LB2 2024 and V2 + WORM: Difference between revisions

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'''Installation:'''
'''Installation:'''


1 / Back projection on large screen, which touches the floor (around 2 meters in length if possible? I know the 3x4 measurements are thrown out the window now, as you will probably not have a screen for back projections in those measurements, but that's how it is). I would enjoy this being in V2, as the floor would reflect the image nicely, but I trust your vision: )
1 / Back projection on large screen, which touches the floor (around 2 meters in length if possible? I know the 3x4 measurements of the super 8 footage are thrown out the window now, as you will probably not have a screen for back projections in those measurements, but that's how it is). I would enjoy this being in V2, as the floor would reflect the image nicely, but I trust your vision: )


2 / Altar installation (approx 2x2meters and 1,5 meters away from the screen). This will need a spotlight(please not too cold light if possible) from above to highlight the objects and will include around 5 candles.
2 / Altar installation (approx 2x2meters and 1,5 meters away from the screen). This will need a spotlight(please not too cold light if possible) from above to highlight the objects and will include around 5 candles.

Revision as of 18:19, 12 June 2024

LB2 Graduates 2024 and V2_ + WORM

Collaboration between LB2 graduates of 2024, V2_ and WORM.

Florian Weigl and Wilco Tuinman

Apparatuurlijst V2

V2_ plattegrond GF

UBIK floorplan

Timeline

---> week 20

FRI 17 May - PRESS ---> WORM - save the date -short text - image - title -links (websites - instagram) (closer to the show you can change and expand)

WORM SPECS: Nia Konstantinova PR & Communications "It is best to have a square image (1:1 ratio) max 2 mb. We don't have a word count but shorter texts are always better. Because we can only upload the main image to the website and a lot of text looks heavy."

---> week 22

Thu 30 May - Deadline 09:00 LB2 assessment documents to archive

---> week 23

MON- TUE 3-4 June - Final assessments

THU- FRI 6-7 - Gallery Installation with Stefanos

---> week 24

MON 10 - (????time-schedule????) Short presentation of all graduates, Florian, Wilco, and Simon will join the seminar for the day

TUE- THU 11 - 13 - Gallery Installation with Stefanos

---> week 25 -

(if not earlier) PRESS FINAL VERSIONS TO V2_ and WORM / scheduling opening speeches- performances- tours. (make sure to have XPUB involved that there are no conflicts with their schedule) [think about music/noise playing in CS]

MON 17--> FRI 21 Visit Meely and pick up furniture -all in one go (????what day is best, arrange with Leslie and Wilco????)

SAT-22- SUN 23: PZI-OFFLINE-WDKA SERVER MIGRATION, note for service: Yes, indeed there is no network that weekend. Not on Saturday June 22, but maybe on Sunday. Depends on the migration duration. During that weekend, Facilitair will also set up for the Grad Show.

---> week 26 -

MON 24 (????time????) transport LB/XPUB - MTS equipment will arrive

TUE- WED 25- 26 - V2_ and UBIK ----> build

WED 26 19:00 - 23:00 - Alumni Illuminata, CS WORM

THU 27 (????time????) - Opening LB and XPUB - V2_-UBIK-S/ash Gallery WORM


---> Exhibtion continuing

LB + XPUB stewards gallery schedule + ???? how to turn off and on tech support if needed A4 ????

?????LB1/2 photographing schedule for Archiving?????

---> week 27

MON 01 July - de-install and transport (????time????)

MON 01 July 16:00 - 18:00 LB graduation ceremony, in WORM CS

All declarations need to be declared via HINT before you leave at the latest MON 01 JULY

V2_ equipment rental and media player specs

    Wilco would like to double-check the time of communicating equipment to be rented from MTS. (deadline TBC at the latest in the week after our meeting on June 10). 

LB2, V2_ and Stefanos have agreed (Wilco is quite sure) that the goal is to have the films finished by June 17, so that there is enough time to sync them and put them on the media players. MTS equipment will arrive on Monday, June 24.

