresh light wind that caresses your face? Or when you are in the middle of a desert and you admire the inorganic side of the whole existence? Or the double nature of a flag that announce both borders and a freedom sensation? Or the sensation of the process of discovering anything?

You can study those moments with neurology, and here we are again talking inside the indelicate technic's cosmogony frame.

Let's think as the first principle of Magic' cosmogony as an escape function against any attempts to put a concept into work - understood as either in economics, technology, science, etc.. rethinking these disciplines in another cosmogony! /////

This is exactly what we should avoid in term of representation, but is funny:

function magic() {
    absolute_language.collapse()
    languages.forEach(language => {
        language.multitudify()
        })

    alert("go out in a park please")

    }

const Reality = *

Reality.magic()

Magic deals with immaterial quests without the arrogance of attempting to objectify the whole Reality. Further the absolute instrumentality, we can find in Technic an absolute language as well.

But if the Magic is based on a concept bonded on reflection, silence and introspection, how can we imagine technology without the technic method? Even without the first premise, this question sounds like an already lost battle: yes, it is. But the point is not to fall in the absolute dynamics also in the Magic cosmogony. The absolute language crashes in here, if we want to imagine more than one logos of technic (technology), we can.

/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/

We can think in a post-technic framework.

rural computing and magic here telecommunication telepathy

A step back, let's think about telepathy. The existence of telepathy is constituted by a practical ineffability and its opposition, the reaching of the message. But the original message can be defined as its essence and its ineffability as its existence. When we deal with tele-devices new characters enter the stage, and the technical decryption of the message is often given by a set of rules, protocols. But beyond the protocol that aimed to get the existence of the message, the essence of the tele-devices is not findable in the performance of the device itself. My proposal is to analyze common gestures, architectures, origins: archetypes of telecommunications.

Let's imagine these archetypes as elements that emanate meaning, and this research itself can be understood as research of essence.

//post technic cosmogony

/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/

Layers of slavery

Axioms of Rural Computing (RC):

• Catastrophic
• Low tech
• Lot of Logos
• Ultra-Territorial
• Queer
• Rubbish
• Limitwd
• Not fixed (depends on the community)
• Computation is not only about digital computer

To be able to overcome one's slavery towards someone or something or oneself, or to overcome slavery in general, whether, in a concrete or figurative sense, it is not enough to appeal to indefinable entities such as justice or exchange currencies such as the rights because the only result would be to pass under the control of a different slaveholder.
To overcome one's slavery, one must reconsider and redesign one's single person completely.
A system that has taken thousands of years to stratify will take thousands of years to deconstruct.

What this translated passage of the song Divenire Seguire Animale from the Italian spoken-word duo Uochi Toki suggests, is that any hegemonic order (that I really feel in any way is a kind of slavery) has to be deconstructed with an esoteric research that could come from a swing between ancient knowledge, collective chaos, individual introspection and new myths.

The slavery that I want to talk about takes contemporary digital tools as weapons.

negativity to expand

Let's embrace the archetype of catastrophe: on our stage, the background will change, the landscape is altered, the fragility of reality is exposed. What it was taken for grant in our reality is resigned, followed by its descent into the darkness of chaos. When we wait for the void to be filled, a new cosmology, a new order is going to rise up. Yet, the landscape has to be thought of as a character, with its double nature of constant and variable element, and the hidden elements change existence but not the essence.

This preface is necessary to introduce Rural Computing (RC).

RC has a catastrophic approach for different reasons: the current development of technology is a triumph of metallurgy, where the demand of semiconductors and other components based on mineral extraction just don't stop. RC recognises the complexity of this dynamic but recognises it is a problem that can be avoid by reusing and fixing devices instead of demand new ones. This is direct linked to planned obsolescence, that is, without any doubts, an ecocidal program. (should I explain it?)

People who embraces RC are exhausted, and almost accepts the collapse that humanity will face soon. But who embraces RC attempt to declare independency and search for refuge in a rural place to at least live with less slavery dynamics. Here it comes the need of imagine a kind of computation that would work as a tool for community-building. Mythopoiesis would be necessary otherwise we would fall again in the classic seriality dynamic. An antenna is not only an antenna!

Look at this antenna of television as it is... it is rigid but it is oriented; we see that it looks into the distance, and that it can receive [signals] from an emitter far away. For me, it appears to be more than a symbol; it seems to represent a gesture of sorts, an almost magical power of intentionality, a contemporary form of magic. [...] there is a sort of “co-naturality” between the human network and the natural geography of the region. (Simondon 2009a, 111)

Here Gilbert Simondon describe antennas in a way that goes beyond the limits of the technical language, it embraces the gesture that antenna implies, the environment, the ecosystem. I found this passage in a Yuk Hui paper, analysizing the issues between nature and technology: I would prefer to think to this issue mostly as how to conceive the artificial inside the nature instead of think their relation as an antagonism. This approach is very RC.

