LB2 2024 and V2 + WORM
LB2 Graduates 2024 and V2_ + WORM
Collaboration between LB2 graduates of 2024, V2_ and WORM.
Florian Weigl and Wilco Tuinman
V2_ plattegrond GF
Timeline
---> week 20
FRI 17 May - PRESS ---> WORM - save the date -short text - image - title -links (websites - instagram) (closer to the show you can change and expand)
WORM SPECS: Nia Konstantinova PR & Communications "It is best to have a square image (1:1 ratio) max 2 mb. We don't have a word count but shorter texts are always better. Because we can only upload the main image to the website and a lot of text looks heavy."
---> week 22
Thu 30 May - Deadline 00:59 LB2 assessment documents to archive
---> week 23
MON- TUE 3-4 June - Final assessments
THU- FRI 6-7 - Gallery Installation with Stefanos
---> week 24
MON 10 - (????time-schedule????) Short presentation of all graduates, Florian, Wilco, and Simon will join the seminar for the day
TUE- THU 11 - 13 - Gallery Installation with Stefanos
---> week 25 -
(if not earlier) PRESS FINAL VERSIONS TO V2_ and WORM / scheduling opening speeches- performances- tours. (make sure to have XPUB involved that there are no conflicts with their schedule) [think about music/noise playing in CS]
MON 17--> FRI 21 Visit Meely and pick up furniture -all in one go (????what day is best, arrange with Leslie and Wilco????)
---> week 26 -
MON 24 (????time????) transport LB/XPUB
TUE- WED 25- 26 - V2_ and UBIK ----> build
WED 26 19:00 - 23:00 - Alumni Illuminata, CS WORM
THU 27 (????time????) - Opening LB and XPUB - V2_-UBIK-S/ash Gallery WORM
---> Exhibtion continuing
LB + XPUB stewards gallery schedule + ???? how to turn off and on tech support if needed A4 ????
?????LB1/2 photographing schedule for Archiving?????
---> week 27
MON 01 July - de-install and transport (????time????)
MON 01 July 16:00 - 18:00 LB graduation ceremony, in WORM CS
All declarations need to be declared via HINT before you leave at the latest MON 01 JULY
Declarations & moving out
Please declare your 200 euros in one go. 200 euros per grad, (uploaded invoices can be higher than that, you claim 200 euros) - reference GRAD SHOW STUDENT COSTS 24. -->Budget number: 510350
When leaving PZI< please save your work to a hard drive and strip your data from your computer - DEADLINE- WEEK 34 ---> THU 18, July
Student assistants
Add here the names and contact details of two students who will be the liaison between LB2 and V2_/WORM.
liaisons: Yalou and Lau, (please add your contact details here)
Graduates proposals
- Please add your name, email address and phone number plus a logline, short bio (third person - 30-40 words), project descriptions (50-60 words), and images. If you have sketch ideas for installation upload the drawing(s). Remember this is a fluid wikipage. But a good place to incubate and harvest your press releases, tech riders, etc. (see the previous year's page for examples ).
Student Name
Contact info
Your contact info here
Project title
Your project's title here
Logline
Your project's logline here
Artist Bio
Your short biography here
Images
Student Name
Clara Franke
Contact info
frankeclara@aol.com, +4915204912709, ww.clarafranke.com
Project title
Bodies of Water
Logline
Bodies of Water contemplates humans disconnect to, and exploitation of the environment, through an ecocentric, ritualistic film and ceramics installation.
Staged in a clay lake; a remnant of clay extraction, an imaginary ritual is filmed, which uses ceramic objects and instruments made by the artist.
Referencing altars, the objects are presented alongside a guided meditation, allowing the visitor to be immersed in a ritual themselves.
Artist Bio
Clara Franke (1998, Hamburg), multidisciplinary artist/designer shaped a practice moving swiftly between photography, filmmaking, ceramics and costume design.
The intimate, calming world she builds evolves around topics of community/collaboration, the body, (spiritual) eco-feminism, mysticality, and contemplation of consumerism.
Images
Student Name
- Muyang Teng
Contact info
- tengmuyangphoto@163.com
- +31 0647681716
- https://alternativelogic.me/
Project title
- Octopus in Drag
Logline
Octopus in Drag includes animation & poetry, set in a white porcelain toilet symbolizing Western views on Chinese purity. It features a creature from the animality of Yellow Peril & Fu Manchu, using drag to exhibit racial & queer toxicity. It explores (im)penetrability, transfiguration & unreliable surfacing of (queered) yellow-skinned people, advocating a (porous) transfeminist perspective inspired by I Ching.
Images
Artist Bio
Muyang Teng (b. 1998, Jiangsu), an educator, translator, and photographer, holds two bachelor's degrees in art from China and the UK. Informed by global experiences, their research spans decolonial queer-feminist theories. They are about to begin their second master's.
Student Name
Claudio Tola
Contact info
cldtl.com
cldtlstudio@gmail.com
Project title
BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES
Logline
BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES articulates in an installation form a multifaceted reflection on the blurred spaces between vision and blindness, visibility and invisibility, technologies of image-making and experiencing, subtly merging personal, political and formal concerns.
Images
Artist Bio
Suburban melancholic, digital nihilist, full-time flâneur. Mostly makes images move, writes in fragments, endlessly edits. His recent practice questions material and immaterial stakes of images, vision and visibility, lingering on thresholds, edges and moments of failures. Born in Torino, Italy, lives and works in Rotterdam. He is a member of the artist-run film lab Filmwerkplaats.
Student Name
Sam Koopman
Contact info
(+31) 640070740
bioskoopman@gmail.com
Project title
Work(ing Together) in Progress
Logline
Two strangers met in a sex shop. With differing motivations, they began a multi-year film project. Work(ing Together) in Process is a desktop film essay performing an autopsy upon their comedically tragic collaboration.
Images
Artist Bio
Sam Koopman (b. 1992) is a Dutch-Canadian filmmaker and artist based in Rotterdam. His practice inquires upon the border of documentary and fiction, exploring his encounters with peoples and places – their mundanities, vulnerabilities and absurdities. Central to this is a focus on participatory processes and meaning making, often questioning the role of his lens.
Helpful resources
Use the following as a reference when planning your proposal.