User:Ryan/Proposal/thesis-outline

THESIS OUTLINE

I am interested in researching the thresholds between the real and the virtual, with respect to the perception of the human body and physical spaces, and then consequently the virtual spaces that are being defined today, and their effect on our consciousness.

“In the face of a politics that prefers to work in the speculative tense, what is called for is something like a creative sabotage of the future; a pragmatics of pre-emptive resistance capable of actualising the future outside of the policeable boundaries of property right. This is an abstract formula for resistance that applies to such diverse questions as the capitalisation of health and old age insurance, biological patents of all kinds, and the commercialisation of the elements, from privatised water to traceable pollution rights and environmental catastrophe bonds”. To sabotage this future that totalises the image as nothing more than representation, and submits to the oppressive reign of the informational present, how can my work fight against this? Finding a way to relate subjective experience to the political, to propose questions not as assertions or affirmations, but as ideas.

“I am writing you all this from another world, a world of appearances. In a way, the two worlds communicate with each other. Memory is to one what history is to the other. An impossibility. Legends are born out the need to decipher the indecipherable. Memories must make due with their delirium, with their drift. A moment stopped would burn like a frame of film blocked before the furnace of the projector. Madness protects, as fever does. To play with the signs of memory. To pin them down and decorate them like insects that would have flown beyond time where you can contemplate them from a point outside of time — the only eternity left. I look at these machines, I think of a world where each memory could create its own legend…. Here is a story of one who has lost the ability to forget, who, through some peculiarity of his nature, instead of drawing pride from the fact and scorning humankind of the past and its shadows, turned to it first with curiosity and then with compassion. In the world they come from, to call forth a vision, to be moved and tremble at a portrait or the sound of music can only be signs of a long and painful prehistory. ”

Texts: A long time between suns - the otolith group Suspiria - Stan Douglas Alien Agency, Experimental Encounters with the art of making - Chris Salter Sans Soleil - Chris Marker