Creative Industries: Difference between revisions
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*Homework: create a formula for one or more of your previous works; | *Homework: create a formula for one or more of your previous works; | ||
==== | ==== 24-4 ==== | ||
*Morning: Review of formulas | *Morning: Review of formulas | ||
* | *Michel Gondry, You'll Like This Film Because You're In It (book) | ||
Michel Gondry, You'll Like This Film Because You're In It (book) | *Michel Gondry, Be Kind Rewind (film) | ||
Michel Gondry, Be Kind Rewind (film) | |||
==== 8-5 (Wednesday!) ==== | ==== 8-5 (Wednesday!) ==== | ||
*Morning: | *Morning: Conditional Design (to be confirmed) | ||
*Afternoon: Idea development | *Afternoon: Idea development | ||
==== moving seminar to Friday, 17-5==== | ==== moving seminar to Friday, 17-5, 14-20:00 ==== | ||
* | *Adorno/Horkheimer, Dialectics of Enlightenment | ||
*Guest tutorial/lecture with Johannes Kreidler (composer) on his | *Guest tutorial/lecture with Johannes Kreidler (composer) on his | ||
composition "Outsourcing", "Charts Music" and his work with Microsoft | composition "Outsourcing", "Charts Music" and his work with Microsoft | ||
Songsmith | Songsmith | ||
==== 29-5 (Wednesday!) ==== | ==== 29-5 (Wednesday!) ==== | ||
Revision as of 16:20, 16 April 2013
In the 21st century, the notion of creative industries has begun to globally replace established notions of arts and culture. Yet the term has a strong 20th century legacy of the classical film, music and mass media industry. This history is by no means simply a corporate history. Artists themselves have created various industries of their own, from Oulipo's literary writing with formal constraints via the Warhol factory to Michel Gondry's Home Movie Factory. In other cases, such as Jamaican dub production, Malcolm McLaren's punk and Jess Franco's b movies, the culture industry product also became experimental. In this Thematic Seminar, we will reconstruct the discourse on creative industries from Theodor W. Adorno and Max Horkheimer up to the Dutch TopTeam Creatieve Industrie, investigate the machineries of various creative industries and experiment with our own formulas.
Schedule
Thursday, 11 April, 13-17
- Kick-off, brainstorming, planning
- Film: Banksy, title sequence for the Simpsons
- Film: Art Safari, The Contemporary Art Bubble (BBC documentary)
15-4 (Monday!)
- Morning: Sol LeWitt, Instruction-based paintings
- option: guest lecture Pawel Kruk on his modification of a Sol LeWitt
drawing, guest Skype session Stéphanie Vilayphiou on her work Sol LeWitt 2.0
- Afternoon: Reading: Nelson Goodman, The Languages of Art, on
autographic and allographic art
- Reading: Oulipo (rule-based writing), A Primer of Potential Literature
- Homework: create a formula for one or more of your previous works;
24-4
- Morning: Review of formulas
- Michel Gondry, You'll Like This Film Because You're In It (book)
- Michel Gondry, Be Kind Rewind (film)
8-5 (Wednesday!)
- Morning: Conditional Design (to be confirmed)
- Afternoon: Idea development
moving seminar to Friday, 17-5, 14-20:00
- Adorno/Horkheimer, Dialectics of Enlightenment
- Guest tutorial/lecture with Johannes Kreidler (composer) on his
composition "Outsourcing", "Charts Music" and his work with Microsoft Songsmith
29-5 (Wednesday!)
- Preassessment of projects
14-6 (Friday!)
- Progress report
20-6
- Last-minute bugfixing of projects
22-6 (Saturday!)
- Creative Industries at WORM
Links and gems
- To Larry from Justin Kemp:
- A short (danish) article on the 'Painting Factory' - please bear with google translate. Read it here: 'Malerifabrikken'
