User:Lbattich/th - rough bilbiography

Alberro, Alexander, and Blake Stimson, eds. (2009) Institutional Critique: An Anthology of Artists’ Writings. Cambridge: MIT Press.

Andrade, Oswald (1928) ‘Cannibalist Manifesto‘, tr. Leslie Bary, Latin American Literary Review, Vol. 19, No. 38 (Jul. - Dec., 1991), pp. 38-47.

Barthes, Roland. (1967) "The Death of the Author." Image / Music / Text. Trans. Stephen Heath. New York: Hill and Wang, 1977. 142-7.

Batchelor, David. (2000) Chromophobia. London: Reaktion Books.

Buchloh, Benjamin. (May 1980) ‘Marcel Broodthaers: Allegories of the Avant-Garde.’ Artforum, Vol. 18, no. 9. pp. 52-59

Buchloh, Benjamin. (November 1984) ‘Theorizing the Avant-Garde.’ Art in America. pp. 19-21.

Buchloh, Benjamin. (Autumn 1987) Ed. Special Broodthaers Issue. October, Vol. 42 Cambridge MA: MIT Press.

Burke, Séan. (1998) The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault, and Derrida. Edinburgh: Edinburgh University Press.

Crimp, D. (1979) ‘Pictures’. October, Vol. 8. Cambridge MA: MIT Press. 75-88.

Crimp, D. (1982) 'Appropriating Appropriation', in Evans, D. (ed.) (2009) Appropriation. Documents of Contemporary Art. Cambridge: MIT Press, pp. 189-193.

Debord, G. et al (1959) ‘Détournement as Negation and Prelude’, in Knabb, K. (ed.) (2006) Situationist International Anthology. 2nd ed. Berkeley: Bureau of Public Secrets.

De Duve, Thierry. (1996) Kant After Duchamp. Cambridge: MIT Press.

Dell'Aria‎, Annie. (2010) ‘Appropriate Appropriation: a comparison of the reuse of images across the terms postmodern, post-communist, and postproduction.’ Re-Visions: The journal of international postgraduate students' art & design research. Vol. 1. December 2010.

Dolar, Mladen. (2014) What’s in a Name?. Ljubljana: Aksioma – Institute for Contemporary Art.

Foster, H. (1996) The Return of the Real. Cambridge MA: MIT Press.

Foster, H. (2002) ‘Archives of Modern Art’. October, Vol. 99, Winter. Cambridge MA: MIT Press.

Freud, Sigmund. (1901) ‘The Forgetting of Proper Names’, in The Psychopathology of Everyday Life. tr. Alan Tyson. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. 6. London: Vintage. 2001.

Goldsmith, K. (2005) ‘Sentences on Conceptual Writing’. Available: http://www.ubu.com/papers/kg_ol_goldsmith.html. Accessed 3 June 2015.

Goldsmith, K. (2011) Uncreative Writing : Managing Language in The Digital Age. New York: Columbia University Press.

Harrison, N. (2010) ‘The Pictures Generation, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity', Art & Education. Available: http://www.artandeducation.net/paper/the-pictures-generation-the-copyright-act-of-1976-and-the-reassertion-of-authorship-in-postmodernity/. Accessed 3 June 2015.

Kosuth, J. (1991) Art After Philosophy And After: Collected Writings, 1966-1990. Edited by Gabriele Guercio and Jean-François Lyotard. Cambridge: MIT Press.

Krauss, Rosalind. (1999) Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames and Hudson.

Krauss, Rosalind. (2011) Under Blue Cup. Cambridge: MIT Press.

Krauss, Rosalind. (2013) Perpetual Inventory. Cambridge: MIT Press.

Lippard, L. R. (1973) Six Years: The Dematerialization of The Art Object From 1966 to 1972. New York: Praeger. 1973.

Lobel, Michael. (2007) ‘Sturtevant: Inappropriate Appropriation’. Parkett, Vol. 75. Zürich: Parkett. 142-153.

Lütticken, Sven. (2002) 'The Art of Theft'. New Left Review, Vol. 13. Jan-Feb 2002.

Nehamas, Alexander. (1986). What an Author Is. The Journal of Philosophy, 83(11), 685–691. Retrieved from http://www.jstor.org/stable/2026619

Nietzsche, Friedrich. (1874) ‘On the Uses and Disadvantages of History for Life’, in Untimely Meditations, tr. R. J. Hollingdale. Cambridge: Cambridge University Press. 1993.

Pappas, Nickolas. (1989). Authorship and Authority. The Journal of Aesthetics and Art Criticism, 47(4), 325–332. http://doi.org/10.2307/431132

Riley, C. A. (1995) Color Codes. New Hampshire: UPNE.

Particularly on Deleuze and the notion of the proper name:

Bogue, Ronald. Deleuze’s Way: Essays in Transverse Ethics and Aesthetics. Farnham: Ashgate, 2007.

Deleuze, Gilles. Negotiations. Translated by Martin Joughin. New York: Columbia Press University, 1995.

Deleuze, Gilles. Desert Islands and Other Texts 1953-1974. Translated by Mihcael Taormina. Los Angeles: Semiotext(e), 2004.

Deleuze, Gilles. Difference and Repetition. Translated by Paul Patton. London: Bloomsbury, 2004.

Deleuze, Gilles and Felix Guattari, A Thousand Plateaus. Translated by Brian Massumi. London: Bloomsbury, 2013.

Deleuze, Gilles and Felix Guattari. (1991) What is Philosophy? Translated by Hugh Tomlinson and Graham Burchell. New York: Columbia University Press, 1994.

O’Sullivan, Simon. Art Encounters Deleuze and Guattari. New York: Palgrave Macmillan, 2006. Patton, Paul. Deleuze and the Political. London: Routledge, 2000.

Smith, Daniel. Essays on Deleuze. Edinburgh: Edinburgh University Press, 2012.

Genosko, Gary. Ed. Deleuze and Guattari: Critical Assessments of Leading Philosophers. London: Routledge. 2001