Revision as of 21:18, 1 December 2013

Relation to previous practice

Aster, 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant

Nicole Hametner, Aster, 2008

Le Sapin, 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world

Nicole Hametner, Le Sapin, 2010

Schwarzes Licht, 2010: intention to transfer the image into space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates

Nicole Hametner, Schwarzes Licht, 2010

Montchoisi, 2011: photographs from a swimmingpool/ architecture from the 20ies/ different seasons/ the element of water and its different states/ from frozen towards constant flow

Nicole Hametner, Montchoisi, 2011

First Trimester at Piet Zwart: to build up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ pulsing thaumathrope, theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image

Thaumatrope, 2012

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 = Relation to previous practice =
-* ''Aster'', 2008: topic of the night in the center/ allows to talk about the process, reveal the unseen, latent image/ limit of perception, the invisible is the main referent/ theme of absence/ introspection, exp. portrait/ psychoanalysis/ exteriors becoming screens for inner images/ contemplation/ romanticism/ juxtaposition of pictural and photographic/ duration and instant
+* ''Aster'', 2008: topic of the night in the center/ allows to talk about the process/ to reveal the unseen/ the invisible is the main referent/ theme of absence/ introspection/ psychoanalysis/ exteriors become screens for inner images/ contemplation/ romanticism/ juxtaposition of the pictural and the photographic/ duration and instant
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-* ''Le Sapin'', 2010: media specificity, woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ blackness, deep black of the matrices/ again the night as central element/ at the border of the visibility/ oscillate between negativ and positiv, day and night/ black and white images closer to our nightvision/ the process of photography, to freeze and solidify in silver/ between the pictural and the photographic/ materiality of the polaroid portrait, the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world
+* ''Le Sapin'', 2010: woodcut vs photography/ duration of production of a wooden matrice and long time exposures on a sheet film/ deep black of the matrices/ again the night as central element/ mechanism of photography/ to freeze and to solidify in silver/ the photographic emulsion/ theme of the forest linked with the sublime/ portal to an imaginary world
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-* ''Schwarzes Licht'', 2010: light installation/ role of the audience/ oscillation of present and absent image, latent image/ greek mythology/ Freud's three casket theory
+* ''Schwarzes Licht'', 2010: intention to transfer the image into space/ light installation/ role of the observer/ oscillation between present and absent image during the cycle of day and night/ forced to wait to reveal the latent image/ juxtaposition of drug addict and toxic nightshades/ Freud's three casket theory leads to the topic of the three fates
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-* ''Montchoisi'', 2011: from forest to the element of water/ its different states/ from frozen towards constant flow (now found in the digital video image)
+* ''Montchoisi'', 2011: photographs from a swimmingpool/ architecture from the 20ies/ different seasons/ the element of water and its different states/ from frozen towards constant flow
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-* First Trimester at Piet Zwart: tried to link with previous investigations/ theme of perception/ techniques of the observer, 19th to 21st century/ [http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">pulsing thaumathrope</font>], theme of the after image/ dematerialisation/ from stillness to moving image/ intrigued by the temporal moving noise in the underexposed digital image
+* First Trimester at Piet Zwart: to build up on previous interests/ theme of perception/ techniques of the observer, 19th to 21st century/ [http://pzwart3.wdka.hro.nl/~nhametner/thaumatrope01.html <font color="black">pulsing thaumathrope</font>], theme of the after image/ from stillness to the moving image/ intrigued by the temporal moving noise in the underexposed digital image
 <table border="0" padding="2">
 <tr>