User:Joca/Reader Joca

Who is the Librarian?

The gendered image of the librarian and the information scientist

Chapter 2 of Reflections on Book Scanning: A Feminist Reader

Abstract

The selection of articles in this chapter shows the construction of the feminized image of librarianship in the USA, and how this influenced the profession in other parts of the world. The texts analyze the stereotypes, and connect it to the bad status female dominated professions in general. The reader features articles annotations in the byline. These refer to other articles in the chapter, make connections to other chapters of the reader and add context. This is done in the form of e.g. short biographies of the authors, images and abstracts of the texts.

Fragment of introduction

'Discussing the gender issues, (...) means to revaluate the work of the female librarian' concludes Maria Ferreira (2006) in her article concerning librarians in Brazil. So wo is the librarian? And who do we want this person (or system) to be in the future? It's up to us.

Articles

Librarianship as a profession for college-bred women by Melvil Dewey

Melvil Dewey

The Power to Name: Representation in Library Catalogs by Hope A. Olson

In this article Hope Olson examines the causes of biases in cataloging system like the LCSH and DDC. Olson proposes several strategies to solve these problems, criticising the closed vocabulary and hierarchical structure present in the most popular systems.

Design

Book block

As I had never worked with the Espresso Book Machine before, I wanted to try it out within this project. The Espresso Book Machine is a combination of a printer and a book binding machine, which is able to print books on demand in print runs as low as one. To achieve its speed and to keep the printing affordable, a lot of aspects are standardized. For example, there is one kind of paper to print on, and the size of the book has to be between 114mmx127mm and 200mmx266mm.

In the design of this reader, I was interested in finding a non-conventional format that could be printed using the Espresso Book Machine. I got inspired by the Dwarsligger. By changing the orientation of the pages, and the use of a special binding, the Dwarsligger makes it possible to create more compact and durable books.

Within this project, I found the change in orientation interesting for different reasons: The 'horizontal' pages of the Dwarsligger makes turning the pages of the book reminiscent of reading and scrolling down a text on a screen. Next to that, OCR software like Tesseract is able to process text in just one orientation at a time.

By having the texts and the annotations in different orientations, readers can change their focus from one to the other. And the orientation they choose to scan the book in, influences which text is recognized by the OCR software. In my tests this worked out quite well, and the results improved when I gave a different color to the annotations.

Cover

Raw audio to image -> link to experiments in prototyping

Production

Width: 176mm, Height: 125mm (B5, horizontal).

Horizontal spine, +- 200 pages, glue binding, softcover

Libre typefaces: PT Serif & PT Sans Caption (by Alexandra Korolkova, in collaboration with Olga Umpeleva and Vladimir Yefimov)

This reader is printed and bound at Betty, the Espresso Book Machine of the American Book Center in Amsterdam.