User:ThomasW/Notes Recycledfilm

AV Festival 10: Recycled Film Symposium: Rick Prelinger Watch

Mosty movie never leave the archive been talking for moving images archbive for 100 years http://contentsmagazine.com/articles/on-the-virtues-of-preexisting-material/

Archive is not a sideshow but critical for Bring past, present and future togther Need to reenginere the archive turn it into a noisy workshop Why archive important Presserve records, scribe and contex Refrence for archive Expet when you need them

Arhive to larger orgs Makes them own rules Open or closed Archive are gatekeepers, pratical control over material

Archive as a instetuten of deinal, tatrical denial To control or forget.. Control how to remember Copywrite never leave the arcive need help to relase it from the archive Work risky, sensure

Cataloge, metadata.. privialge.. still ture in some areas Prisse gardianship Early arcgivest Cinamafiles Igonored cutlure distane for the medium Acces to truesd parties Absolut film to film Preseration over acces????

Culture of acces deffeces Archivest go to school

Assume that its other property

Dont know if rightholer Use are the justifation of archives Archives and use is frocne in un.. relationship

Moving images archives are falling out of places

Rute around archives Young makes, archives are not speaking Archives as uncreative

Youtube as a archvie, universial

Archive dont have a risktaking culture Open access Twitter

Canonical moving image achieves users - other accredited archives - copywriter owners and distributors - approved exhibition venues (museums, cinmathques, some rep theras) - Cinam studies scholars and their kuin - film/video produsers and researchers (open kep at arms length)

We give way the same as we sell Creative Commmons

Free – fee

two-teir system

Prelinger Archives Barziling band Ochestra Prelingerlibrary.org