Adding metaphysical meaning to tools we use daily is going to be an experiment.

This first axiom can be narrated by the old Nokia motto “connecting people”: RC would connect people and the whole ecosystem thanks to a local-related-technology, tools built according to the needs of the ecosystem; but in the out-there world this motto is linked to the fact that to build a smartphone takes an entire civilization: "California, Japan, Taiwan, Congo, Switzerland, China are all connected by the supply chains of tech capitalism."

So, sustainability is surely the core of RC, instead of planned obsolescence it's possible to think about a planned longevity. Try to redraw computation for scaling down the requirements from the material world must be fundamental. If the world our there is constantly developing new, faster, more performing devices, is an acceleration of the catastrophe through extrancion and waste of energy, RC would think to another kind of accleration: a raccoon accelerationism, based on picking up rubbish to reuse for new purposes to embrace a proper degrowth. This is a genuine meaning of progess, that does not costantly imply the abandoning of the old.

Low tech, a lot of logos!

There are a lot of shared ideas between RC and permacomputing, a way to understand computation theorized by artist and hacker Viznut, and the last one is one of them.

RC is ultra-territorial and this term comes directly from the Habitat experience.

The etymology of ultra comes from latin and it got a double meaning: Beyond and Extremely. Ultra is a prefix, and we are using it in front of "territorial". Our approach to the territory is indeed double: An extreme territorial approach, giving extreme importance to the land we are living in, preferring local assets. A beyond the land approach, recognizing the limits of the borders; in practical terms, for instance, updates of (free-software) OS or any dependencies for a webserver.

The approach RC would embrce to (re-)imagine tools for community scale is queer. We have to think of this techno-queering act as a perpetual action of shifting from standard/heteronormativity to an inclusive but especially different array of political action, technological agency, interventions, conceptual experiments and social-abilities.

RC pushes for renewable energy. Solar, eolic, hydro generated energy, who knows, maybe at one point RC will develop the perpetual motion.

RC avoid idiotic computing: if someone uploads in a RC server a 40mb picture, this person will be punished by major forces. (joooooking) [tobe continued] // KISS rule compress is an imperative

Abundance of hardware followed by a possible (and obvius in near future) lack of energy discuss the meaning of progress, alzo Viznut,in his paper about permacomputing,

Sharing this concept with permacomputing, rural computing is about "finding clever hacks for turning problems into solutions, dompetition into cooperation, wante intoresources."

In rural computing, (digital) computation is not taken for grant anywhere. Taking as example Habitat, we accept to do not have anyhere an internet connection, we accept that our devices can break, we accept that we have to turn off the server by night because is a waste of enery for the most, we accept to do not have always technology runs: we accept limits, we celebrate the shadow areas.

A little interlude: Starting from the etymology of computation I would state that the act of compute is not only a machinical discipline. Computation comes from latin "computare", from "-com", together, plus "putare", to reckon. Computation is intrinsically a collective discipline, the act of "recognize" together. An interesting example of what I'm trying to say is the project Rustic Computing by Brendal Howell.

[explaination of Rustic ...]

interdipendenza, embracing techological diversity, a little personal reflection on the nature vs artificial

AGAINST MOORE, OK TO KRANZBERG

Finally, is possible to stay that RC prefers to focus on the poiesis, intended as creation, instead of getting constantly informations from outside. A creation that implies decaying, transformations, heresies. The Archive would be extremely important, in order to map the community-building process, but in the near future we can imagine to be obliged to select which data keep and which not.

The term Rural Computing is already used but in a complete different shape. US universities proposes projects to bring pure data-based industry in rural place, to transform them in sickening cities.

The original sin of technology

A common characteristic of any media is its relation to the power.

Ownership, management and maintenance of communication networks by organized society have a big importance in their spread and expansion. This makes clear that we are using and developing technologies because we are in a certain path, the path of Technic.

Let's dig into the classic western culture references system, let's see where technic come from greek mythology. A key character here is Prometheus, the Titan that challenged the gods stealing fire from heaven. From this myth it comes the term "Prometeanism", a term which describe an environmental orientation which perceives the World as a resource whose utility is determined primarily by human needs and interests. It sounds as a familiar problem, doesn't it?

There are different mythologies concerning creation and technics in China, Japan, India, etc... Each of these mythologies gives a different origin for technics, corresponding m each case to different relations between the gods, technics, humans, and the cosmos.

But "Prometheanism" state itself as universal, becoming a kind of quality at the core of capital globalization.

