User:Cristinac/unrulyobject
- Jodorowsky's Dune/Fictional Computers
- The right to be forgotten
- Grey Media - Matthew Fuller
- Fountain
- Theft at Kunsthal
- Internodal – refusing to be indexed
- Kingdom of Lovely
- 'those missing from the stadium are always right', Paul Virilio 1982
- Patent Art
- House of Wisdom, Library of Alexandria
- International Corporation of Lost Structures
- disappearance as resistance
- But what, then, is the state of missing itself? Does it take place inside Schrödinger’s box, so to speak? Is it being both dead and alive? How can we understand its conflicting desires: to want and to dread the truth at the same time? The urge to both move on and keep hope alive? Perhaps the state of missing speaks of a paradoxical superposition that cannot be understood with the conceptual tools of Euclidian physics, human biology, or Aristotelian logic. Perhaps it reaches out to an impossible coexistence of life and death. Both are materially interlaced in limbo—as long as no observer opens the “box” of indeterminacy. Which is, in many cases, a grave.
- Additionally, the twentieth century also perfected observation as a method of killing. Measurement and identification became tools of murder. Phrenology. Statistics. Medical experimentation. Economies of death. In his lectures about biopolitics, Michel Foucault described the stochastic calculus that determined life or death.9 Counting and observing were radicalized to make sure that anything that entered the box died when the box was reopened.
Dan Graham
«Poem Schema»
- «Schema for a set of pages whose component variants are to be published in various places. In each published instance, it is set in its final form by the editor of the particular publication where it is to appear, the exact data used to correspond in each specific instance to the specific fact(s) of the published final appearance. The work defines itself in place only as information with simply the external support of the facts of its external appearance or presence in print in place of the object.» (March 1966) (Source: Dan Graham, Art-Language, vol. 1 no 1, May 1969, p. 14, repr. in: Dan Graham, Works 1965–2000, Düsseldorf 2000, p. 95)