    These are the desired specs for the MTS media players; 
    The videos may be supplied in the following specs: 
     Format h264/mp4 CBR, CBR is important for the brightsigns, stands for constant bitrate. 
     Max 25 Mb/sec with AAC sound 
     Wilco assumes everything is HD? - if not let him know

Declarations & moving out

Please declare your 200 euros in one go. 200 euros per grad, (uploaded invoices can be higher than that, you claim 200 euros) - reference GRAD SHOW STUDENT COSTS 24. -->Budget number: 510350

When leaving PZI< please save your work to a hard drive and strip your data from your computer - DEADLINE- WEEK 34 ---> THU 18, July

Press text WORM

Master students of the Lens-Based Media programme at the Piet Zwart Institute invite you to their graduation show at V2_ and WORM, Rotterdam.
We are here and we need to tell you something. CURRENTLY, CURRENTLY, CURRENTLY brings attention to urgent questions through the practice of moving image. Along 14 distinct works, each their own current, we explore personal, political and ecological concerns in the world we live in.
Currently, it has to do with all of us.
CURRENTLY, CURRENTLY, CURRENTLY is open from the 27th to 30th June 2024.
opening times
Opening: Thursday 27th June: TBD
Friday 28th June: 12:00–21:00h
Saturday 29th June: 12:00–18:00h
Sunday 30th June: 12:00–18:00h
where
V2_Institute for the Unstable Media, Eendrachtsstraat 10, 3012 XL Rotterdam
& UBIK/WORM, Boomgaardsstraat 69, 3012 XA Rotterdam

Student assistants

Add here the names and contact details of two students who will be the liaison between LB2 and V2_/WORM.

liaisons: Yalou and Lau, (please add your contact details here)

Yalou Groeneweg: yalou@hotmail.nl, +31647485298

Graduates proposals

  • Please add your name, email address and phone number plus a logline, short bio (third person - 30-40 words), project descriptions (50-60 words), and images. If you have sketch ideas for installation upload the drawing(s). Remember this is a fluid wikipage. But a good place to incubate and harvest your press releases, tech riders, etc. (see the previous year's page for examples ).

Student Name

Contact info
Your contact info here

Project title
Your project's title here

Logline
Your project's logline here

Artist Bio
Your short biography here

Images


Yalou


Student Name

Yalou Groeneweg


Contact info

yalou@hotmail.nl, +31647485298


Project title

Éva


Logline

An intimate conversation between a mother and a daughter who delve into the depth of generational trauma and its profound beauty, all through the memories of their (grand)mother, Éva.


Artist Bio

Yalou Groeneweg (Rotterdam, 1998) a visual artist who balances journalism and visual art. She uses investigative, journalistic elements and combines these elements with more artistic and personal visualisations. This provides a dance between objective inquiry and subjective interpretation. Her main focus is on personal and familial narratives, history, religion, and consciousness.


Images

Éva Isis on the cello.png
Éva in the hospital.png
Éva looking in the camera.png




Clara

Student Name
Clara Franke

Contact info
frankeclara@aol.com, +4915204912709, www.clarafranke.com, @frankeclara

Project title
Bodies of Water

Logline
The ritualistic film, and ceramics installation Bodies of Water contemplates humans disconnect to, and exploitation of the environment.

Super 8 shots of an imaginary ritual, staged in a quarry lake – formed by clay mining, are juxtaposed with images of still active clay extraction sights.

Ceramic objects and instruments serve in the film and installation as a form of honouring communication with nature as a more-than-human entity.

Artist Bio
Clara Franke (1998, Hamburg), multidisciplinary artist/designer shaped a practice moving swiftly between photography, filmmaking, ceramics and costume design.

The intimate, calming world she builds evolves around topics of community/collaboration, the body, (spiritual) eco-feminism, mysticality, and contemplation of consumerism.


Images

Bodies of Water Final.jpg


Final Installation draft for Florian

Name: Clara Franke

Project: Bodies of Water

Installation:

1 / Back projection on large screen, which touches the floor (around 2 meters in length if possible? I know the 3x4 measurements of the super 8 footage are thrown out the window now, as you will probably not have a screen for back projections in those measurements, but that's how it is). I would enjoy this being in V2, as the floor would reflect the image nicely, but I trust your vision: )

2 / Altar installation (approx 2x2meters and 1,5 meters away from the screen). This will need a spotlight(please not too cold light if possible) from above to highlight the objects and will include around 5 candles.

