Fage Not Pound

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Revision as of 20:07, 17 March 2022 by Chae0 (talk | contribs) (→‎Colofon)

Introduction

Fage Not Pound (abbreviated FNP) is a bar where the boundary between leisure and labour is blurred.

FNP, the ideal workplace (should be "the ideal productive environment") Fun and Productive space?

History

Open letter to Ourselves

The letter itself?

25th March

Introduction text

Description of the event (retrospective narration)

The release of the LB.

Timeline of that day (which is the schedule)

...in FNP time-zone.

Code of Conduct

1. The intention
2. "Rules" [perhaps here find another term]

Structure of the workplace/ Use of the space

1. Description of the following: How the space is distributed/ How the space looks like/ What is available in the space/ Navigation

Artifacts

The Welcome Leaflet

What is its concept, content, purpose, how is it used.

"Fhound", a Local exchange (trading) system

1. Short history, intention, purpose
2. How to use it during this event

"Sumtemp", an alternative temporality

1. Short history, intention, purpose
2. How does it impact the event

The bar, a space for social friction

1. Short history, intention, purpose
2. How does it work, 3-drinks-at-once-idea?

"This box found you for a reason"

1. Short history
2. The content (Any intro text that is engraved on the box and link to the LB's website)
3. The teams (work division/methods)/ Colophon
4. The box itself (Link to team 2' wiki page?)
5. The price/ cost of production (transparent)

References/ Glossary

Any concept/writer/thinker we find worth to mention?

Colofon

Publication Title: This Box Found You For A Reason

Makers: Ål Nik (Alexandra Nikolova), Carmen Gray, Chaeyoung Kim, Emma Prato, Erica Gargaglione, Francesco Luzzana, Gersande Schellinx, Jian Haake, Kimberley Cosmilla, Miriam Schöb, Mitsa Chaida, Supisara Burapachaisri

Co-published by: Page Not Found and the Master Experimental Publishing (XPUB) at the Piet Zwart Institute, Willem de Kooning Academy, Hogeschool Rotterdam

Typeface: Special Issue 17 by Supisara Burapachaisri and Jian Haake

Thanks to: