User:Luisa Moura/research/work/Luisa Moura, surveillance, 2014: Difference between revisions

Revision as of 15:02, 10 June 2014

Magritte Revisited, a camera installed on the back wall records the visitor from behind and plays it live in front of him on an HD screen. The image displayed should be as sharp as possible (...)

Social surveillance and Individual power
gallery space: one of the display stations gives full control over the camera set in the middle of the room, allowing the user to have a global visual access, with different levels of detail (zoom) to all works in display and other visitors whereabouts
   
 (references)

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 [[File:LMoura surveillance_0.jpg|x150px]] [[File:LMoura surveillance_1.jpg|x150px]] [[File:LMoura surveillance_3.jpg|x150px]] [[File:LMoura surveillance_4.jpg|x150px]]
+[[User:Luisa_Moura/research/references/Luisa Moura, surveillance, 2014 | (references)]]
-[[File:LMoura dan graham (1).jpg ‎|x200px]]
-[[File:LMoura dan graham (3).jpg ‎|x200px]]
-wikipedia: Dan Graham
-(...) Like these artists, Graham considered himself a writer-artist, publishing essays and reviews on rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His earliest work dealt with the magazine page, predating but often associated with Conceptual art. His work often focuses on cultural phenomena, and incorporates photography, video, performance art, glass and mirror structures. He lives and works in New York (...)
-Graham also incorporated video into installations, creating environments where video technology is used to alter the viewer's own bodily experience. One example is the 1974 installation/performance Present Continuous Past(s), Graham began to use two-way mirror walls in relation to real reflections and time-delayed video projections. Also in 1974, he created an installation with a series of videos called "Time Delay Room", which used time-delayed Closed-circuit television cameras and video projections (...)