session #2

29-9-20

w/Marloes: https://pad.xpub.nl/p/GRS290920

&transcribe presentation points, make photos of the book

Graduate proposal guidelines > *making a proposal for yourself, scope and content, methods and formats. Short, precise, practical outline.

Marloes' questions:

What do you want to make?

I want to facilitate workshops and other forms of interactive situations (such as sound walks), or this and this, continue performing (alone and with others) in the field of sound improvisation, write and compose (scripts/compositions/exercises for humans in flow), build machines that help me think this one for example, and theoretically research the field of my interest: the friction between structure/form/composition/systems and improvisation/flow/subconscious.

A system for a structuralization of my research and practice will also be constructed "on the go".

//what is the must of the technological aspect? //how interdisciplinary am i allowed to be? > rather than making one work, i want to make a myriad, mutually informing each other, linked to theory > testing out theoretical claims in practice.

How do you plan to make it?

What is your timetable?

Why do you want to make it?

Who can help you and how?

Relation to previous practice

Improvisation (theatre, sound, text, interpersonal) has always been

Relation to a larger context

References/bibliography

Homework: which five works/texts/... are key to your research? + annotations.

session #1

17-9-20

w/Steve, Marloes, Natasha: https://pad.xpub.nl/p/GRS_session1_20_21