3 / I can possibly install a second altar in one of the "transition spaces", which would also need 1 spotlight from above and a small wall to attach the hanging pieces, as seen in the image below.

Large back projection.jpg
Altar close up.jpg
Small altar.jpg


Muyang


Student Name

  • Muyang Teng

Contact info

Project title

  • Box Man / Another Face / Human Spring / Everyday Birthday

Logline

These urgent poems were written by the author between December 2023 and June 2024 to address the ongoing anti-Asian and anti-queer weather, creating rhythms of Tidalectics.

Project title

  • Octopus in Drag

Logline


Octopus in Drag is a 3D animation, set in a white porcelain toilet symbolizing Western views on Chinese purity. It features a creature from the animality of Yellow Peril & Fu Manchu, using drag to exhibit racial & queer toxicity. It explores (im)penetrability, transfiguration & unreliable surfacing of (queered) yellow-skinned people, advocating a (porous) transfeminist perspective inspired by I Ching.

Images

Cut31 2(24) DeMain 1081.png
Cut31 2(20) Main 0512.png
Jfwhiwfhwi.png
222432.png
333fnghb.png


Artist Bio

Muyang Teng, born in 1998 in Changzhou, Jiangsu, is a QPOC poet and image-maker. They explore how racial melancholy affects individual and collective identities, utilizing various cultural symbols and performance styles to transcend archival, cultural, and geographical boundaries, creating a new way of interpretation that challenges the traditional understanding of history and reality.


Claudio

Student Name
Claudio Tola

Contact info

+39 348 913 7730

cldtl.com

cldtlstudio@gmail.com

Project title
BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES

Logline
BLIND SPOTS, LIGHT TRICKS/TRACES, FLASHES AND FAILURES articulates in an installation form a multifaceted reflection on the blurred spaces between vision and blindness, visibility and invisibility, technologies of image-making and experiencing, subtly merging personal, political and formal concerns.

Images

Screenshot 2024-05-15 at 12.25.02.png


Screenshot 2024-05-15 at 12.24.15.png



Artist Bio

Suburban melancholic, digital nihilist, full-time flâneur. Mostly makes images move, writes in fragments, endlessly edits. His recent practice questions material and immaterial stakes of images, vision and visibility, lingering on thresholds, edges and moments of failures. He is a member of artist-run film lab Filmwerkplaats.






Sam

Student Name
Sam Koopman

Contact info

(+31) 640070740

skoopman.com

bioskoopman@gmail.com

Project title
Work(ing Together) in Process

Logline

Two strangers met in a sex shop. With differing motivations, they began a multi-year film project. Work(ing Together) in Process is a romantic comedy desktop film performing an autopsy upon their tragic collaboration.

Artist Bio

Sam Koopman is a Dutch-Canadian artist and filmmaker based in Rotterdam. His practice inquires upon the border of documentary and fiction, exploring his encounters with people and place – their mundanities, vulnerabilities and absurdities. Central to this is a focus on humour and participatory processes for meaning making, often questioning the role of his lens.

Images

Work(ing Together) in Process (STILL FRAME 01) SKoopman 1.png

Work(ing Together) in Process (STILL FRAME 02) SKoopman.png Work(ing Together) in Process (STILL FRAME 03) SKoopman.png





Arabella

Student name:

Arabella Turner

Contact info

https://arabellaturner.net/

(+31) 6 81276510
arabellaturner@hotmail.co.uk

Project title
As Cliffs Roar, Caves Whisper

Logline
In 1783 two riding officers survey a horizon from a clifftop in southern England. On the beach below, in 2043, a geologist investigates the caves and surrounding geological forms for useful minerals. Through geological, technological, animal and human gazes we traverse between these two timelines, creating a composite reflective of the geologically rich landscape in which both narratives take place.