Titans are sons of Uranus, the starry sky, and Gaea, the Mother Earth: they constitute already telecommunication between the matter and the spirit, in a vertical line between the land and the unreachable holy. Prometheus is the protector of the human race and further is a friend of Athena, goddess of wisdom, who transmits her knowledge to him: architecture, astronomy and the art of working metals.* Prometheus' story is well-known in the Mediterrean scholar tradition, the narration in which the Titan brings fire to humans, but often the entire story is not well known.

The myth tells that is Prometheus who created the human race. Tired of seeing the earth populated only by animals, he shapes some statues with clay, in the image and likeness of the gods. Athena blows on the statues and gives them life. Both humans and animals, however, are naked and helpless. Epimetheus, brother of Prometheus, is tasked with distributing qualities to the animals that can be used for survival.

Epimetheus just forgot humans.

Zeus, king of the gods, thinks the human race is too weak to survive, without qualities. He then decides to give humans the coup de grace: to starve them, he demands from them the best parts of hunted animals. Prometheus, moved with compassion, intervenes in defense of the human species.

The Titan kills a bull. He then puts the bones in a bag, hidden by a layer of fat, and the good meat to eat in another bag. He then asks Zeus to choose one of the two bags. The content will be what men will have to sacrifice for eternity. Zeus, deceived by the layer of fat, chooses the bag with the bones. From that moment, only the bones of animals will be sacrificed to him during sacred ceremonies.

When he realizes that he has been deceived, Zeus was furious and decides to take the fire out of the men. Prometheus runs to their aid again. He steals an ember from the forge of Hephaestus, the god of fire, hides it in a fennel stalk and secretly brings it to earth.

This power and artfulness – the Greek tekhnē[...] – is thus in humankind the result of a double fault: forgetfulness and theft. The name of Epimetheus translates to 'after teaching', in other words, hindsight. Forgetfulness, errors and foolishness produce hindsight. Epimetheus is the god of overconfidence in his own means, of presumption: its error is the original sin of technic.

Now that we had a tour in the field of significance and etymology of the technic in the western mythology, is necessary to also have a look at the etymology of Magic and its understanding through history.

Magike techne was literally the art of the Greeks’ own shadow, that is, the art of shadows themselves. Magic appears in Greek language as Magike Techne, which refers to the art (techne) of the Persian Magi: from magos "one of the members of the learned and priestly class": the priests in Zoroastrianism cult.

Greeks considered Persians as a "troubling shadow", like the "Barbarians" were for Romans. Greek also considered the Magi represented the quintessence of the Persians and of their power; Today we would probably say the Magi, for the Greek imaginary, had supernatural powers, esoteric knowledges which drive the Gods will.

It means that for those who see themselves as external to it, magic appears, since the earliest use of the terms, as the embodiment of what can be defined only in relation to the identity of ‘our’ power and of ‘our normal’ way of dealing with things and with the world.

Here the mythology and etymology of respectively technic and magic have a point in common: the use of the fire in different context.

In the tragedy Agamemnon, Aeschylus describes how the message for the fall of Troy arrived at Mycenae using phryctoriae, an ancient well-documented fire-based semaphore, used in fact in Ancient Greece.

The phryctoriae were towers built on certain top of hills so that one tower would be visible to the next. The system is easy: the protocol of the Phryctoriae is based on the use of two groups of torches, left side and right side, from one to five torches on each side. The encryption/decryption is just based on the letters of the Greek alphabet which are listed on a table, then the coordinate of each letter was communicated through the game of torch: column/row for left/right. The table is based on the Polybius square, if you want to communicate the Delta, you will have on the left hand one torch and on the right hand four torches.

In this passage of the Agamemnon, Aeschylus describes how the message for the fall of Troy arrived at Mycenae using phryctoriae:

Chorus But what herald could get here so quickly?    
Clytaemestra The great god of fire himself, Hephaistos! He has sent a bright light from Mount Ida, in Troy. Then, torch to torch, like a human herald, this light first shone in Trojan Ida, then on Mount Hermes in Lemnos and from that island, the third torch arrived at Zeus’ Rock at Mount Athos. Then with a huge leap over the great sea, the flame travelled hard but happily and, like the sun, transferred its rays through the watchtowers of Makistos.
From there, without delay, like a good herald, refuting sleep, conquering sleep flew far to the streams of Evripos where it tells the news to the guards of MountMessapios, in Evoea... [...]
Chorus Madam, I shall thank the gods later but first, let me enjoy the story even more while you’re telling it again. 

