User:Llujan: Difference between revisions
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==== Ethics & participatory art ==== | ==== Ethics & participatory art ==== | ||
A Restless Art: How Participation Won, and why it Matters. François Matarasso | |||
Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop | Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop | ||
[https://mitpress.mit.edu/books/ethics Ethics] - Edited by Walead Beshty | |||
[https://gulbenkian.pt/en/publication/ethics-and-participatory-art/ Ethics and Participatory Art] - Arlene Goldbard, François Matarasso | |||
==== Hauntology & horror genre ==== | ==== Hauntology & horror genre ==== | ||
Revision as of 18:09, 24 March 2022
Luis Luján 🇲🇽
Reading, Writing & Research Methodologies
Luis Text on practice (first draft, March 2022)
What/How/Why - The abandoned house
Short experimental text on practice
Self Reflection
Archontic analysis of concepts, resources and projects
Reading list
Decolonialidad & migration
Esferas de la insurrección. Apuntes para descolonizar el inconsciente. Suely Rolnik
Migration As Decolonization. Tendayi Achiume
The Figure of the Migrant. Stanford University Press. Thomas Nail
Vistas of Modernity – decolonial aesthesis and the end of the contemporary. Rolando Vázquez
Ethics & participatory art
A Restless Art: How Participation Won, and why it Matters. François Matarasso
Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop
Ethics - Edited by Walead Beshty
Ethics and Participatory Art - Arlene Goldbard, François Matarasso
Hauntology & horror genre
Borders and ghosts - Nermin Sayibasili
A glossary of haunting - Eve Tuck and C. Ree
The Philosophy of Horror - Noel Carroll
Philosophy
A Weak Messianic Power Figures of a Time to Come in Benjamin, Derrida, and Celan - Michael G. Levine
On the Concept of History - Walter Benjamin