AV Festival 10: Recycled Film Symposium: Rick Prelinger Watch
Mosty movie never leave the archive been talking for moving images archbive for 100 years http://contentsmagazine.com/articles/on-the-virtues-of-preexisting-material/
Archive is not a sideshow but critical for Bring past, present and future togther Need to reenginere the archive turn it into a noisy workshop Why archive important Presserve records, scribe and contex Refrence for archive Expet when you need them
Arhive to larger orgs Makes them own rules Open or closed Archive are gatekeepers, pratical control over material
Archive as a instetuten of deinal, tatrical denial To control or forget.. Control how to remember Copywrite never leave the arcive need help to relase it from the archive Work risky, sensure
Cataloge, metadata.. privialge.. still ture in some areas Prisse gardianship Early arcgivest Cinamafiles Igonored cutlure distane for the medium Acces to truesd parties Absolut film to film Preseration over acces????
Culture of acces deffeces Archivest go to school
Assume that its other property
Dont know if rightholer Use are the justifation of archives Archives and use is frocne in un.. relationship
Moving images archives are falling out of places
Rute around archives Young makes, archives are not speaking Archives as uncreative
Youtube as a archvie, universial
Archive dont have a risktaking culture Open access Twitter
Canonical moving image achieves users - other accredited archives - copywriter owners and distributors - approved exhibition venues (museums, cinmathques, some rep theras) - Cinam studies scholars and their kuin - film/video produsers and researchers (open kep at arms length)
We give way the same as we sell Creative Commmons
Free – fee
Prelinger Archives Barziling band Ochestra Prelingerlibrary.org
Question of openness? How will archives surivie Need physicaltiy Need allow ordnary people Archivst need context people give
Archives are keep alive by concentens Archives seen as obstical Openness are not only online, The googleness You can see, but not touch
Not just wach, but download the movie
Everyone can craw the index The freedom to remix Touch the code touch = engange Freedom of touch, for we don’t know how to aproced culture tomorrow
Creative Common is a child of the web
Wonderful and Unpredictable things happen when ordinary people get access to primary material – Rick P
Archive is culture producer Waite for people to get records
Students said Archive is where filmes go to die Remix art or remix to make art?
Preservation is the meaning for archives to exist But access is the connection to the world
Are we saving what we woth Can we look into the archives?
New models of cultural distribution get people thinking about new models of distributing property which is great. - Rick P
Who run the index?
Is freeculture used a fad? Is the commons a hothouse?
Amaturisem Trashers hollywood, pracies outsiders
Need a dose of DIY
home movie day
Archive need to be more like workshop, maker shops Need to be more like hacker space, In residences
We can all be archivest
Points of Departure zines& indi pubs home movies – home video online video curated collections of webpages local seeds (let 1000 svalbards bloom) text messages, ims email commercials
The Welcome Trust Archives Sexworks pamplests
Cant collect as mono culture Collect in socialway ---
===Pionering internet archivist Brester Kahle and Rick Prelinger on Preservationin the digital Age Brewster Kahl and Rick Prelinger=== Watch
Brewster Open Content Alliance Gooogle Privatization of Library More then search, THE libaery we need many library’s Open Library system 26 30 dollars a book 10 cent a page
Homemovies are personal and not corporate experience individual not events but everyday life.