Clytaemestra answers to the question how was possible to know if the Achaeans won against the trojans, as it was impossible for a courier to have travelled just in a night. "The great god of fire himself", Aeschylus writes, configuring, through this formula, the god Hephaistos in the device in question. The medium I'm talking about was a state-of-art artifact: the geographical establishment, ownership, management and maintenance of these communication networks by the ancient Greek culture was of great importance in their spread and expansion.

What we find here has a double cosmological nature, where the seriality of Phryctoriae that brings geopolotical power is overlapped to a mythical meaning of protocol, yet incarnated in the greek's God of Fire.

The second part of this text will be an analysis of three basic qualities of telecommunication: the Hotspot, the Protocol and the Decryption throughout history, starting from their original incarnations (original in the sense of a personal perception in my constellation).

Menhirs, Angels and Miracles will lead the journey.

mythopoietical approach >>

HOTSPOT> Menhirs

The horizontal line pushes us towards the matter the vertical one towards the spirit. Franco Battiato - inneres auge

If you search for "hotspot" in Duckduckgo, the first result will be a boring article from Intel's website, defining in all the possible technical shapes what is a WiFi hotspot. It's just the classic article where the company shows the benefits of choosing one of their wireless-based device explaining the differences between the standard wireless mobile-internet protocols.

Hotspots, in their contemporary meaning, are just names for different wifi connections, they are not a physical spot, they may be hot, depending on what you are browsing. You usually can't see the antenna or the router that gives you connectivity, and this is a pardox, because the urban landscape is a jungle of antennas. But also beacons can be understood as hotspots, or any radio/television station, or indeed just any antennas.

In my costellation, the menhir could be the original hotspot. A menhir is just a stone changed from its original settlement by a human force: the simplest objects, but with the greatest density of meaning, of the entire Stone Age.

Menhir is the first artificial element in space: one of the first examples of architecture, an artifact aimed to be hotspots for communities. Its inner symbolic meaning is metonymic, the information of its existence is spread thanks to the menhir itself, thanks to its size in its artificial settlement.

A menhir is a basic beacon: it sends one signal, its existence.

Could be the menhir understood as hotspots for community?

The desire that pushes humans to elevate a rock in order to spread the meaning of existence has an interesting symbolic connotation. A desire to stabilize the vertical dimension, a way to feel a connection to up there. In the horizontal dimension, the stones were signals which revealed the geography of the place, serving to describe its physical structure and its productive and/or mystical-religious utilization.

I think menhirs can be also understood as the "next step" of Simondon's Key Points, geographical points that regulate what he calls reticluation of spiritual forces. Simondon conceives history of technology as a constant progress of reticulation of these forces, meaning that those geographical places regulate them thanks to the meaning the communities give to them. Simondon call this first moment of history of technology as "the magic phase", where there is no distinction between subject and object: key points were hotspot without any artificial connotation, where the boundaries between thing and Thing didn't have distinction: artifacts are absent in the magical mode of existence. At one point, the magic-phase shifted into technic and religion---

The slightly, and very elegant, change of existence of the rock to the menhir I think is placed in between the magic-phase and technic/religion. The menhir can be understood surely as an artificial act, but at the same time it's too ----

maybe, the original hotspot are the key points

habitat key point -> holty mountain

giving agency to the matter? multilayer of the holy rock? complexity, stratifications....

https://monoskop.org/images/f/f6/Barthelemy_Jean-Hugues_2012_Glossary_Fifty_Key_Terms_in_the_Works_of_Gilbert_Simondon.pdf

// yuk hui simondon

the fuckin holy mountain

fuck it?> A clear evolution of menhir is the beacon: beacons have been quite important in the history of communication, as soon variables have been added to them, and protocols as well, beacons became semaphores, a multi-signal device with incredible inner power. Semaphor means, from Greek, signal (sema) bearer (phoros): its etymology already suggests its obvious use: transmit messages between two points.

This apparatus can be performed with different middle devices: usually fire, lights, flags, water and moving arms. We can talk about protocols.

PROTOCOL> Angel

Angels are present in a lot of different religions. Actually "angel" means just messenger: the angels of the monotheist religions are invisible but capable of becoming visible. They are a bit like telecommunications, you can't see the microwaves but eventually you can get a piece of text. Here they become entities of revelation and annunciation.

https://pzwiki.wdka.nl/mediadesign/File:BeatoAngelicoAnnunciazione.jpg

The annunciation of Beato Angelico shows the Arcangel Gabriel and the Madonna, but the sensationalist element is the ray from the sky. Data packages in form of the holy spirit (or vice versa).

777 and permissions

the flying antenna

HANDSHAKE> MIRACLE

Handshakes happen when a signal, started from an hotspot, arrive through the protocol to the receiver, that potentially can be any inhabitant of an ecosystem, or viceversa.

armors

== Strategies == (conclusions)