Artist Bio
Arabella Turner (UK/NL) is an artist and filmmaker using video, sound, digital 3D modelling, and text. Her films intricately layer timelines, merging historical and contemporary narratives, revealing the present in the past. In her scripts and text-based works, she explores the shapes and structures of storytelling.


Images


ACRCW 3


ACRCW 2



Aitana

Student Name

Aitana López Rodrigo

Contact info

0034622142937

alrart250@gmail.com

Project title

A Dismissal is a Piece of Paper

Logline

“A dismissal is a piece of paper” is an 8-minute film that recalls a job dismissal. Playing with its density, rhythms and imbalances, it points out power roles and the hidden violence in neoliberal discourses.

Artist Bio

Aitana López is a Spanish artist working between Rotterdam and Madrid. Drawing on her own work and personal experiences, her work is based on a critique of the patriarchal and neoliberal values that surround us. With a language that lies between the audiovisual and the plastic, her practice also proposes an active reflection between form and content.

Images

Still APieceOfPaper 2.png


Still APieceOfPaper 5.png


Still APieceOfPaper 10.png



Te

Student Name

Panida Petchara (Te)

Contact info

panidapetchara.com

panidapetchara@gmail.com

+31613264576

Project title

Dream Weaver 555

Logline

The newly released enigmatic amulet 'Dream Weaver 555' promises to unlock the gateway to realizing dreams, offering hope beyond reach where wishes materialize within the depths of dreams.

Artist Bio

Panida Petchara (Te) is a photographer and visual artist working between Bangkok and Rotterdam. She transforms everyday objects into fictional narratives, sparking reflection with satirical humor and playfully exploring superstitions, capitalism, and socio-political themes.

Images

SANFUN555.png
DREAM WEAVER 555 AMULET.png
Sleep.png




Lau

Student Name

Lau Zautsen

Contact info

www.laurenszautsen.nl

laurens.zautsen@hotmail.nl

Project title

Painting it Pink

Logline

Through an essayistic trip in which past and present get intertwined, Lau attempts to grasp their messy family history and the stories that have informed them throughout the years. They do everything possible to get closer to two key memories of their parents, even recreating and re-enacting these experiences.

Artist Bio

Lau Zautsen is a visual artist and filmmaker, based in Utrecht. In their practice Lau challenges and explores the dominant narratives that shape our subjective understanding. They explore this interest in a playful approach through various mediums: film, text and performance. They are also part of a queer performance collective called KALEIDO.  

Images

Image 1
Picture by Clara Franke
Drie prinsen op een rij.jpg


Nosh

Student Name

Nosh Neneh

Contact info

www.noshneneh.com

noshneneh@gmail.com

Project title

Living Monuments of the Deep + Pale Futures

Logline

Living Monument of the Deep, a multi-channel installation, portrays a post-apocalyptic landscape where all the seas have dried up, leaving behind vast expanses of barren, cracked earth. The once vibrant oceans that teemed with diverse marine life are now nothing more than parched wastelands, where only a few creatures remain, struggling to survive.

Pale Futures is a series of algae-based sculptures embodying imprints of endangered coral species.

Images

Living Monuments Of the Deep, Still 3
Pale Futures 2.jpg




Nina

Student Name

Nina Rojc

Contact info

https://ninarojc.com

ninaa.rojc@gmail.com

Project title

Memories I don't remember

Logline

Memories I don’t remember is a short film that follows my journey of collecting memories and stories of a family from Croatia that lived in the house of my grandmother in 1991/92 in which I have also lived for the first year of my life. I have photographs of the family taken by my father where I am also present, but I have no memories of my own as I was so little.

Artist Bio

Nina Rojc was born in Slovenia but considers herself a citizen of the world. She is interested and inspired by anything unusual, especially human relationships and behaviour, our relationship to nature and how to decolonize, change and revolutionize systems of oppression and our learned ways of seeing. Her work might appear simple at first, but she intentionally strips it of all unnecessary layers, to bring audience closer to the essence of life, to all that lies beneath the surface and might not be necessarily visible, obvious. She aims to draw attention to the diversity and complexity of this world, to allow us to recognize and accept all that do not conform to established norms and to see many ways in which these participants enrich our co-existence.

