User:Tesse B: Difference between revisions
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A little log of the inspirations floating by in- and outside the walls of the school. | |||
'''Aliki van der Kruijs & Jos Klarenbeek - Kadans 2.0''' {{Expand section}} | '''Aliki van der Kruijs & Jos Klarenbeek - Kadans 2.0''' {{Expand section}} | ||
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During our introduction to podcasting with Leah Howd, she showed us an example by the podcaster/visual artist/writer '''JT Green'''. I haven't looked into her work that much yet, and I don't know what exactly it is that appeals to me so much, but for some reason her [https://www.jtgreen.me website] just makes a lot of sense to me. The way of presenting everything and the messy collage-ness of it all just feels very right. | During our introduction to podcasting with Leah Howd, she showed us an example by the podcaster/visual artist/writer '''JT Green'''. I haven't looked into her work that much yet, and I don't know what exactly it is that appeals to me so much, but for some reason her [https://www.jtgreen.me website] just makes a lot of sense to me. The way of presenting everything and the messy collage-ness of it all just feels very right. | ||
=== Outputs === | === Outputs === | ||
[[pre-EYE thematic]] | [[pre-EYE thematic]] | ||
Revision as of 12:08, 4 October 2023
Hi there :)
Methods
Inputs
A little log of the inspirations floating by in- and outside the walls of the school.
Aliki van der Kruijs & Jos Klarenbeek - Kadans 2.0 After a day of being stuck looking at a screen full of waves, lines and spoken things, I dropped by the exhibition 'Choreographed events' at Garage Rotterdam. There was the work Kadans 2.0 by Aliki van der Kruijs and Jos Klarenbeek. They had taken the movement of the sea as a guide for patterns in fabric. Their use of data reminded me of what had drawn me to the sea in the first place, the moments of ebb and flow that denote a measure of time only shared between the moon and the water. I had looked up the hours of the tides before going there to film, perhaps to catch a six hour block with the levels at its highest and lowest (I didn't do this in the end, the timings weren't handy and also six hours is quite long). I think I will go back to this essence for a bit, see what I can do with data, or perhaps simply with this form of timekeeping.
Also at the exhibition was a work by Heleen Blanken, of which I happened to have seen another work last Sunday as well at the Stedelijk Museum Schiedam. I don't think my work relates to hers at all, but it is incredibly cool.
Hira Nabi - How to Love a Tree: Wild Encounters Currently shown at Foam, a gorgeous three-channel video installation about Pakistani forests put at risk by imperialist and capitalist hands. Speaks from a sense of deep time, rather than human time. https://www.foam.org/events/hira-nabi-3h
I was thinking about what feeling, or perhaps what style I would like to explore and move into for the Eye project and I had to think back on Eva Giolo - The Demands of Ordinary Devotion with its cyclical movements, its creation of meaning through repetition and how this of course builds over time, but also doesn't need that long to do so. And on the Beatriz Santiago Muñoz's - Oriana exhibition at Argos a few months back, with how incredibly sensorial it was without necessarily focusing on that in an obvious way. How the videos in the installation didn't feel looped because there was no beginning and end, but still there was a progression to be felt.
During our introduction to podcasting with Leah Howd, she showed us an example by the podcaster/visual artist/writer JT Green. I haven't looked into her work that much yet, and I don't know what exactly it is that appeals to me so much, but for some reason her website just makes a lot of sense to me. The way of presenting everything and the messy collage-ness of it all just feels very right.