User:Llujan: Difference between revisions
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A Restless Art: How Participation Won, and why it Matters. François Matarasso | A Restless Art: How Participation Won, and why it Matters. François Matarasso | ||
[https://www.mondriaanfonds.nl/en/activities/vistas-of-modernity-decolonial-aesthesis-and-the-end-of-the-contemporary/ Vistas of Modernity – decolonial aesthesis and the end of the contemporary]. Rolando Vázquez | |||
Revision as of 18:26, 23 March 2022
Reading, Writing & Research Methodologies
What/How/Why - The abandoned house
Reading list
Nermin Sayibasili - BORDERS AND GHOSTS
Ethics. Edited by Walead Beshty.
Artificial Hells: Participatory Art and the Politics of Spectatorship. Claire Bishop.
A Restless Art: How Participation Won, and why it Matters. François Matarasso
Vistas of Modernity – decolonial aesthesis and the end of the contemporary. Rolando Vázquez