Images

Screenshot 2024-04-18 at 19.59.33.png


Luni

Student Name

Luni Milda Jančoraitė

Contact info

mljancoraite@gmail.com

https://lunifolio.myportfolio.com/work

Project title

Divine Dogs, Whispering Stones

Logline

"Divine Dogs, Whispering Stones" is a 15-minute experimental documentary that blends documentary and meditative storytelling to explore the timeless connection between humanity, nature, and divine powers. Inspired by the ideas of Lithuanian-American archaeologist Marija Gimbutas, this film offers a journey of reflection and reconnection with Baltic ancestral wisdom.


Artist Bio

Luni Jančoraitė is a visual artist from Vilnius (LT) based in Rotterdam (NL), often creating films in the genre of poetic documentary. Her work blends classic, experimental, and essayistic styles of documentary filmmaking, intertwining personal and historical narratives. Exploring the historical and cultural contexts of her homeland Lithuania, her films reflect on the intricate entanglement of past and present.


Images

please use this image for the booklet
Screenshot 2024-05-17 at 13.34.32.png
Screenshot 2024-06-11 at 21.05.00.png




Ieva

Student Name

Ieva Grabauskaite

Contact info

ievagrab@gmail.com

Project title

The Chronicle

Logline

The Crohnicle is an experimental animation about the metaphysical and existential inquiries brought on by sickness. It is inspired by personal experience, narrated by a voiceover, quoting and interpreting Virginia Woolf's essay On Being Ill. The slow-paced atmospheric soundtrack offers a contemplative thinking space while exploring the topics of self-introspection and different modes of being through the lens of illness.


Artist Bio

Ieva Grabauskaite is a Lithuanian illustrator and animator who mainly works in the 2D field, combining abstract visuals with hand-drawn sketches, VFX, and collage animations, creating abstract optical atmospheres accompanied by music. Her works incorporate subconscious, surreal, and psychological themes derived from personal experiences.


Images

Screenshot 2024-05-17 at 21.08.34.png
Screenshot 2024-05-17 at 21.41.42.png
Screenshot 2024-05-17 at 21.46.23.png

Annemiek

Annemiek Höcker

Contact info

annihocker@gmail.com, +31615237720

Project title

Flowering Fields in Optimistic Decay: Chapter One

Logline

Flowering Fields in Optimistic Decay: Chapter One is a speculative essay film exploring the possibility of collaborative survival inside the depleted landscapes of Kennemerland. By entangling sonic landscapes, more-than-human perspectives and patterns of ecological disturbance, the work reveals the complex relationship between humans, nature and landscape transformations in context of environmental doom caused by capitalist systems.

Artist Bio

Annemiek Höcker (1994, NL) is a visual artist morphing between the practices of graphic design, moving image, field recording and installation. Her work explores the depiction of landscape transformations in context of environmental tragedy through reimagined perspectives of ecological and geological matter.


Screenshot 2024-05-23 at 17.08.37.png
Screenshot 2024-05-23 at 17.08.53.png
Screenshot 2024-05-23 at 17.09.07.png

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Sara


Student Name

Sara Fattahighahnaviyeh


Contact info

Saaraafattahi@gmail.com, +31616432259


Project title

Somewhere to be


Logline

Somewhere to be is a visualization of The Iranian government's relentless quest to silence women's presence physically and digitally from society in post-revolution Iran.


Artist Bio

Sara Fattahighahnaviyeh (Tehran, Iran, 1997) is a visual artist based in Rotterdam. Sara's projects heavily focus on social justice, activism, and feminism. She is a visionary who always seeks to push the boundaries of storytelling and explore new methods of self-expression.

Somewhere to be 1.jpg
Somewhere to be 2.jpg


Helpful resources

Use the following as a reference when planning your proposal.

V2_ Floorplan
V2_ Floorplan
WORM UBIK Floorplan
WORM UBIK Floorplan
Technical Rider Template UBIK
Technical Rider Template UBIK